A beautiful collaboration, very well performed, a summer atmosphere that we may have soon :-) Excellent realisation/production :-)

I like this atmosphere.Beautiful synths and sequence phrases

Painting by the German artist Caspar David Friedrich 1774-1840

Henry

Two quick jams, together they becomes i short one, Recorded a few days ago



Every, And If Not?

Here's another deep and dark cut from the first session of the year, recorded on 2nd January 2021, and using some wonderful piano soundscapes kindly provided by @anmoku. We also added some great industrial/glitchy drum loops from @fl-souto, while Gillie flew in some horrible guitars Si had recorded earlier to complete the unpleasantness.

Electric Whirlwind

Marco Lucchi : analog synthesizer and samples

with Zuunzug
https://soundcloud.com/zuunzug-field-recording/waves-over-seashells-vagues-sur-les-coquillages

28 aprile 2021

"Il gesto mitico è un'onda che, nell'infrangersi, disegna un profilo, come i dadi gettati formano un numero. Ma ritirandosi accresce nella risacca la complicazione indominata, e alla fine la commistione, il disordine, da cui nasce un ulteriore gesto mitico. Perciò il mito non ammette sistema.“ 

Roberto Calasso

Undertow (w/ Zuunzug)

https://northfield-lenox.com

Maybe time will follow me
I'm walking through the ordinary trees
A needle

A needle 
Has found an enemy

Maybe time is all we see
I'm watching you in momentary seas
A needle

A needle
Has found an enemy
A needle
Has found an enemy


https://northfield-lenox.com/

Needles

music by 
Marco Lucchi : analog synth and samples

lyrics by
Antonella Eye Porcelluzzi : voice

with Zuunzug
https://soundcloud.com/zuunzug-field-recording/waves-over-seashells-vagues-sur-les-coquillages

***

RINASCITA DEL SENSO
di Antonella Eye Porcelluzzi

È un fiore 
Che si apre 
Senza fine
Aprendo intorno
Molti fiori
E’ un’ape 
Che impollina Lesta 
Senza sosta 
E’ una mente che vede 
Quello che guarda 
E che si domanda 
Che ci faccio qui 
E opera I necessari cambiamenti 
Uccide se deve 
Ripensa le cose 
Dall’inizio 
Tranquilla 
Sicura 
Che ogni fiore 
Apre un altro fiore
 Che ad ogni richiamo 
Segue risposta 
Consequente
 Camminando
 Nei viali della vita 
Sali su un albero
 E chiacchiera 
Con il passero 
Cinguetta 
Anche tu
 E che si senta 
Lontano Il tuo grido 
Di vita
 La tua anima
 Vive
 Percorre i secoli in un batter d’occhi
E alla fine 
Ci sarai sempre
 Tu
 Con tutto quello
 Che hai 
Combinato


Renaissance
Du Sens
C’est une fleur
Qui s’ouvre
Sans fin
Qui ouvre
Beaucoup de fleurs
Autour
Est une abeille
Qui pollinise
Leste
Incessante
C’est un esprit qui voit
Ce qu’il regarde
Et qui se demande
Qu’est-ce que je fais ici
Et œuvre
Les changements nécessaires
Tue s’il doit
Repense les choses
Dès le début
Calme
Sûre
Que chaque fleur
Ouvre une autre fleur
Qu’à chaque appel
Suit la réponse
Consécutive
En marchant
Dans les allées de la vie
Grimpe sur un arbre
Et bavarde
Avec le moineau
Gazouille
Toi aussi
Et qu’il s’entende
Loin
Ton cri
De vie
Ton âme
Vit
Parcourt les siècles
en un clin d’œil
Et à la fin
Tu seras toujours là
Toi
Avec tout ce que
Que tu as
Fichu


Renaissance of the sense
It’s a flower
That opens
Endless
Opening Around
Many Flowers
It’s a bee
Pollinating
Quickly
Relentlessly
It’s a mind that sees
What it looks at
And who wonders
What am I doing here
And operates
The necessary changes
Kills if it has to
Thinks things again
From the beginning
Quiet
Sure
That each flower
Opens another flower
That at every call
Follows-up the
Consequent
Answer
Walking
In the Boulevards of Life
Climb up a tree
And chatter
With the sparrow
Chirping
You too
And be it heard
Far away
Your cry
Of life
Your soul
Lives
Travels
Through the ages
in the blink of an eye
And in the end
You’ll always be there
You
With all that
You
Got up

Bandcamp

Marco Lucchi & Antonella Eye Porcelluzzi - Rinascita del Senso

Gripatora [part 2]

Cover art includes seed from @mystique_wind ❤️🍄

Tonic Elves Inlets Cove

Splendor Solis ("The Splendour of the Sun") is a version of the illuminated alchemical text attributed to Salomon Trismosin. This version dates from around 1582.

The earliest version, written in Central German, is dated 1532–1535 and is part of the Kupferstichkabinett Berlin collection at the State Museums in Berlin. It is illuminated on vellum, with decorative borders like a book of hours, meticulously painted and highlighted with gold. The later copies in London, Kassel, Paris and Nuremberg are equally fine. Twenty versions exist worldwide.

The original of Splendor Solis, which contained seven chapters, appeared in Augsburg. In miniatures the works of Albrecht Dürer, Hans Holbein and Lucas Cranach were used. The author of the manuscript was considered to be the legendary Salomon Trismosin, allegedly the teacher of Paracelsus, though the name is believed to be a pseudonym. The work consists of a sequence of 22 elaborate images, set in ornamental borders and niches. The symbolic process shows the classical alchemical death and rebirth of the king, and incorporates a series of seven flasks, each associated with one of the then-known planets. Within the flasks a process is shown involving the transformation of bird and animal symbols into the Queen and King, the white and the red tincture. Although the style of the Splendor Solis illuminations suggest an earlier date, they are clearly of the 16th century.

Splendor Solis

Paving the way

Pulling at Loose Threads

Pulling At Loose Threads

"I'm a mellow artist, aging 65. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest release
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further releases please go to my bandcamp page
https://marcolucchi.bandcamp.com/
and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

Undertow (w/ Zuunzug)

Marco Lucchi

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