Good Classical I Found

Es una versión mejorada de la canción original subida en 2018. Una canción que habla de desamor, que espero les sea de su agrado.

(C) 2018 - 2022 Arcomidi. Todos los derechos reservados.

Margaritas (Versión 2022)

Deep Blue Ocean for two pianos
Duration: 12'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=938
Online Perusal Score: https://issuu.com/robertpaterson/docs/deep_blue_ocean_-_fs-bound
For More Information: https://robertpaterson.com/deep-blue-ocean

PROGRAM NOTES
Although Deep Blue Ocean is not meant to be overtly programmatic, I thought it would be wonderful to explore the oceanic depths, so during a trip to the Gulf of Mexico I became a certified scuba diver. I was truly inspired, whether by the large rolling waves on the open sea, the delicate back and forth of beds of seaweed, the vibrant colors of fish clustering around cities of coral, or the beams of sunlight that cascade over the ocean’s surface.

I was also inspired by my four year old son Dylan: his name means ocean or god of the seas in Welsh; he is an Aquarius, which means the water bearer; he is an excellent swimmer, and he loves listening to a movement of one of my choral works entitled Infinite Oceans.

While writing this piece, I could not have known that the worst oil spill in U.S. history would occur just north of where I visited. The darker moments in this work are the result of this tragedy. It is in three connected movements: The Darkness Below, Sunbeams and Waterfalls, and Accents and Waves.

Deep Blue Ocean is written for Steven Gosling and Blair McMillen of the American Modern Ensemble and is dedicated to my son Dylan.

Powerhouse Pianists II

Deep Blue Ocean - III. Accents And Waves

Memórias

butterflies also have their own affectivity

the butterfly affect

Magic Journey

Red Maple

Dive into a sonic paradise with 'Stereo Summer' – a melodic journey blending the soothing essence of summer rock with the pulse of electronic EDM. 

Feel the resonating guitar instrumentals transport you to tranquil shores while grooving to electrifying beats. 

Let the synergy of genres captivate your senses. 

Listen now on Spotify, share the musical magic, and experience the ultimate summer soundtrack. 

Explore more on our SoundCloud profile and website, where you can indulge in the full spectrum of our musical creations. 

Elevate your summer soundtrack today! 🎵🌊

Stereo Summer

Seq09 F    A dialogue between harpsichord and piano (Canon)

Finding Peace

Murmurs of the Mind

Play on Spotify

Murmurs Of The Mind

Join us for the final Kylie Remixes, covering the period from X through to Disco. Come for another exciting adventure in Kylie's remixes!! 

Outrageous Intro 
The One (Bitrocha mix) 
In My Arms (Sebastien Leger mix) 
All The Lovers (WAWA + Mmb Anthem mix) 
Get Outta Way Way (Paul Harris Vocal mix) 
Cupid Boy (Stereogamous Vocal mix) 
Put Your Hands Up (Pete Hammond mix) 
Timebomb (Peter Rauhoffer mix) 
100 Degrees with Dannii Minogue (7th Heaven Club mix) 
Right Here Right Now with Giorgio Moroder (Felix Da Housecat mix) 
Into The Blue (Patrick Hagenaar Colour Code mix) 
I Was Gonna Cancel (The Presets mix) 
Magic (Extended) 
Supernova (Extended) 
Real Groove (Extended) 
Where Does The Dj Go (Extended) 
Last Chance (Extended) 
Say Something (Extended) 
Outrageous Outro

Kylie Remixes 3

Anthem for the Old Country

Bridge Over Troubled Water - Simon & Garfunkel - Soprano Sax

For SATB A Cappella Choir and Optional Projected Images
Duration: ca. 11'
Performed by Musica Sacra, Kent Tritle, conductor
Video: https://www.youtube.com/watch?v=7r5g_3kPjU4

To read more and see the graffiti images, visit this page: http://robertpaterson.com/graffiti-canons

Commissioned by Volti, Robert A. Geary, Artistic Director. The commissioning of this work by Volti was made possible by the support of the Ann Stookey Fund for New Music.

Publisher: Bill Holab Music

PROGRAM NOTES

Although I have based many choral works on settings of poems, I also enjoy setting unusual texts. In many ways. graffiti is ideal as a source of inspiration. It is unpretentious, extremely varied and can be found almost anywhere: under bridges, in alleyways, on the sides of vans, in subway stations, and even in bathroom stalls. It may be illegal or sanctioned, artistic, text based, aphoristic, philosophical or purely graphic. It can be humorous, innocent and childlike, or very serious and meant to provoke. Graffiti may be of our time or ancient. Certain cave paintings, for example, could be considered predecessors to modern graffiti. Through graffiti, gangs, tribes or individuals can hide behind anonymity; it is the voice of the voiceless.

In Graffiti Canons , I appropriate positive aphoristic sayings, sentences and phrases found in graffiti from various parts of the world. My goal is to create a musical tapestry that flows from one thought to the next and spans time and place, using canonic technique and chorale-like transitions.

Although I found many of the graffiti images online, others I use in this piece were obtained via a Graffiti Photo Contest that I posted online. Approximately eighty images were submitted, and viewers were allowed to vote for their favorites, which played a part in which images were chosen. A handful of the most inspirational photos were used for this piece. An optional slideshow containing these images may be shown during performances of this piece.

Graffiti Canons was commissioned by Volti, Robert Geary, Artistic Director. The commissioning of this work by Volti was made possible by the support of the Ann Stookey Fund for New Music (annstookeyfund.org).

– Robert Paterson

Graffiti Canons (For Choir)

A goodbye

Music for everyone, music for others. A life against the current. No genre in music! It is too simplistic to give a genre to everything!! Music is an expression of human emotions and it is necessary to learn to understand humanity in its complexity.

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Seq09 F A dialogue between harpsichord and piano (Canon)

Marco Siri

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