Alan Fitzpatrick - A Small Decline (Mark Broom Remix)

The more important ones are likely to keep it underground. Started around 2005 by two guys, that year was the year they had their first full release with a record label. The first tracks ever written as Cold Project was called Night Today, very progressive. But from 2013 Ian Jukes has been doing alone! From Johannesburg, South Africa - Cold Project drop new music and adventurous EP after 3 years.
For AttackMuZik, India, Cold Project - 855!
This EP has the rarest sounds and experiments of DarkProg, Psychedelic rule which will be dark and groovy, Each track has a STORY!

The Sixth

MINIMAL TECHNO "Neuromaniac" Dark Industrial Techno - Hip

Percussive combo

Read more here: https://www.insomniac.com/music/kaiserdisco-flex-their-techno-muscles-with-salacia

Available June 15 via Session Womb. 

Buy Kaiserdisco’s “Salacia” here. : https://lnk.to/SalaciaTP

Follow https://soundcloud.com/kaiserdisco
Facebook: facebook.com/KaiserdiscoMusic
Twitter: twitter.com/Kaiserdisco

Follow https://soundcloud.com/sessionwombtokyo
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Twitter: twitter.com/SessionWomb

Salacia

Track of the Day” Kaiserdisco “Salacia”

Bastinov - Calliope

Clout EP

Burn (Colin Benders' Modular Take Over Remix)

Techno stalwarts Heiko Laux & Joel Mull return to Drumcode for their first outing since 2016.

Friends and collaborators for over a decade, Heiko Laux and Joel Mull continue their fruitful partnership with a searing four-piece work. ‘Centipede’ is a thematic follow-up to ‘Rooter’, their last atmosphere-heavy production that dropped on Laux’s Kanzleramt imprint in 2017. A year earlier they teamed up for the vinyl-only ‘Munch’ EP on Drumcode Limited that explored subterranean techno grooves. 

Their latest work was created during an extended stay at Mull’s home in Stockholm while Laux was visiting for a show. The evocative ‘Contour’ brings the EP into focus, as delicate strings set an atmospheric tone. The title track ‘Centipede’ follows, a track tailor-made for deep Sunday afternoon rave explorations as a menacing riff runs throughout. ‘Bullet Ant’ is driven by industrial percussion and brain-bending synth effects that dip in and out throughout the muscular work. ‘Centipede’ (Morph) follows on from its namesake, teasing out some space and introducing melody to the palette for a deep late-night impact.

Heiko Laux & Joel Mull - Centipede (Morph) - Drumcode - DC204

Out now on Rekids: lnk.to/REKIDS149

Italian artist Anfisa Letyago debuts on Rekids delivering two captivating cuts, including two brilliant remixes from Mark Broom.

For over a decade, this Neapolitan DJ and producer has been renowned for her hard-hitting techno tracks on labels like Redrum and Intec. She now debuts on Radio Slave’s Rekids, following the likes of Laurent Garnier, Spencer Parker, Hybrasil, P.Leone, and SRVD.

‘I’d Rather B’ starts with shaking percussions into soul styled vocals, fading out to deeper and darker tones, before ‘Pump It’ progresses into a smooth acidic background completed with a subtle groove undertone. Warp Records and Cocoon artist Mark Broom returns to Rekids with two remixes of ‘I’d Rather B’.

The first leads with a stomping bass and rupturing sirens, generating an atmospheric aesthetic from start to finish, whilst the second focuses more on the groove – introducing piercing claps, rattling hats and small bursts of vocals cries as the track continues to build.

Anfisa Letyago - I'd Rather B (Mark Broom Mix1)

Buy here: fanlink.to/risa-dance
Digital Release: 10th July 2020

01: Risa Taniguchi - How We Dance Again
02: Risa Taniguchi - Slipped My Mind
03: Risa Taniguchi - Sodium
04: Risa Taniguchi - Unchained

While the world takes a forced hiatus from clubbing, Risa Taniguchi’s new EP for Second State offers a visceral hit of big room energy and dancefloor transcendence. "How We Dance Again“ reminds us of the incomparable unification and freedom found on the dancefloor and soundtracks the celebration that awaits once the club doors reopen.

The title track bristles with untamed intensity, spiky, ravey synths and tantalising breakdowns. It’s a thrilling peak-time cut destined to cause absolute chaos in venues around the globe. "Slipped My Mind“ takes a slightly moodier tack, threaded with tickling synths, chilly atmospherics and a crisp, distant voiceover. “It just... slipped my mind,” Taniguchi murmurs. The keys on "Sodium“ would almost sound housey if they weren’t so dark in tone, sending a doomy memo perfectly pitched for the witching hour. Closing track "Unchained“, meanwhile, sets a weirder, wonkier tone. A portentous, distorted male vocal has a hypnagogic effect, offset by zippy stabs and a thumping kick.

On this storming, all-killer pack, Taniguchi – whose bonding with Pan-Pot’s label Second State reaches a new level – proves why she’s one of Tokyo’s hottest exports whose future star status is more than certain.

@risataniguchi
@secondstateaudio

BUY HERE

Risa Taniguchi - How We Dance Again

Marco Bailey is somewhat considered an icon when it comes to techno and the dance music industry as a whole. It starts with a beat, and for Marco that as in the late 80’s. In 2014 he celebrated 25 years of Marco Bailey, a true achievement for someone who is an ambassador for the scene as well as an amazing DJ and producer. 

He grew up in Belgium, and it all started out when he went to a small local club in his nearby city. At this point, he knew little and didn't have any musical heroes, but soon released that he would rather be behind the decks than on the dance floor. 

His break came in 2000 with his first EP on Carl Cox’s Intec imprint with “Play It Back”. Over the next couple of years he worked on his own imprint, launching MB Elektronics, with the first release in 2002 with “Caprioska”. The releases came flowing over the next few years, which saw the release of his critically acclaimed “Rube Boy” album back in 2004, soon followed by “Dragon Man” LP on John Digweed’s Bedrock in 2011.

His most recent album was with 12 track “High Volume” released back in 2013 on MB Elektronics, dubbed by some techno aficionados as a masterpiece. It was at this time, he also released an up close and personal documentary “Marco Bailey”.

His Electronic Force radio show has been a huge success from the get-go, with almost 300 episodes to date, he has had every artist on board from Carl Cox, Alan Fitzpatrick, Umek, Joseph Capriati, Sam Paganini and Carlo Lio. It’s heard by millions of listeners in more than 50 countries.

Marco has been touring relentlessly throughout his career, he’s an artist who can say he has probably played at almost every club in the world, and been listed at the top of major festivals. He hasn't stopped, and this summer was no exception his MATERIA brand taking a new home at Vista Club, Ibiza. Every Sunday, he offered artists including Sam Paganini, Carlo Lio, Julian Jewell, and Paul Ritch for the closing on the 28th August all came out to party with Marco and the crowd.

You can expect to see the MATERIA brand reach far and wide this year, with parties in London, Vienna, Amsterdam and Tokyo planned this winter. Mid October will see the release of the MATERIA compilation mix, a collection of tracks selected personally by Marco, of both his own releases and all the artists which played at MATERIA in Ibiza this summer. 

2017 continues to be another landmark year for Marco, with his first MATERIA residency considered a huge success, the brand looks to move worldwide, becoming a high-profile label and radio show as well and continuing to grow. He is a true pioneer of Techno, and has no plans to put on the brakes anytime soon.

What is MATERIA? 

A party where the want, need & desire to feel the love and vibrations on the dance floor is understood. Where music lovers can digest the passion in the percussion, the energy of the crowd coming together, experience the sensation of letting go - elements that constitute the foundation for what some may never get to fully experience... a pure musical journey. Embark on a global movement, as Belgium's Marco Bailey sets the mood for one unforgettable evening. Welcome MATERIA - where techno is valued as a religion, the dance floor has no limits, the crowd is united and melted together by sound - where the rules require two things: listen and live.