Hypnotic composition - great work Maestro

Marco Lucchi : electric organ and tape

9 febbraio 2023

questa è la mia personale interpretazione del "Four organs" di Steve Reich .. non la considero una versione definitiva, ma giusto un primo approccio, un tentativo .. se qualcuno è interessato a condividere con me il piacere di lavorare su quel bellissimo pezzo mi faccia sapere .. sono ben accetti sia rielaborazioni che parti vocali o strumentali da aggiungere .. su Bandcamp, in forma di 'bonus track', trovate anche il brano originale
https://marcolucchi.bandcamp.com/album/notre-dame

***

Four Organs is composed exclusively of the gradual augmentation (lengthening) of individual tones within a single (dominant 11th) chord. The tones within the chord gradually extend out like a sort of horizontal bar graph in time. As the chord stretches out, slowly resolving to the tonic A and then gradually changing back to the dominant E, a sort of slow-motion music is created. The maracas lay down a steady time grid of even eighth-notes throughout, enabling the performers to play together while mentally counting up to as much as 256 beats on a given cycle of sustained tones.


Four Organs is the only piece I am aware of that is composed exclusively of the gradual augmentation of individual tones within a single chord. From the beginning to the end there are no changes of pitch or timbre; all changes are rhythmic and simply consist of gradually increasing durations. This process of augmentation was suggested by the enormous elongation of individual tenor notes in Organum as composed by Perotin and others in the twelfth and thirteenth centuries in Paris at Notre Dame Cathedral. Tenor notes that in the original chant may have been equivalent to our quarter- or half-notes can take several pages of tied whole-notes when augmented by Perotin or Leonin.


Four Organs was composed in January 1970. It was first performed at the Guggenheim Museum in New York City by myself and members of my own ensemble later that same year. It also turned out to be one of my first pieces to be heard by a large concert-going public when Michael Tilson Thomas invited me to perform it with him and members of the Boston Symphony Orchestra in Boston in 1971 and at Carnegie Hall in 1973, where it provoked a riot.


—Steve Reich

Bandcamp

Notre-Dame

"I'm a mellow artist, aging 68. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases

https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli amateurs, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

Comments

Amomus

Barriac

Lilli A.

M.NOMIZED

idematoa

progettosonoro