One of the most charming DJs in the business. A musical ambassador and a veteran of acid house, a champion of techno, a dance music pioneer, label owner, King of Ibiza – you name it, Carl's been there and done it, never losing sight of his passions – playing music, breaking tunes.

Clubbing was in its infancy when Berlin-born Monika Kruse began her first residency at the Babalu bar in Munich, where she grew up. Classically trained in piano from the age of four, Monika has always had a love of music and her early sets spanned hip hop, funk, soul and early deep and vocal house. This new breed of electronic music seized Monika’s soul and imagination. Dance music was in its infancy and since there were few clubs where you could play techno she threw her own parties in illegal venues ranging from World War II bunkers to trams to empty houses. Fortunately the police were a little behind the musical curve… “I had some funny experiences,” she recalls, “But nice ones! They stopped us once in a tram because they thought the smoke machine was a fire!” On another occasion, they came and asked her to turn down the bass so the house they were playing in wouldn’t crumble. “Luckily, they didn’t have a clue about techno!” 
	
Monika Kruse's star is shining brighter than ever with a global fan-base hungry for her irresistible beats. In 2014 her club appearances included Space Ibiza with Carl Cox, Amnesia Ibiza with Marco Carola, We Love... at Space Ibiza, Sankeys Ibiza, Egg London and regular sets for her residency at Berghain Berlin.

She dazzled the festivals, too, playing events such as Time Warp, Melt Festival, 18 Hour Festival, Eastern Electrics UK, Ultra Music Festival in Miami and South America, Sonus Croatia, Awakenings ADE, and SEMF Stuttgart. She also hosted a stage at Amsterdam's Edit Festival, showcasing some of her favourite artists such as Pig & Dan, Nick Curly and Miss Kittin.
Classically trained in piano, Monika's love of music is broad and deep. She grew up buying records, accumulating a music collection that grew to span funk, soul, hip hop, and house music. When the revolutionary rhythms coming out of Chicago and Detroit captured her imagination it led her to throw parties in illegal venues including World War II bunkers, trams and empty houses.

Electronic music culture has evolved rapidly since those early days but Monika's talent and passion is constant. “My ethos is ‘sweat with a smile,’” she says. “I give love to my audience and they give it back. LOVE – it’s the best thing in the world. My aim is to help people forget whatever is going on in their life and have a little holiday – just get lost in my music.”
Monika is also an active producer. Her Terminal M label celebrates its 15th anniversary in 2015 and she chalked up hits this year with Pig & Dan collaboration 'Soulstice', a Beatport Top 10 techno anthem. The fantastic remix package of 'Summer Drops' was also a Beatport chart favourite, featuring Monika's track reworked by Nicole Moudaber, Uner, and Mendo. With just two releases Monika was one of Beatport's Top 100 techno artists for 2014. Look out for the special re-release of the album Monika Kruse @ Voodooamt 'Passengers' in celebration of Terminal M's 15th birthday.

Monika’s passion for spreading the love extends beyond the dancefloor, too. In 2000 she founded a charity called No Historical Backspin to fight racism and homophobia. “It’s sad and ridiculous that people still get beat up, or in some countries even killed, for being gay. Or get treated badly because of their skin colour, or gender, or because they’re a refugee” she says. “But it happens. Sharing and caring is the only way to make the world a safe place for everyone. It is important for DJs to show they respect everyone.” She is currently organising a No Historical Backspin party at Berghain. Funds raised will go to Amadeu Antonio Stiftung, which supports victims of hate-crimes and campaigns against right-wing extremism.
Her charity work, like her DJing and production, is an expression of Monika’s faith in the transforming power of music. “It was my first love,” she says. “Music was my best friend. It never let me down. In good times music was there and in bad times music was there.”

Bookings : ian@safehousemanagement.com

Einmusik, the solo project of Berlin-based producer Samuel Kindermann, is a cornerstone of melodic techno and house music. Born in the late ‘70s, Einmusik’s early influences—spanning Depeche Mode, Kraftwerk, and Drum ‘n’ Bass—shaped his emotive, atmospheric sound. Since his 2003 debut “Weekender,” he has crafted a career defined by intricate melodies and immersive soundscapes, with key releases like “Jittery Heritage” and albums “5 A.M” and “Serenade.”

In 2008, he launched Einmusika Recordings, a Berlin label fostering both new and established artists, solidifying his impact on the scene. Renowned for his dynamic live performances, Einmusik’s recent highlights include his 2019 Cercle stream at Preikestolen, Norway, amassing over 15 million views, his remix of Tinlicker’s “Starchaser” in 2024, and original tracks “Let Me Out” and “Hypnotized,” showcasing his evolving artistry and command of mood-driven techno. With over two decades in the game, he remains a vital figure in electronic music.

Deutsch:

Als deKai im Jahr 1992 seine erste Technoparty feierte, war es um ihn geschehen. Bis 2002 legten seine Freunde auf und prägten seinen Sound. Als er dann 2004 den Club Ohm in Madrid besuchte und keiner seiner Freunde mehr selbst in einem Club auflegte, kaufte er nach seiner Rückkehr 2 Technics und 1 Mischpult.
Die ersten Platten waren gekauft, und der Anfang war mehr als holprig :) 

Als dann Günni mit seinen Platten vorbeikam, ging es los. Jedes Wochenende spielten die beiden zu Hause, dann begannen kleinere Gigs in Bars und Clubs. Regelmäßig bei Braaaatz und den 3Klang Partys im Ohrakel.

Schon damals war seine Leidenschaft der düstere, treibende Techno, auch aufgrund seiner Affinität zum Heavy Metal. Ein Fan beschreibt seine Musik als das Gefühl, von einem Raubtier gejagt zu werden und um sein Leben zu rennen.

Nachdem in Bayern die Clubs bereits um 4 bzw. 5 Uhr schlossen und das nicht mehr seinem Feierrhythmus entsprach, folgte ein aufregendes Jahr 2009 in Berlin mit dem Fazit, am 01.12.2009 in Berlin anzukommen!

Einer seiner Meilensteine auf seinem Weg war ein 10-stündiges Set in der Magdalena an der Schillingbrücke, nach dem der Keller des Clubs nach ihm benannt wurde (Kai`s Keller), und ein weiterer auf der Hoppetosse zur Betriebsfeier.

Mit der Gründung von Ragnarøk im Jahr 2013 begann ein neuer Weg, der bis 2022 wild, erlebnisreich und ausgelassen war. 2023 begann eine neue Ära mit der Gründung des Labels „valhall records“ und der Partyreihe „Ruf der Walküren“.
Ragnarøk ist TOT und wird zu Valhall Records: http://tinyurl.com/4xdhuku2

Seit Dezember 2023 ist er stolzer Resident DJ in der Bude in Kutaisi, Georgien.

Englisch:

When deKai celebrated his first techno party in 1992, it was a turning point for him. Until 2002, his friends were DJing and shaping his sound. In 2004, when he visited the Ohm Club in Madrid and none of his friends were DJing in clubs anymore, he purchased 2 Technics and 1 mixer upon his return. The initial records were bought, and the beginning was more than bumpy :) 

When Günni came by with his records, things took off. Every weekend, the two played at home, and then they started with smaller gigs in bars and clubs. Regularly at Braaaatz and the 3Klang parties at Ohrakel.

Even back then, his passion was the dark, driving techno, also due to his affinity for heavy metal. A fan describes his music as the feeling of being chased by a predator and running for one's life.
After clubs in Bavaria started closing at 4 or 5 am, which no longer suited his party rhythm, an exciting year in Berlin followed in 2009, with the conclusion of arriving in Berlin on December 1, 2009!

One of his milestones on his journey was a 10-hour set at Magdalena at Schillingbrücke, after which the club's basement was named after him (Kai's Keller), and another at Hoppetosse for a company party.

With the founding of Ragnarøk in 2013, a new path began, wild, eventful, and unrestrained until 2022. In 2023, a new era began with the founding of the label "Valhall Records" and the party series "Call of the Valkyries."
Ragnarøk is DEAD and becomes Valhall Records: http://tinyurl.com/4xdhuku2

Since December 2023, he has been a proud resident DJ at Bude in Kutaisi, Georgia.

---- BOOKING CONTACT ----

Bookings // Love Letters: markus@return-booking.com 
Bookings for North and South America: rs@thebullittagency.com
Superfriends Records (Label Management): peter@superfriends.de


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