Renegade Techno Traxx

Feiern

Feiern (Original Mix)

First Time in Space

Lilly Palmer - First Time in Space - Drumcode DC269

Thanks you all for the crazy support on this one. 

Instagram - @boda_uk
Bookings - boda_uk@hotmail.com

Download

Darude - Sandstorm (BODA Hard Techno/Schranz Edit)

ein bootleg / edit von mir 

großen Danke an Disscut für die Unterstützung

NIcolas Binder - Moment (Leukozyt Edit) FREE DOWNLOAD

Berlin Calling (The Soundtrack by Paul Kalkbrenner)

Revolte

Eiskalt

Eiskalt (Short Mix)

Chicago's ultimate legend DJ RUSH makes his debut on Neuhian for the imprint's very second release with his amazing new single 'Look And See''. Label boss and Berlin's king Daniel Boon and his partners in crime Marco Remus and Hupfeld are the remixers on duty, delivering 3 mind-blowing reworks ready to cause some hands-on-the-air action and bring some massive damage on the dance floors. Put your dancing shoes on, listen, look, see, feel and dance ;)

Buy it at:
http://classic.beatport.com/release/look-and-see/1441853

Find Neuhain on Facebook:
https://www.facebook.com/Neuhain.Recordings.official

Find DJ Rush on Facebook:
https://www.facebook.com/Isaiah.Major

Find Daniel Boon on Facebook:
https://www.facebook.com/DanielBoon.official

Look and See

DJ Rush - Look and See (Original Mix) [Neuhain]

Oliver Huntemann - Schwarzlicht & Filmriss
Direct yet sophisticated, brutal yet refined, physical yet cerebral: opposites collide to perfection on this latest transmission from one of Hamburg's finest exports and a bona fide techno legend - Oliver Huntemann. Here, he returns to his very own Senso imprint with two massive tracks aimed firmly at the floor.
The airy feel of 'Schwarzlicht' with its simple kick-less beat and intricate, textured woodblocks gives way to an imposing, thorax-rattling low end that's felt as much as heard. Precision-engineered for a big system, the pitch-bent bass twists around itself like a contortionist in chains, while above, brittle piercing stabs pulse and ping.
On the flipside, the slamming kick and buzzing repetitions of 'Filmriss' cast a dark, edgy vibe. A pitched-up pulse - as if a string is being slowly tightened to breaking point - makes way for a monstrous sub bass. Deeply accomplished, these tracks are ample testimony to Huntemann's two-decade stint at techno's cutting edge.

Beatport

Schwarzlicht

Noir is a fantastic DJ, producer and label owner. More important though, he is a fine human being and I am honoured to call him a friend. So it is with a lot of joy that I am presenting you my next release on his label Noir Music. I am thrilled and looking forward to your comments.

Noir Music 103

Pre-order

On-Off (Inhale-Exhale)

Somebody To Love

White Rabbit

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Sunclasses at Night Remixes

Tiga & Zyntherius - Sunglasses At Night (Original 12  Version)

Human Race

Take a Walk (Original Mix)

#PK7
Available at iTunes: http://hyperurl.co/PK7
Listen on Spotify: http://bit.ly/PK7SpotifyPL
Mothertrucker Video:  http://bit.ly/MothertruckerVideoPK7
Cloud Rider: Video: http://bit.ly/CloudRiderVideoPK7 

Paul Kalkbrenner - Sky And Sand (Feat. Fritz Kalkbrenner)

Trommelmaschine
Re-constructed version taken from the 25 years anniversary album D3R-25 EINS.
Released Dec 12th 2017 on Harthouse.
HHMA 0724
The original mix came out 1997 on Harthouse Frankfurt.

D3R-25 Eins

Trommelmaschine D3R-25 Eins

+++ free download +++
https://raumgeraeusch.com/download/

„The Power Of Rausch“, ein Stück, welches K-Raumick, schon seit Jahren mag. Deshalb gibt es nun diesen, als Remix, von Uns, für euch.

Power Of Rausch (RaumGeräusch Remix)

DOWNLOAD

𝖮𝗅𝗂𝗏𝖾𝗋 𝖪𝗈𝗅𝖾𝗍𝗓𝗄𝗂 𝖿𝗍. 𝖭𝖺𝗀𝖾𝗅 ➪ 𝗣𝗼𝘄𝗲𝗿 𝗢𝗳 𝗥𝗮𝘂𝘀𝗰𝗵 [RᴀᴜᴍGᴇʀᴀ̈ᴜsᴄʜ Rᴇᴍɪx]

Fritz Kalkbrenner-Kings In Exile

Paul Kalkbrenner - No Goodbye

DJ Rush - Riders On The Storm [www.keepvid.com]

White Rabbit (Original Mix)

The oldest track I have uploaded so far. I recorded "Schall" back in 1995...I stopped playing it (the original version) a long time ago but last weekend I did play it again and to my amusement and utter disbelieve - it went down in a storm. Nice one. So I thought some of you might like to find it it here...
PS: The vocal is sampled from "Adonis - Acid Pokin'" and I have no idea what it says!


Renegade Techno Traxx

diemenschmaschine