Marco Lucchi : piano

autunno / inverno 2020 /2021

"piano patterns" vol. 2 (in progress)

some recent works, you to listen to once again

a collection of dreamscapes
*
Marco Lucchi : piano, mellotron, synthesizers, flute and found sounds
Henrik Meierkord : cello, viola, violin, zither, synthesizers and fx
*
music by Marco Lucchi and Henrik Meierkord

Marco Lucchi & Henrik Meierkord - Dreamtime

Marco Lucchi : analog synthesizer and samples

with Zuunzug
https://soundcloud.com/zuunzug-field-recording/waves-over-seashells-vagues-sur-les-coquillages

28 aprile 2021

"Il gesto mitico è un'onda che, nell'infrangersi, disegna un profilo, come i dadi gettati formano un numero. Ma ritirandosi accresce nella risacca la complicazione indominata, e alla fine la commistione, il disordine, da cui nasce un ulteriore gesto mitico. Perciò il mito non ammette sistema.“ 

Roberto Calasso

Undertow (w/ Zuunzug)

Marco Lucchi : found sounds, synthesizers and piano

11 novembre 2021

https://freesound.org/people/felix.blume/sounds/117263/
https://freesound.org/people/felix.blume/sounds/117259/

To swing on a dosimeter

Marco Lucchi : piano, synthesizer and tape

alt version of the previous track "L'uomo che cammina"
https://soundcloud.com/marcolucchi/luomo-che-cammina

field recordings from
https://freesound.org/people/felix.blume/sounds/612651/

1 febbraio 2022

L'uomo che cammina (di notte)

Marco Lucchi : piano, analog synthesizer, violin and treatments

21 marzo 2022

I could sleep for a thousand years [alt version]

Jennifer Roe : vocals
Henrik Meierkord : electric cello and electronics
Jan Gruenfeld : electric guitar, acoustic guitar and electronics
Marco Lucchi : organ and mix down

23 maggio 2022

Triumph of Spring w/ Jennifer Roe, Henrik Meierkord & Jan Gruenfeld

Marco Lucchi : piano, synthesizer, vocals and tape

found sounds
https://freesound.org/people/felix.blume/sounds/667639/

18 gennaio 2023

Hourglass [2]

Marco Lucchi : analog synthesizer, piano and tape

found sounds
https://freesound.org/people/felix.blume/

for the current Naviar Haiku challenge
https://www.naviarrecords.com/2023/02/15/naviarhaiku476-birds-in-a-bare-tree/

***

Birds in a bare tree
Dance on windswept branches
Their waiting ballet ..

John Hinks

***

15 febbraio 2023

Marco Lucchi - A bare tree [Naviar Haiku # 476]

Marco Lucchi : piano

playing with
https://soundcloud.com/marcolucchi/one-hand-piano-n1-you-to-play-with-if-you-like-it

18 maggio 2023

Ardeola ralloides

poppies, anyway ..

one-hand-piano n°2 [you to play with, if you like it]

Marco Lucchi : piano

playing along
https://soundcloud.com/user-920947015/the-singing-approaches-and-moves-away 

25 luglio 2023

I always hear someone singing [w/ anon8924]

the third excerpt from a home session

original loop by 
Marco Lucchi : flute and synthesizer

with contributions from
Henrik Meierkord : cello

luglio 2023

The Meierkord family came by to say hello to us in this month of July. Henrik and I took the opportunity to play something together. Nothing demanding: a sort of 'warm up', which has become a 'session' in my small living room. We mostly used some 'loops' I had on my JamMan, improvising over them, or even more freely. The recordings are quite 'lo-fi', mainly coming from a dictaphone placed in the center of the room, but we believe they are a good testimony of our musical and human entente and of the pleasure of meeting each other in person. See you soon !!

The Living Room [w/ Henrik Meierkord] third excerpt

Marco Lucchi : mutant harp

playing along
https://soundcloud.com/stan_magendanz/norecipher
by Stan Magendanz

for the current Naviar Haiku challenge

***

afternoon heat
the heavenly dance of
cumulus clouds

Hege A. Jakobsen Lepri

Stan Magendanz & Marco Lucchi - The heavenly dance [Naviar Haiku # 499]

the fifth excerpt from a home session

music by
Marco Lucchi : mellotron and synthesizer
Henrik Meierkord : cello

luglio 2023

***

In July the Meierkord family came by to say hello to us. Henrik and I took the opportunity to play something together. Nothing demanding: a sort of 'warm up', which has become a 'session' in my small living room. We mostly used some 'loops' I had on my JamMan, improvising over them, or even more freely. The recordings are quite 'lo-fi', mainly coming from a dictaphone placed in the center of the room, but we believe they are a good testimony of our musical and human entente and of the pleasure of meeting each other in person.

The Living Room [w/ Henrik Meierkord] fifth excerpt

Perseidi

Shane Beck : voice
Marco Lucchi : piano, synthesizers and tape

***

"To Know Love"

As if by magic our eyes met & we already knew the truth inside
A thousand poems written & an ocean filled with the tears I cried
Beside me we walked as one & the light you gave me was life
We met again & in your heart & soul you realized you were always my wife
To Know Love & the waiting poet who you wished would one day return 

You can conceal the truth from others around you but I will forever see
To Know Love, to feel the gentle embrace & admit that it was always me
An electric touch or the written words that gave meaning to your heart 
To Know Love & the one man who swept you off your feet from the very  start 

Shane Beck

***

words by Shane Beck
music by Marco Lucchi

17 agosto 2023

Shane Beck & Marco Lucchi - To know Love

Marco Lucchi : piano and marimba

29 agosto 2023

Ronde

Marco Lucchi : violin and tape

for the current Disquiet Junto challenge

Disquiet Junto Project 0609: Speed Limit Pt 1
The Assignment: Record a track at precisely 60 BPM with the intention someone will subsequently rework it.

Step 1: You’re going to record a simple track at 60 BPM in 4/4 that will be reworked subsequently by other musicians, including potentially being combined with other tracks. Think about how you want to structure something with that intention.

Step 2: Record a 60 BPM track in 4/4 based on the thinking that resulted from Step 1.

Note: This is the first part of a two-part project. You don’t need to participate in both. In the Junto, all projects are intended to be doable as standalones. However, there often are sequences. The intended second project of this project, next week, will build on this one, so please consider making your track downloadable and available for reworking/remixing.

Details: disquiet.com/0609

60 bpm [disquiet #0609] speed limit

Marco Lucchi : violin, piano, ring modulator and tape

featuring sounds from
https://soundcloud.com/marcolucchi/60-bpm-60-disquiet-0609-speed-limit?in=disquiet/sets/disquiet-junto-project-0609 
and
https://soundcloud.com/user-99036881/speed-limit-p1_disquiet0609?in=disquiet/sets/disquiet-junto-project-0609

for the current Disquiet Junto challenge

Disquiet Junto Project 0610: Speed Limit Pt 2
The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed.

Step 1: In the previous Disquiet Junto project, participants recorded a variety of tracks at a standard pace of 60 BPM. Listen to the resulting material on the Lines discussion board and the SoundCloud playlist:

https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0609

Step 2: Select two or more tracks from the provided ones, slow them to half their original pace — that is, to 30 BPM — and use editing techniques to combine them into one new piece of music.

8 settembre 2023

30 <---- 60 bpm [disquiet #0610] w/Debroc

Henrik Meierkord : cello and zither
Marco Lucchi : synthesizers

based on 
https://soundcloud.com/enrikeierkord/zither-cello-stycke

21 settembre 2023

Henrik Meierkord & Marco Lucchi - In A Gadda Da Vida

Marco Lucchi : mellotron
Henrik Meierkord : cello

music by Marco Lucchi and Henrik Meierkord

***

"I was smelling flowers in the yard, and when I stood up I took a deep breath and the blood all rushed to my brain and I woke up dead on my back in the grass. I had apparently fainted, or died, for about sixty seconds. My neighbor saw me but he thought I had just suddenly thrown myself on the grass to enjoy the sun. During that timeless moment of unconsciousness I saw the golden eternity. I saw heaven. In it nothing had ever happened, the events of a million years ago were just as phantom and ungraspable as the events of now, or the events of the next ten minutes. It was perfect, the golden solitude, the golden emptiness, Something-Or- Other, something surely humble. There was a rapturous ring of silence abiding perfectly. There was no question of being alive or not being alive, of likes and dislikes, of near or far, no question of giving or gratitude, no question of mercy or judgment, or of suffering or its opposite or anything. It was the womb itself, aloneness, alaya vijnana the universal store, the Great Free Treasure, the Great Victory, infinite completion, the joyful mysterious essence of Arrangement. It seemed like one smiling smile, one adorable adoration, one gracious and adorable charity, everlasting safety, refreshing afternoon, roses, infinite brilliant immaterial gold ash, the Golden Age. The "golden" came from the sun in my eyelids, and the "eternity" from my sudden instant realization as I woke up that I had just been where it all came from and where it was all returning, the everlasting So, and so never coming or going; therefore I call it the golden eternity but you can call it anything you want. As I regained consciousness I felt so sorry I had a body and a mind suddenly realizing I didn't even have a body and a mind and nothing had ever happened and everything is alright forever and forever and forever, O thank you thank you thank you."

Jack Kerouac

***

settembre 2023

Marco Lucchi & Henrik Meierkord - The Golden Eternity

music for the exhibition "Flame" (Tokujin Yoshioka) - Tokyo, September 14th, 2023

https://www.tokujin.com/news/?l=en

TOKUJIN YOSHIOKA_FLAME
Glass Torch and Cauldron

We are pleased to announce that the exhibition has opened today.
During the exhiboition, Tokujin Yoshioka will light the outdoor exhibit "Glass Cauldron" in a special event.

Dates｜Sep 14 [Thu] – Nov 5 [Sun], 2023
Venue｜21_21 DESIGN SIGHT Gallery 3, Midtown Garden, Tokyo Midtown, 9-7-6 Akasaka, Minato-ku, Tokyo
Closed｜Tuesdays
Hours｜10:00 - 19:00 (Entrance until 18:50)
Admission｜Free
Organized by｜TOKUJIN YOSHIOKA + TYD
In Association with｜MIYAKE DESIGN STUDIO, ISSEY MIYAKE INC.
Supported by｜SAGA2024 Executive Committee Office
Cooperated with｜Tokyo Midtown, ENDO Lighting Corp., YAMAHA MUSIC JAPAN CO., LTD.
Graphic: Tomoyuki Kondo, Photo & Movie: Masaru Furuya, Sound: Marco Lucchi

■Special Event of Lighting the Glass Cauldron by Tokujin Yoshioka
● Saturday, October 7th, 2023 17:00-18:00 (the monument will be lit around 17:30)
● Saturday, October 28th, 2023 16:30-17:30 (the monument will be lit around 17:00)
*Flame burning time is approximately 30 minutes.
*The event will be cancelled if heavy rain or strong winds are expected.

Flame

Henrik Meierkord : cello and violin
Marco Lucchi : stretched and reversed piano, tape and mix down
*
music by Henrik Meierkord
https://soundcloud.com/enrikeierkord/khlum-ii-violin-alternative
with some contributions by Marco Lucchi
*
found sounds
https://freesound.org/people/felix.blume/sounds/698261/

*

Ancora tuona il cannone
ancora non è contento
di sangue la belva umana
e ancora ci porta il vento

Francesco Guccini

*

11 ottobre 2023

Henrik Meierkord & Marco Lucchi - La bestia umana

Marco Lucchi : piano
*
playing with
https://soundcloud.com/howthenightcame/disquiet0616-quiet
*
for the current Disquiet Junto challenge
https://disquiet.com/2023/10/19/disquiet-junto-project-0616-definition-jam/
*
I've always loved that kind of 'selfish' arpeggios, needing anything else but themselves
*
and they match very well with the droning waves, isn't it?
*
23 ottobre 2023

quiet and selfish [disquiet # 0616] w/how the night came

Shane Beck : spoken words
Marco Lucchi : piano and synthesizer
idematoa : synthesizers

*

"Yes...Men Cry"

Is it weakness to be sensitive & show the secret hidden deep?
And even as you see the lines appear on my face, this heart was yours to keep
Consider these tears meaningless if no one really cares to speak or even see
Yes...Men Cry & you once whispered in my ear that you knew all of me....

Do you think it is freedom to be alone or have I been ranting too long
Over extended this heartless plea, was I ever your king or was I just wrong
Yes...Men Cry & sometimes they reveal dark secrets allowing you to see the soft side
Left me here for reasons of your own & now I understand why I must forever hide

Shane Beck

*

5 novembre 2023

Shane Beck, Marco Lucchi & idematoa - Yes ... men cry

Marco Lucchi : piano
*
playing with
https://soundcloud.com/robertknote/risse-disquiet0619?in=disquiet/sets/disquiet-junto-project-0619
*
for the current Disquiet Junto challenge
https://disquiet.com/2023/11/09/disquiet-junto-project-0619-beat-accrual/
*
12 novembre2023

Wabi Sabi [disquiet # 0619] w/Robert Knote

Marco Lucchi : mellotron and celesta
Henrik Meierkord : cello
*
15 novembre 2023

*the electronic noise in the beginning of the track is by Chris Silver T

A warm and golden October - w/Henrik Meierkord

Henrik Meierkord : cello and organ
Marco Lucchi : synthesizer
*
15 novembre 2023

Henrik Meierkord & Marco Lucchi - Oändlig

Marco Lucchi : synthesizers
*
1 dicembre 2023
*

Nel Museo nazionale romano di palazzo Altemps si conserva una testa in marmo che secondo la tradizione rappresenta un’Erinni addormentata. Gli occhi chiusi, i ciuffi dei capelli scarmigliati sulla fronte e la guancia, le labbra appena dischiuse, il volto della Furia – se di una Furia si tratta, sia essa Aletto, Megera o Tisifone – riposa quieto su un cuscino di buio marmo, come se sognasse.
Una furia che invece di gemere e urlare, scuotendo la chioma serpentina, chiude gli occhi e sogna, smentisce se stessa. Eppure proprio e soltanto il sogno o il sonno di una furia assomiglia al pensiero. Il pensiero non è soltanto contemplazione, è innanzitutto furore. Si dà pensiero, si dà contemplazione, solo se prima vi è stato furore, se guardando l’abominio degli umani e del mondo, la mente – diceva Bruno – discesa «ne la parte più inferna… si sente lacerare e sbranare». E solo se nel nostro eroico furore riusciamo a chiudere gli occhi e sognare, si ha vera quiete, si ha visione e teoria. I nostri sogni non sono allora fantasie a occhi aperti, che sappiamo ingannevoli e vane, ma verità a cui, anche se con gli occhi chiusi, non possiamo non credere, perché abbiamo prima visto la vendetta e l’errore. Il pensiero è questo acquietarsi del furore, è un’Erinni che sogna.

13 novembre 2023
Giorgio Agamben

Furore che sogna

Marco Lucchi : piano and synthesizers
*
for the current Disquiet Junto challenge
https://disquiet.com/2023/11/30/disquiet-junto-project-0622-know-the-shadow/
*
4 dicembre 2023

Afterlife [disquiet # 0622]

I was smelling flowers in the yard, and when I stood up I took a deep breath and the blood all rushed to my brain and I woke up dead on my back in the grass. I had apparently fainted, or died, for about sixty seconds. My neighbor saw me but he thought I had just suddenly thrown myself on the grass to enjoy the sun. During that timeless moment of unconsciousness I saw the golden eternity. I saw heaven. In it nothing had ever happened, the events of a million years ago were just as phantom and ungraspable as the events of now, or the events of the next ten minutes. It was perfect, the golden solitude, the golden emptiness, Something-Or- Other, something surely humble. There was a rapturous ring of silence abiding perfectly. There was no question of being alive or not being alive, of likes and dislikes, of near or far, no question of giving or gratitude, no question of mercy or judgment, or of suffering or its opposite or anything. It was the womb itself, aloneness, alaya vijnana the universal store, the Great Free Treasure, the Great Victory, infinite completion, the joyful mysterious essence of Arrangement. It seemed like one smiling smile, one adorable adoration, one gracious and adorable charity, everlasting safety, refreshing afternoon, roses, infinite brilliant immaterial gold ash, the Golden Age. The "golden" came from the sun in my eyelids, and the "eternity" from my sudden instant realization as I woke up that I had just been where it all came from and where it was all returning, the everlasting So, and so never coming or going; therefore I call it the golden eternity but you can call it anything you want. As I regained consciousness I felt so sorry I had a body and a mind suddenly realizing I didn't even have a body and a mind and nothing had ever happened and everything is alright forever and forever and forever, O thank you thank you thank you.

released 24 August 2012 
by Marco Lucchi 
mellotron and digital treatments
via Kerouac

the Golden Eternity

a 12 min 12 seconds long tribute to Ravi Shankar

by Marco Lucchi / piano, tools

12 dicembre 2012

12.12.12. (for Ravi Shankar)

Marco Lucchi : Buchla synth and tape

playing with "Średniowiecze" by Henrik Meierkord
https://soundcloud.com/enrikeierkord/sredniowiecze

29 gennaio 2020

Henrik Meierkord & Marco Lucchi - Dorian dance

Henrik Meierkord : cello, hurdy-gurdy, violin, fx and electronics
Marco Lucchi : analog synth, tape and mix down

music by Henrik Meierkord and Marco Lucchi

* based on "Średniowiecze II" by Henrik Meierkord
https://soundcloud.com/enrikeierkord/sredniowiecze-ii

4 febbraio 2020

Henrik Meierkord & Marco Lucchi - Totentanz I

Marco Lucchi : synth

playing with "Flacholet" by Henrik Meierkord
https://soundcloud.com/enrikeierkord/flacholet

23 marzo 2020

Henrik Meierkord & Marco Lucchi - Separasjon

Marco Lucchi Cante Jondo Rework Henrik Meierkord

Marco Lucchi : piano

30 ottobre 2020

***



A inacção consola de tudo. Não agir dá-nos tudo. Imaginar é tudo, desde que não tenda para agir. Ninguém pode ser rei do mundo senão em sonho. E cada um de nós, se deveras se conhece, quer ser rei do mundo.

Não ser, pensando, é o trono. Não querer, desejando, é a coroa. Temos o que abdicamos, porque o conservamos, sonhando, intacto eternamente à luz do sol que não há, ou da lua que não pode haver.

Fernando Pessoa

piano patterns n°9

Marco Lucchi : piano

10 novembre 2020

***



A liberdade é a possibilidade do isolamento. És livre se podes afastar-te dos homens, sem que te obrigue a procurá-los a necessidade de dinheiro, ou a necessidade gregária, ou o amor, ou a glória, ou a curiosidade, que no silêncio e na solidão não podem ter alimento. Se te é impossível viver só, nasceste escravo. Podes ter todas as grandezas do espírito, todas da alma: és um escravo nobre, ou um servo inteligente: não és livre. E não está contigo a tragédia, porque a tragédia de nasceres assim não é contigo, mas do Destino para si somente. Ai de ti, porém, se a opressão da vida, ela própria, te força a seres escravo. Ai de ti se, tendo nascido liberto, capaz de te bastares e de te separares, a penúria te força a conviveres. Essa, sim, é a tua tragédia, e a que trazes contigo.

Nascer liberto é a maior grandeza do homem, o que faz o ermitão humilde superior aos reis, e aos deuses mesmo, que se bastam pela força, mas não pelo desprezo dela.

A morte é uma libertação porque morrer é não precisar de outrem. O pobre escravo vê-se livre à força dos seus prazeres, das suas mágoas, da sua vida desejada e contínua. Vê-se livre o rei dos seus domínios, que não queria deixar. As que espalharam amor vêem-se livres dos triunfos que adoram. Os que venceram vêem-se livres das vitórias para que a sua vida se fadou.

Por isso a morte enobrece, veste de galas desconhecidas o pobre corpo absurdo. É que ali está um liberto, embora o não quisesse ser. É que ali não está um escravo, embora ele chorando perdesse a servidão. Como um rei cuja maior pompa é o seu nome de rei, e que pode ser risível como homem, mas como rei é superior, assim o morto pode ser disforme, mas é superior, porque a morte o libertou.

Fecho, cansado, as portas das minhas janelas, excluo o mundo e um momento tenho a liberdade. Amanhã voltarei a ser escravo; porém agora, só, sem necessidade de ninguém, receoso apenas que alguma voz ou presença venha interromper-me, tenho a minha pequena liberdade, os meus momentos de excelsis.

Na cadeira, aonde me recosto, esqueço a vida que me oprime. Não me dói senão ter-me doído.
 
Fernando Pessoa

piano patterns n°10

Marco Lucchi : piano

12 novembre 2020

***

Viver é ser outro. Nem sentir é possível se hoje se sente como ontem se sentiu: sentir hoje o mesmo que ontem não é sentir — é lembrar hoje o que se sentiu ontem, ser hoje o cadáver vivo do que ontem foi a vida perdida.

Apagar tudo do quadro de um dia para o outro, ser novo com cada nova madrugada, numa revirgindade perpétua da emoção — isto, e só isto, vale a pena ser ou ter, para ser ou ter o que imperfeitamente somos.

Esta madrugada é a primeira do mundo. Nunca esta cor rosa amarelecendo para branco quente pousou assim na face com que a casaria de oeste encara cheia de olhos vidrados o silêncio que vem na luz crescente. Nunca houve esta hora, nem esta luz, nem este meu ser. Amanhã o que for será outra coisa, e o que eu vir será visto por olhos recompostos, cheios de uma nova visão.

Altos montes da cidade! Grandes arquitecturas que as encostas íngremes seguram e engrandecem, resvalamentos de edifícios diversamente amontoados, que a luz tece de sombras e queimações — sois hoje, sois eu, porque vos vejo sois o que amanhece [?] e amo-vos da amurada como um navio que passa por outro navio e há saudades desconhecidas na passagem.

Fernando Pessoa

piano patterns n°11

Marco Lucchi : piano and Buchla synthesizer

16 novembre 2020

****

Ó mar anterior a nós, teus medos
Tinham coral e praias e arvoredos.
Desvendadas a noite e a cerração,
As tormentas passadas e o mistério,
Abria em flor o Longe, e o Sul sidério
Esplendia sobre as naus da iniciação.

Linha severa da longínqua costa —
Quando a nau se aproxima ergue-se a encosta
Em árvores onde o Longe nada tinha;
Mais perto, abre-se a terra em sons e cores:
E, no desembarcar, há aves, flores,
Onde era só, de longe a abstracta linha.

O sonho é ver as formas invisíveis
Da distância imprecisa, e, com sensíveis
Movimentos da esperança e da vontade,
Buscar na linha fria do horizonte
A árvore, a praia, a flor, a ave, a fonte —
Os beijos merecidos da Verdade.

Fernando Pessoa

piano patterns n°12

Marco Lucchi : piano and analog synthesizer

27 novembre 2020

***



A água da chuva desce a ladeira.

        É uma água ansiosa.

Faz lagos e rios pequenos, e cheira

        A terra a ditosa.

Há muito que contar a dor e o pranto

        De o amor os não querer...

Mas eu, que também o não tenho, o que canto

        É uma coisa qualquer.

Fernando Pessoa

piano patterns n°13

digital treatments of http://soundcloud.com/marcolucchi/orizzonti-che-si-aprono-e-poi 
(all the sounds coming from there)

by Marco Lucchi

29 maggio 2013

pic by Dominic Brecken

orizzonti d'amore, comunque

"I'm a mellow artist, aging 67. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Marco Lucchi

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