a personal homage to one of my favorite guitarists, the great Terje Rypdal, and more than a few nods else wheres as well--to the imagination united, and one of my very best pieces IMO:

Dan Stearns - microtonal electric and acoustic guitars, bass, keys, analog, percussion, mandolin,  electronics, sounds, toys, mixing, composition
Bryan Stearns - drums
Jacob Barton - bassoon and uderbot
Jim Capone - clarinets
3-Hand Man - turntables and loops, etc.

Sigmata - One Fine Summer Day

first improv run-through with Shoe Pedals 314 fuzz; yay!

sometimes a great notion?, other times..... well.

ronin mirari (pinky)
fryette d120 & power station
catalinbread bicycle delay (pre-amp only)
digitech obscura delay
neunaber slate reverb

go!

other-times-barely

Primeras grabaciones de Quarto Ensamble.
Compositor: Marco Oppedisano 
Grabación y Mezcla: Felipe Alarcón

Good News - Quarto Ensamble

Rainbow Bridge

Jimi Hendrix Star Spangled Banner (studio version from Rainbow Bridge)

Composed in Brooklyn, NY in 2003. Premiered by the Brooklyn College Ensemble in December 2003 with me as electric guitar soloist.  This is a midi realization of the score. Out Your Ear(ASCAP)

Score and parts for sale at: https://marcooppedisano.musicaneo.com/sheetmusic/sm-313167_concerto_for_electric_guitar_and_percussion_ensemble_2003.html

Concerto for El. Guitar and Percussion Ensemble (2003)(MIDI)

Instrumental popish jazz guitar number that begins with a recorded water dripping motif and ends with the same motif.  That recorded bit from my backyard (post rain storm) was used to generate the song tempo (around 89 bpm) and keep a crazed sort of polyrhythmic hi-hat beat throughout the tune. Featuring Ian Hendricks on bass. Soli Deo Gloria!

City Hall Station

Cherubim

Created as a contribution to a drone created by Pete Swinton.

https://soundcloud.com/peteswinton/sets/srigala-for-jm-basquiat-a

Marco Oppedisano, nylon string guitar

Forest Hills, NYC June 2020

www.marcooppedisano.net

SRIGALA - For JM Basquiat - Marco Oppedisano, gtr

Track for The $100 Guitar Project (http://www.100dollarguitar.com). Released as a 2CD album in January 2013 on Bridge Records, Inc. (BRIDGE 9381A/B). Composed in Queens, NY - Jan-Feb. 2011).

Most of the album proceeds go to CARE (http://www.care.org/campaigns/poverty.asp) -  a leading organization working against global poverty.

Music by Marco Oppedisano, Out Your Ear (ASCAP). All sounds from the $100 Guitar.

http://www.marcooppedisano.net
http://www.bridgerecords.com

Red Cent ($100 Guitar Project)

You & I Will Meet Again

Composed in 2003 and revised and remastered in 2020.

Marco Oppedisano, el. guitar and el. bass.

Also, available on: https://marcooppedisano.bandcamp.com/album/selected-works-1999-2017-acoustic-electric-and-electroacoustic-music-with-guitar

Noah Creshevsky 1945-2020

Out Your Ear (ASCAP)
www.marcooppedisano.net

Snapshots (for Noah Creshevsky ) (2003; REV. 2020)

Marco Oppedisano is an American guitarist, composer, recording artist, instructor, and session musician. His compositions primarily focus on the innovative use of electric guitar in the genre of electroacoustic music. Oppedisano has also composed a cappella works, various ensemble works with guitar and solo classical and solo electric guitar compositions.

Oppedisano has four album releases on the OKS Recordings of North America label (OKSRNA): Mechanical Uprising (2010), The Ominous Corner (2008), Electroacoustic Compositions for Electric Guitar (2007) and a collaboration with David Lee Myers (aka. Arcane Device) called Tesla at Coney Island (2008). Oppedisano has also recorded for labels including Tzadik Records, Bridge Records ($100 Guitar Project), Mutable Music, EM Records (Japan), Capstone Records and Spectropol Records.  In late 2015, Oppedisano will be releasing an EP of electroacoustic music with electric guitar on Spectropol Records called, Resolute.

His works have been performed and heard in various areas around the world and are all published through Out Your Ear (ASCAP)

Oppedisano is a native of Brooklyn, New York. He holds a B.A in Music Composition from the Brooklyn College Conservatory of Music and an M.A in Music Composition from the Queens College Aaron Copland School of Music.
