Masterfully produced drone here, love these messages here at the end, logical and communicative.

Splendido viaggio e che bella progressione!!

I was a bit late to this wonderful party but thankfully the wonderful Hell Feeder team let me in the door. Please check out all the great re-mixes by artists via the Hell Feeder page.

hellfeeder.com/mabon

Heres the background......
The celebration of the Autumnal Equinox, Harvest Home, Mabon, the Feast of the Ingathering, is a modern Pagan ritual of thanksgiving for the fruits of the earth and a recognition of the need to share them to secure the blessings of the Goddess and the God during the coming winter months. The name Mabon was coined by Aidan Kelly around 1970 as a reference to Mabon ap Modron, a character from Welsh mythology. Among the Sabbats, it is the second of the three Pagan harvest festivals, preceded by Lammas / Lughnasadh and followed by Samhain. (Source Wikipedia)

Hell Feeder shared our track Mabon to remix with a number of invited artists from Soundcloud.
These artists were handpicked simply because we were big fans of their creative output.

Below are artist links to those who contributed towards what has proved to be an exciting and eclectic aural project. Thanks to everyone that got involved.

Order Of Thee Octopi @jameshootman
Drown / Backstab @drown-dub @backstabmusic
Blink Twice @blink-twice-archivale
Tuonela @tuonela-1
Negative Headphone @negative-headphone
Grim Heka @grimheka
Insatiable Void @insatiable-void
Lady Of Fire Poetry @ladyofire
Boson Spin @boson_spin
Wayfarer DG @user-996383829
taRka @myrhyum
Enigma Curry @enigmacurry

Hell Feeder - Mabon (No Mates Ensemble Remix)

Indian Liver Macrodose

Gimme More Time

Sing Your Song

Made completely from https://soundcloud.com/marcolucchi/esatonale-5, a wonderful track!

Marco Lucchi’s esatonale 5  (ambient mix)

My effort for the Naviar Haiku Challenge #532.

More about Naviar Haiku: https://www.naviarrecords.com/haiku-music-challenge/

Shadow of a Butterfly

Shadow Of A Butterfly - Naviarhaiku532

lyrics:

Is the glass half full
Or half empty, bull
The glass is too big
And I took a swig

Now it's in my veins
And I'm feeling the pains
Of post-ironic memes
Of monocultural teams

Writin' their minor songs
Discrete dabs, no passin' bongs
Let me play you this one
This is serious anti-fun

I've been drinkin' that Gen Z pee
It's problematic just talkin' to me
All I did was mention a Beatles tune
And your angry ass decorated the room

I've been drinkin' that Gen Z pee
But maybe I should spend more time in the street
I've got a sign with two sides, scrawled
Just tryin' to see you, I'm gonna crawl

Just attempt to conceive
What privacy may relieve
Tyranny of the self
A manic grandmother elf

Those prior problematics
Now fermenting spaztics
Your songs ain't so bad
Just call 'em all "I'm Sad"

Poor you
The poor things

I've been drinkin' that Gen Z pee
Now I'm mired in madness, clipped speech intensity
I fixed up the house, I cleaned the toilet
But you didn't stick around long enough to soil it

Hope I didn't spoil your party (What party?)
I've just been listenin' to Jen's E.P.
Me and that girl, I mean, honestly, like, for me
In my opinion, personally, it's like, seriously
For me, I mean

Gen Z Pee (or, Jen's E.P.) [P×2 Demo]

‘Will we be fools again’ 
Written in September 2023 after standing in a queue in Starbucks, looking out at a wet, dirty and declining High Street.  I had been been watching the people in town, including one particular couple locked into an intense conversation under an umbrella. They prompted the story in the song. 

I wanted the backing to be sparser and more guitar led to give it an edge. I also wanted the instrumental in the middle to have a woozy, emotional feel to it. 

It’s a song about everyday people ‘stuff’ against a backdrop of a slowly deteriorating townscape. It couldn’t be slick (and I couldn’t be no matter how hard I try!) I hope you enjoy the song. Best with headphones! 

Take care

James (lyrics below) 

Will we be fools again? 

The chewing gum looks like leopard spots on the pavements in the rain
And litter blocks the drains again

Recklessly, we agreed to meet, after these silent years
Now there’s excitement and fear!

Behind the wall, by the social club, an old sanctuary for lovers 

We’ll talk, we’ll laugh 
and then I’ll start to think 
will we be fools again?
Will we be fools again? 

Graffiti on the empty shops, can our town survive?
And meanwhile we destabilise our lives! 

What fools we’d be, to lift the lid and let those lies escape 
Just think of all the hearts we’d break 

But we’re in your car, the radio’s on, as we unwrap the past! 

That smile! Those eyes!
Make me start to think
Will we be fools again?
Will we be fools again?

I’m aware, yeah I’m aware, 
I know where my fault lines are
And you’re spread right across them!  
Right across them.. yeah!

Instrumental 

Yes, we’ll talk, we’ll laugh
You know I’ll start to think
Let us be fools again
Please let us be fools again

Yes, we’ll touch, we’ll kiss
And then the path is clear
For us fools again
Let us be fools again….please, please..

James Whiteman September 2023

Will we be fools again?

Exercise in delightful improvising, sculpting, layering.

Light|Delight

https://adammajdeckijanicki.bandcamp.com/

"Celestial Cartography"

Marco Lucchi : synthesizer

18 giugno 2020

Aion

"I'm a mellow artist, aging 67. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Aion

Marco Lucchi

Recent comments

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Stan Magendanz

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Walter Fini

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