Wonderfully creative, delicate and alluring composition, Dear Marco. Pure Classical beauty... :)

those reed parts are just soooo seductive and entrancing

To make music like this, Marco, you need time and imagination. I don't know if you have time ... but imagination .... a lot !!! Fortunately, I'm cooking, I'm having time to listen to it .... 😌

The interrelation of the instruments, taking into account the duration of the piece, is simply perfect

And so you leave without goodbye
Time stood still for quite a while
50 moons were damned to shine
Then you dropped by with a timid smile


we're on different roads, it seems,
expectations, like haunting dreams.
You ordered some reflection of your own kind,
But he is somebody, not just a child

Your silence screams, your absence loud,
In your shadow, i am just a clown.
Finding your consent, always in vain,
tired of dealing with this constant strain.


And so you leave without goodbye
Time stood still for quite a while
50 moons were damned to shine
Then you dropped by with a timid smile






Artwork: M. Hutka

Demo Songs 2024

50 Moons

Mix/Master: Woods Studio

Additional vocals: Fog City Fogey

LYRIC
In the dreams I dream about you 
We’ve always time to spare 
And it seems like you’re about to
Tell me that you care

It’s the loneliest of feelings
To wake in the cold dawn
And the dream is gone
The dream is gone

Ah ah ah ah ah
Ah ah ah ah
When the morning arrives
With its first sunbeam
I go where the day takes me
But at night I can dream

In the dreams I dream there’s times when
Rain falls down in sheets
I can’t find a door to step in
As I walk the empty streets

Then you’re there to offer shelter
As you hold a raincoat wide
And I fold inside 
I fold inside 
Your raincoat wide

Ah ah ah ah ah
Ah ah ah ah
I lay down my head
And my heart pumps away
My body needs rest 
But my brain wants to play
It’s the world of the past
Sent out in a stream
I may be an old man 
But I can still dream
I can still dream
The dreams I dream

The Dreams I Dream

Empty World by Jim Manser
mixed and produced by Russ sinfield 
taken from the forth-coming album Tales of generation x
2024
watch the music video on youtube
https://youtu.be/OeSaLV4wVV0?si=K_dXQc2Jhe2sBY3F

empty world

youtube

Empty World [watch the video on you-tube]

The Earth Love

The Dream Of The Moon Cat

Image created by me.
https://www.deviantart.com/leehon/art/I-m-Sick-Of-Being-Abused-1012054968

Floccinaucinihilipilification

The high life 

She steals the breath out of me
When all I want to do is sin 
I’m leaving the good to the rest 
I’ve been before and I will again 

 Cant do anything without her
Well nothing unless you stay in 
No electricity or power 
Live off the fat of the land 

To keep a life of influence and pride 
I’m in where do I stand ? 
Show me where I can find ? 

She appeals to the rebel in me 
When I wanna go against the grain 
My grip on reality 
Is starting to show the strain 

To live,  a life,  of influence and pride 
I’m in, where do I stand ? 
Show me where, I can find ? 

The high life 
It’s Now or never 
Alright 
Can we get it together 
So nice 
Won’t be forever 
I’m here for the pain 
So I’ll stay for whatever

The High Life

My first country single written together with Henri Piccini.  Music arranged by Frank Michels 🇺🇸

You And I

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by Rock On Jam Tracks and all credit goes to him for the music track creation which I have listed below. Check out Rock On Jam Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: Rock On Jam Tracks
YouTube site: https://www.youtube.com/@rockonjamtracks
Backing Track Title: Blistering Heavy Hard Rock Backing Track For Guitar In E Minor
YouTube Track channel: https://www.youtube.com/watch?v=iQRKu89Qsjo
Bandcamp website: https://rockonjamtracks.bandcamp.com/track/blistering-heavy-hard-rock-guitar-backing-track-in-e-minor

Date: 9/1/24
Song Title: 
The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 92 Jackson DK1 PRO with EMG HH configuration
Color: Black Jackson 
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: Tim Henson Neural DSP 
Preset: Smooth 80s Lead
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

Encounter_00X

Walking The Road To Salvation

The Rose Theatre existed for only 17 years before its demolition in 1604. In the days of Shakespeare's tragedies this was surely a sad tale indeed. 
With 22 theatres in London at the end of the Tudor dynasty these bawdy wooden palaces were situated on the rough southern side of the Thames where cock fighting and bear baiting were also prevalent attractions. The remains of the Rose Theatre's foundations were discovered during recent redevelopment and are now a much heralded visitor attraction.

Track: Recorders / Soprano Sax / Flutes / Tenor Sax / Clarinet / Beats

Pic (c/o Pinterest): A re-imagining of the Rose Theatre on the south bank of the Thames (near the Globe Theatre) in cross section.

Tudor Rose Blues

Cast of Characters:

Llanpsych-- @llanpsych -- Tez – foundational acoustic and electric guitars, distorted electric guitar, and the seed idea

Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix

TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric guitar

J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass

Composition – The Eclectic Collective

This song began its life as a hauntingly exquisite guitar chord progression that Tez came up with and shared with the rest of us. He also stacked a couple of other guitar tracks in there for good measure. 

Ken was first up, adding his drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. 

Mark came in around the same time, though, and added his unique, Waitsian vocals with the lyrics that he wrote for it, too. He also added some really amazing organ parts, a toy piano which you can hear right after the banjo solo, and percussion that add a solid foundation for his voice and add magic throughout the song. 

Stephen followed shortly after with the big stroke guitar chords, and also came up with the amazing banjo solo you hear in there, too. Last, but not least, JJ came in with his organ and electric piano to seal the deal with the melodies and ambience. Then he and Mark added the cool sound effects you hear throughout, too.

  Every great song needs a great producer, and Mark filled the duty on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team.

  This one is an homage to Tom Waits in a deliberate way. We're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original lyrics by Mistermark:
I got something hidden in my closet 
that I don’t want you to see 
A little like a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hangin’ it there since I don’t know when
And I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
Then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
And the hand bone’s connected to me
And every day my secret’s gettin’ bigger
Soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hiding it there since I don’t know when
And I just can’t leave it alone
(repeat)

REBIRTH

Marco Turrini..(main page)

Recent comments

Alfio Samà - Composer and novelist

Blueart

Audio Colors

Midisound

Related tracks