Toronto-based neoclassical composer for orchestra, film and video games.  Classically trained at Royal Conservatory of Music, Toronto.  Pieces performed by (or in the works for) Plainchant Ottawa, Orchestra Toronto, Ottawa Symphony, National Art Centre Orchestra, New York Philharmonic).

Resident DJ at The Heretic in Atlanta and "Bear Invasion" parties around the USA.

Sean Mac began DJing in 1995 after meeting the legendary David Morales in NYC.  He began in the rave scene, spinning progressive, breaks, and jungle, and found house music to be his greatest love, drawing influences from cinematic scores and classic disco.  His appreciation of uplifting vocals was a natural fit with the gay circuit and led to DJ gigs of all kinds, from tea dances to afterhours.  He's had the pleasure of spinning for Lady Gaga, "Wonder World" weekend at Disney World and, through a process of blind selection against nearly 50 other DJs from all over America and around the world, the headlining spot at the annual "REAL BAD" party in San Francisco, following Folsom Street Fair.  

Since REAL BAD XXII, he's graced the decks as headliner in Atlanta, New York, Chicago, San Francisco, Washington DC, Denver, Dallas, and Sydney, Australia.  His remix work with Bryan Reyes, including Fierce Angel artist Peyton's "Love So Strong" (with John LePage & Paul Goodyear) and Leona Lewis & Avicii's "Collide" is supported by DJs around the world.  As a solo remixer, he's remixed Matt Consola feat Ben Holder "Feels Like Heaven" and Wayne G "When You Talk About Love" (vocals by Shauna Jensen) and "With Or Without You" (vocals by Brian Kent).  When you hear him spin, expect hard beats, joyous vocals, and an abundance of soul.

Fun fact: Sean Mac's first unofficial DJ gig was in a gentlemen's club at age 15.

Self-produced British composer and recording artist for 25 years, Imogen Heap has released five solo albums, another as one half of Frou Frou and collaborated with countless and varied artists including Taylor Swift, Nitin Sawhney, Deadmau5, Eric Whitacre, Jeff Beck and Jon Hopkins. Her compositions and songs pop up in blockbuster and indie films as well as countless TV shows, are featured in underground rap and dance music and covered by the likes of Ariana Grande. As composer and arranger for one of the biggest hits in theatrical history, Harry Potter and The Cursed Child, Imogen won the Drama Desk Outstanding Music in a Play award. As a sought-after speaker and performer, Heap hosted 2020’s Grammys Premiere Ceremony. Heap’s collaborative and multi-dimensional workflow attracts companies for commissioned works, leading to songs such as Tiny Human, the first song to distribute payments via a Smart Contract, and The Happy Song, a highly successful song for children in their early-years. Heap, recognised as an artist's artist, has won two Grammys and an Ivor Novello award. In recognition of her pioneering work at the intersection of music and tech, Heap has a hat trick of three honorary doctorates for the gestural music-ware 'MI.MU gloves' system and recently for ’The Creative Passport’, an integrated digital ID solution, empowering music makers to be the change toward a fair and flourishing music ecosystem. Between projects a constant for the past year is every Thursday afternoon, Imogen Q&A chats with her fans via The Listening Chair with those who subscribe to Imogenheap.app to collaborate together on Augmented Imogen, Imogen's in dev AI.

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