Deep

electronic

Techno4ever

electronica

bonze

Sbem

MiNiMaL

http://www.beatport.com/track/right-on-time-louie-cut-remix/3344621

Chris Lawyer - Right On Time (Louie Cut Remix)

Plastikman - Disconnect (Gaiser's Out Of Touch Mix)

Kollektiv Turmstrasse - Schwindelig (Oliver Schories Remix)

 'Bad Robots' is a collaboration by london based Darc Marc & leading brazilian dj Anderson Noise. A straight up bass heavy sparse piece of club techno, less is definitely more in this case with every warm analogue element sitting beautifully within the framework of the track. Its eerie single note melody and powerful 808 drums bares no bones but has proved to be a true club tool.

Marc Darc And Anderson Noise - Bad Robots

Anderson Noise - Curfew - [Night Light Records]

Opening night set from Richie Hawtin from ENTER.Week 1 at Space, Ibiza on July 5, 2012.

Richie Hawtin: ENTER.Week 1, Main (Space, Ibiza, July 5, 2012)

Cocoon Recordings is back in full force with the follow up to last year’s superb vinyl compilation ‘Dots & Pearls’. Providing a tracklisting that is nothing less than the modern interpretation of House, Techno and Tech-House ‘Dots & Pearls II’ eschews monotonous loops and predictable formulas and rather delivers a selection packed with energy and depth. 

Ilario Alicante and Todd Bodine have the honour of opening the record and very much set the tone for the feel of the album. "Modern Apocalypse" gives the impression that the duo wanted to produce a matching track to follow up Ambivalent's "Iwato" in a DJ set. The record has a wonderfully stripped and spacious feel to it, conjuring up an early hours feel with its entrancing effect and stabs plucking at the air around you. Next up we have Subb-an feat. Jacob Phono with "In The Night" a track that explores how the sound and atmosphere of big 90s Techno acts like Underworld can be transferred into our contemporary Minimal and Deep House universe, a task in which they succeeded brilliantly. Resonant beats and percussions, some 808 claps, funky fills and filtered layers match perfectly with the hypnotic vocals and form an impressing overall result that fits into the DJ's set at any time during the night. 
Mark Reeve's contribution "Carry Me" springs from typically Reeve-like UK-influenced House sounds. Softly filtered layers and cool vocal elements provide the right mood, and the long build-up with much patience and even more emotion makes "Carry Me" one of the best and deepest British Tech House tracks in recent times, a certain winner for fans of 20:20 Vision and Global Communication. 
With "Jellied Eels", Marco Effe steps up to try and win the prize of 'the fattest beats on the compilation'. The E-piano chords are a sure fire hit and the warm layers in the breaks loosen the heavily muscled beats a little, but they can't hide the fact that there is an energy packed affair, which erupts in a perfect surrounding and will take any dancefloor beyond the boiling point. It’s easy to hear why this has been sitting in the sets of Sven Väth and Luciano for some time. Danito & Agent! have just recently delivered their Cocoon debut and their mix of deep House elements and big-room Techno citations has already convinced the experts. Their track "Raw Symphony" is no exception here but rather travels further into the realms of cinematic techno. Detroit sends its regards with a fat bass/strings combination and much pathos, based on an elegant House-style beat that never demands too much and leaves enough space for the above mentioned big-room sound. With "Iwato", Minus figurehead Ambivalent contributes a slightly dark but still deep and minimal Techno track that lives on a juicy Chicago bass line and pays tribute to the compilation's motto by using uncommon sounds and effects. The pearls are literally hearable in the arrangement, setting accents in order to prevent the track from sounding too rounded-off. Hypnotic and kicking, but still unpredictably different. Berlin, 07:30 h in the morning – here's the matching soundtrack for a winter sunrise! 
Harvey McKay's "First Strike From Mars" sounds like its title suggests, and Captain McKay doesn't take prisoners. Demanding, massive and equipped with a mighty beat, the tune is reminiscent of recent Slam releases or some of the stronger Santos productions. A peak time production that has only one message: no escape and total madness on the dancefloor, this is a winner that has been getting plays from Sven Väth and Luciano! Sawlin's "Posay" is plumbs the depths of the Techno ocean, with plenty of echo and even more reverb, his remote metallic percussion sounds create an atmosphere that would also be perfect as the soundtrack for a big art installation. "Posay" shows that Techno in the year 2012/2013 does not only mean 'in-your-face', but rather depth and elegance. 

Besides the vinyl edition, ‘Dots & Pearls II’ is also released in a digital version, which contains four extra pearls, in addition to the eight tracks of the vinyl version: With "Sequence Of Moments", Martinez sends the listener back to the high times of that DBX-influenced Detroit sound full of bleeps and blonks, like Daniel Bell or Fred Gianelli perfected at the time. However, he doesn't deliver a retro piece at all, but combines the raw and direct vibe of Bell with modern sounds, layers and pads, and thus moves himself a little towards the Reboot or Johnny D corner. With their contribution "The Gate", Patrick Kunkel & Sascha Barth follow the current sound of now: matching parts of House, Minimal and Techno, in a skilful mix that, on the one hand is reminiscent of the hypnotic-minimal DJ sets of Ricardo Villalobos and on the other hand releases energy galore, in order to make demanding ravers happy. This is definitely one for fans of Pele and Matthias Tanzmann. Next Ross Evana pays tribute to fat Chicago beats and follows Sneak & Co. with his superb production "Cheget". The kick drum pumps, the claps and hi-hats clack heavily and the thick, pitched-down organ stabs in combination with the percussive staccato vocal fragments make the whole thing even more driving. And as if this wasn't enough, Evana adds some industrial sounds and effects that would easily fit in any big Depeche Mode remix, just lacking Dave Gahan's vocals in order to make the crowd freak out. Playing, dancing, partying, you have everything in here. With their track "Still Laughing", Fumihiro Hoshi & Tadac present their unique and different sound and provide a perfect closing opus to this outstanding compilation.

Marco Effe – Jellied Eels

Marco Carola: The 1000 Collection: Infinity (1998)

East End Dubs - December Set (Live)

RELEASE: Pan-Pot - White Fiction EP
Vinyl: http://bit.ly/TxvCNu
Beatport: http://btprt.dj/WCAjT4
iTunes: http://bit.ly/X2ibQM

Pan-Pot "White Fiction"

Anderson Noise - Prague Metronome (Definition Records)

“Higher” is an album driven by both the most tech house dancefloor sound and the most melodic minimal. It also has a sample vocal which will allow it to be played by all kind of djs, at the same time maintaining a very high musical quality. 

Even more melodic is “Memory”, a cut with all the makings of a hypnotic hit and a remarkable acid flavour moving from the past to the present of dance music with unusual agility, tiptoeing around the most progressive sounds and even around the percussive minimal house that can be heard so much of late. This one is sure to create a buzz. 


Finishing up, “blowbass” continues the remarkable work with a track that hides under a false electro house look to gradually turn into an efficient winding and surrounding piece of tech house, an ideal fit for a quality sound system. 

Higher EP
29 Jan 2007
Paradigma Musik 002

Tracklist
A1. Higher 	
B1. Memory 	
B2. Blowbass

Memory

Paul Ritch is a producer that has made quite a huge name for himself over the last 2 years, with some absolutely enormous releases and remixes not only for labels such as Wagon Repair and Toys for Boys but also his own label - Quartz. These two tracks for Adam Beyer's Drumcode label have all of Paul´s trademark production and vibe, packing an almighty punch with characteristic twisted drums and enormous bass grooves. This is absolutely not to be missed. 


Solarium EP
Drumcode 52	
Apr 2009

Tracklisting:
A. Solarium 		
B. Sombrero 



Drumcode

Vinyl, 12"
Sweden


Solarium (original mix)

East End Dubs - January 2013

Anderson Noise - 9125 Days [NB Records]

Upcoming Gigs

23/02 Connected - Cargo - Shoreditch 
02/03 Samstagsklub: London Calling - Freaksound Klubhaus - Salzburg 
03/03 Nachspiel - Sundaze Rave - Munich 
07/03 Progression - JATE Klub - Szeget Hungary
09/03 K2 Sound Club - Feldkirch - Austria
15/03 Mojo - Chatham 
16/03 Act Natural - Warehouse - London 
16/03 BARE - The Hoxton Gallery - London
22/03 Culture Beat - Sofia - Bulgaria
23/03 Naturklang - Ambossrampe - Zurich
24/03 Naturklang Afterparty - Zurich
29/03 Walk The Horse - Bassment - Manchester 
30/03 Lost In Time - Karlsruhe - Germany
06/04 Deep Within - Warehouse Party - London
20/04 Wavebreakers - Brick House - London 
25/04 Understate - Bar Up - Halifax
27/05 Connected - Cable - London
11/05 Act Natural - Bussey Building - London
17/05 Rheinrhythmik - Cologne
18/05 Kaleidisko - Royal Bambi - Dortmund 
25/05 Vibe - Tribal Underground - Colchester
26/05 Source Bar - Maidstone 
14/06 Capadi - Rebels Boat Battle - Ibiza
15/06 Carnival / Thank God We Are Rebels - Sankeys - Ibiza
29/06 Connected - Cable - London
27/07 Lounge On The Farm Festival - Kent
08/08 Kassete - Istanbul
28/09 Connected - Cable - London

East End Dubs - February Set

East End Dubs - April 2013

The YellowHeads - Eating Roof (Anderson Noise Remix)

http://www.beatport.com/release/anyway/1083798

New to the mobilee booking roster, Re.You has already delivered his
second EP on the 112 mark titled, "Anyway". This three-parter includes
the self titled "Anyway" dominating the A-side while the flip side
brings it down with "You Had Enough" featuring Forrest. and a remix of
the lead track from Re.You's live act partner, Rampa. The duo perform
as RAR and are available on Cocoon records.
Mobilee112 is just the tip of the iceberg for Re.You as he's about to
make his first appearance this year under the mobilee imprint at the
famous rooftop session at Hotel Diagonal.

Re.You feat. Forrest. - You Had Enough - mobilee112

Marco Carola: Play It Loud: 02 - The Jingle (2011)

Marco Carola: Bloody Cash: 01 - Bloody Cash (2008)

Marco Carola: Plus One: 02 - Swingback (2008)

Marco Carola: Plus One: 03 - Lost Connection (2008)

Marco Carola: Re-Solution: 01 - Re-Solution (2M via Minus, 2007)

Marco Carola: Re-Solution: 03 - Step By Step (2M via Minus, 2007)

Marco Carola: Apnea: 01 - Apnea (Plus8, 2007)

Marco Carola: Apnea: 04 - Pallegio -Ultimate Mix (Plus8, 2007)

DJ, producer and label head.
@musiconofficial 

Marco Carola is a global ambassador of techno. From Napoli in the south of Italy, Marco was instrumental in the development of the electronic scene in the early 90s, he took the flourishing techno Napolitano scene to the rest of the world. Over twenty years later and Marco is still one of the most respected artists amongst the techno scene, widely regarded as one of the key factors in driving the genre towards worldwide recognition within electronic music.
 
As a revered producer and successful label head, Marco has spearheaded imprints such as Design Music, Zenit, Question, One Thousands and Do.Mi.No whilst releasing music on a selection of the words finest labels such as Minus, Plus 8 2M and Primate Recordings. In addition to five critically acclaimed albums, including his most recent Play It Loud, Marco has also been responsible for a clutch of seminal mix compilations. In 2006, his mix for legendary London club Fabric’s series was a lesson in sleek, future-facing minimalism. That was followed up by well received compilations for Time Warp in 2009. In 2010 Cocoon label boss Sven Väth asked him to mix the Frankfurt based label’s Party Animals CD alongside Nick Curly, which took Carola's dj taste and skills to new heights.
 
Famed for his energetic and impressive three-deck style of mixing and long journey set, Marco has remained one of the most in demand DJs on the planet throughout the last two decades. Favoring mammoth eight hour plus sets, Marco is predisposed to a subtle working of the crowd that has made him a favorite among fans from Ibiza to New York, South America and beyond.