❊ Composed by Jihem Rita and mixed by Manuel Duval 
Vocals, acoustic and electronic percussion, rhythm box, organ, trumpet, harmonica and salad spinner played and recorded by Johann Mazé in Tabanac and Saint-Martory
❊ Violin on 'Hayton Fayon' played and recorded by Sourdure in Thiers
❊ Mixed with Manuel Duval at the Grange Cavale
❊ Mastering by Ernest Bergez (Sourdure)
❊ Artwork by Josué Confort ©

CD02_SPLIT

A1 - Jihem Rita - Hayton Fayon (avec Sourdure Au Violon)

wires that used to connect beings with each others are damaged
cyclops hidden in the forest of information are waiting for a second eye that could give them perspective
this is not about us
trying to reach the other side of the underneath, our astral bodiex are exhausted
this is not about us
the kin goes beyond and spreads its energy all around
the love we've created does not belong to us
we kiss dying people foreheads to make them feel the warm
the healing path glows so we can find it in the dark.

the love we've created does not belong to us

At some point, the music came. Inadvertently. A noise, followed by another, followed by another. Resulting in a melody, or a rhythm. Gathering everyone around, suddenly drawn by this weird lullaby, asking the neo-instrumentalists to repeat the enthralling loop, endlessly.
Then, the discovery spontaneously spread across frontiers, across ages. Up to this day, laden down with all the knowledges and influences collected along the road.
Stéréogramme, the newest Parisian label, dedicates its initial imprint to this journey. To the strange and captivating music filled with ancient sounds and atmospheres, yet produced today. As a manifesto of the coming explorations to be released: library, leftfield electronics, freak folk, minimal synth, fourth-world…

A 50-minute cassette compilation to highlight ten worldwide producers, providing two distinct listening experiences. A joyous first part, featuring playful and extravagant contributions from Hipólito, Lyckle De Jong, Charlotte Leclerc, Manoir Molle and Romain de Ferron. Making way for a darker second act, tinged with psychedelic and mental abstractions from Steve Pepe, Chorus Abstracta, Raymonde, Inturist and Bear Bones, Lay Low.

Designed by the infamous Structure Bâtons - as another bond with minimalist and naïve art -, a hundred tapes for just as many cover combinations, thanks to various artworks and stickers.

Available on March 4: https://stereogramme.bandcamp.com/album/interactive-pictures 

@stereogramme
@mollemarionmusique

------
FEEL THE SPIRIT
Bandcamp: bambooshows.bandcamp.com/​
SoundCloud: soundcloud.com/bambooshows/​
Facebook: facebook.com/bambooshows/​
Instagram: instagram.com/erevan_bamboo/​
YouTube: bit.ly/YouTubeBambooShows
Spotify: bit.ly/SpotifyBambooShows
Web: www.bambooshows.com​
Discogs: bit.ly/DiscogsBambooShows
Mixcloud: mixcloud.com/bambooshows/​
Contact: bambooastruth@bambooshows.com

Interactive Pictures (STG001)

℘ཞɛɱıɛཞɛ ≈ Manoir Molle - Pradorne [Stéréogramme]

Side A from the forthcoming N/A 7" release, Inertia by Little Annie meets @night_foundation

https://noir-age.bandcamp.com/album/inertia

A multidisciplinary artist, and avant-garde icon in her own right, Little Annie leaves little room for an introduction that is worthy of her prolific career. She has remained relevant for over four decades through her innate spirit of experimentation and the multiplicity of her genre-bending collaborations with artists traversing the globe such as Adrian Sherwood, Swans, Wolfgang Press, Kid Congo, Current 93—the list goes on!

For this release, Noir Age is proud to present a 7” single of new material from Little Annie in collaboration with South Florida-based producer and label owner Richard Vergez, recording here under the moniker of Night Foundation. Annie and Richard met back in 2016 after a gig at the ICA in Miami through their mutual friend—Drew McDowall of Coil.

Sharing a requited spirit for visual art and music, they became fast friends and began collaborating, conjuring what you hear on this release: Inertia.

Releases March 3, 2023

Words by Little Annie
Music by Night Foundation
Mastered by KRAMER
Design by Noir Age

Little Annie meets Night Foundation - Inertia (NA055)

MM PREMIERES are meant to transcend the ordinary and immerse themselves in the sacred realm of music, beholding the unseen and embracing the new melodic tapestry even before it unveils itself to the world.

Operating under the evocative pseudonym, Fiesta En El Vacio, this artist masterfully summons a rich array of Latin musical influences that define her career. Here, the soulful strains of Castilian flamenco and the heartfelt ballads of Venezuela gracefully converge with the vibrant energy of new-age urban music, incorporating reggaeton rhythms and cutting-edge electronics.

Within these mesmerizing instrumentals, which challenge convention and infuse complexity into the narrative, the unyielding lyrics leave no room for compromise. This record, titled "Rosal," boldly proclaims the liberation of women, underscores the enduring battles for justice, and wages a resolute fight against a status quo that no longer serves anyone.

Today, we present the premiere of the track "Dimmi" from the album "Rosal" by Fiesta En El Vacio. "Dimmi" is not merely an impassioned outcry from the depths of the heart; it is, above all, an inspiring call to hope—a grand and benevolent initiative.
            
CREDITS :
Music, Voices, Lyrics: Luna Maria Cedrón aka @fiesta-en-el-vacio
Recording: Luna Maria Cedrón
Mix: Luca Retraite
Mastering: Manuel Duval
Artwork and Layout: Mona Chancogne
Label: @TeenageMenopause
Format: Vinyl & Digital
Release date: 22th of Sep 2023
Pre-Order here: https://teenagemenopause.bandcamp.com/album/rosal

Pre-Order

MM PREMIERE 008 | Fiesta En El Vacio - Dimmi [Teenage Menopause Rds]

Luvaphy

Squarpy

viprax

Dijit - Sarkh - ٧- صَرخ

In support of one of our favourite arts & culture (un)establishments*

We have collected a raft of tracks from people connected with the space in one way or another - people who don't want to see Berlin lose a corner stone for emerging artists & musicians.

By sharing, donating & purchasing this cassette tape you will directly help with the longevity of our beloved Pineapple.

buy tape

Low Budget Aliens - REFLOW ARRAY BUFFERING TOOL

WAX:
https://www.rubadub.co.uk/records/critical-amnesia

DIGI:
https://xpqsound.bandcamp.com/album/critical-amnesia

Critical Amnesia xpq?4 clips

A digital release on Superpang Label: https://superpang.bandcamp.com/album/groups-articulations-of-the-real

The work derives from a study of the group theory and sonification model of physical objects interacting with each other according to various forces such as attraction, repulsion and gravity. In the context of music composition, the group theory was developed by Iannis Xenakis as a method organizing musical objects into so-called “sound complexes” (Xenakis prominently used the method in Nomos Alpha (1965) for solo cello). “Sound complexes” are highly structured musical objects which - alike Gestalten in perception theory - can be easily recognized from a perceptual point of view.

Fundamental for the emergence of ‘Groups: Articulations of the Real’ was a computer simulation of physical force fields. A force field is a mathematical expression describing the dependence of the energy of a system on the coordinates of its particles. It consists of an analytical form of the interatomic potential energy and a set of parameters entering into this form. The parameters are obtained by fitting to experimental data.

The iterative form of the composition moves from a global perspective of objects gradually attracting each other, oscillating, merging and colliding with its elastic boundaries, towards a close-up view of a rupture. In a way, the work attempts to articulate the real physical processes through computer-generated sound.

SP34|Marcin Pietruszewski - Groups: Articulations of the Real

www.marcinpietruszewski.com

marcin pietruszewski (born 1984) a composer and researcher.
 
 
He is engaged in sound synthesis and composition with computers, exploring specific formal developments in the tradition of electroacoustic music and contemporary sound art, as well as extra-musical domains of auditory design, computational linguistics and psychoacoustics. He works across performance, multimedia installation and radio productions probing the dynamics between formalism of synthetic sound and its material realisation.                             
 
 
He has collaborated extensively with musicians and composers - e.g., Marcus Schmickler (performed and recorded Schmickler's Demos for choir, chamber quintet and electronics), Tristan Clutterbuck (fancyyyyy), Jules Rawlinson and Lauren Sarah Hayes. Recent projects include a collaboration with Florian Hecker and a graphic design company NORM from Zurich, a philosopher Chris Schambaugh (The New School, New York), choreographer and dancer Agnes Cebere (Martha Graham School of Contemporary Dance, New York), the Laboria Cubonics Collective (the authors of Xenofeminist Manifesto).
 
contact: studio@marcinpietruszewski.com