Marcus Zero - Sand Of Time (FREE DL WAV)

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Agressor Bunx - Scream

Hydroline_Ghostwalk

WAV : https://kalbo.bandcamp.com/album/toxic-invaderz-2 

8 - Le Mirroir

fabulous_hamster

Maztra & Toyfon – Annihilated

Buy & Stream:
http://smarturl.it/kosen37

Artwork by http://www.yanvfx.com/

Whether it's hard techno, industrial hardcore or drum & bass, dance music producer The Clamps has stayed at the helm of its ever-growing scene. And having such a wide array of influences has helped him to become one of the most notorious players in the darkest realms, having already grown within the trenches of French label Kosen Production, a platform well known for pushing forward likeminded artists. Whether it's his collaborations with the likes of Nick Bee and Redject, or his standalone singles, he's been heralded by many as a pivotal art within the underground, which is why the announcement of his forthcoming album was met with great anticipation from across the market.

Already releasing on the likes Prolix's Trendkill, Invisible, Eatbrain, Titan and Impact Music, he's made his music felt throughout a wide range of imperative labels. The second part of his 'Odyssey LP' sampler packages comes in the form of both 'Looking for Trouble' featuring the notorious Nuklear MC and 'LHS 1140b', which highlight the LP's versatility whilst also engineering two darkly atmospheric cuts which pull you into the sound which The Clamps is renowned for.

If you're a frequent visitor of the international DJing circuit, you're sure to have heard the sampler's A-side 'Looking For Trouble'. It's a destructive call to arms, one which bares its sonic artillery but first rolls out on strung-out note patterns, a rolling soundscape and an intro which pulls you up an intimidating breakdown. As the track catapults into its first immersive plunge, you're taken for the ride and each constructed hook grabs at you with an intimidating snarl, alongside Nuklear's growling lyricism. 'LHS 1140b' is just as gripping but in its own way, with a heavily distorted bassline and crashing drum sequences which create an effortlessly driving single. This is a secondary sampler proving that The Clamps forthcoming album is a force to be reckoned with. It also pedestals the type of diversity which he's historically championed for, although this can only be expected from an artist who's devoted himself to his craft for such an expansive time frame.


Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Nuklear MC: 
https://www.facebook.com/nuklearmc/
https://soundcloud.com/nuklearmc
https://www.instagram.com/nuklearmc/
https://twitter.com/NuklearMC

Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

Odyssey

Buy & Stream

The Clamps ft. Nuklear MC - Looking For Trouble [Kosenprod]

ARTISTS:
@mizodnb
facebook.com/mizodnb
@trilo
facebook.com/Trilodnb
LABEL:
@cause4concern-recordings
www.facebook.com/Cause4Concern/

Beatport Exclusive:https://www.beatport.com/release/black-mirror/2532760
Release Dates: 18.03.19 - Beatport Exc & 01.04.19 Worldwide
MIZO: Black Mirror
When looking at Mizo as an artist and what he’s achieved over the start of his career, it’ll come as no shock that he’s a Russian producer. It seems that Russia has become a microcosm of the drum & bass genre and everything it represents; even from the countries furthest reaches, it’s delivered astounding talent, the type of which has been comparable to figures who’ve spent decades in the game. Mizo’s own output has only followed this trend.

With music on the likes of Eatbrain, Blackout, Dutty Audio and Kosen, he’s never once allowed himself to drop his impeccable production grades. His upcoming EP on Cause4Concern still doesn’t break these rules. 
Although this time, Mizo has again entered the world of Cause4Concern, a label who recently celebrated twenty years in the game and an imprint who’ve proven over the entirety of their lifespan that they’re able to keep up with the current musical climate. Mizo’s forthcoming ‘Black Mirror’ EP is a tribute to this – from ‘Animate’ through to ‘Gravity Fall’, it’s easy to see how Mizo came under the fearsome stretch of C4C.

‘Animate’ begins ‘Black Mirror’ with crackling bass switches and grooves which give the track its momentum as it gradually breaks down. ‘Shaman’ pulls you against its twisting synthesis and tribal-like atmospherics, which create a deeper soundscape to become emerged in. ‘The Pursuit’ features Trilo and as part of the collaboration both artists add their take on a merging of the subgenre’s murkier realms and a more dancefloor influenced edge. ‘Black Mirror’ is the EP’s title-track and it focuses heavily on its slamming drums, centralising the cut with each weighty drum pad. Then ‘Gravity Fall’ is the finishing number, rolling through with sweeping peaks and deep troughs of bass. It provides an exploration of Mizo’s capabilities, showcasing his ingenious strokes of production. Already boasting support from artists such as Noisia, Black Sun Empire, State of Mind, Rene LaVice and Ed Rush, Mizo is a force to be reckoned with. Returning to Cause4Concern, their vast audience is once again about to become enthralled in the music of Mizo.

Mizo & Trilo - The Pursuit(Cause4Concern057)

Computerartist Feat. Embr - Iridescent [HBM021]

Phetsta - Intergalactic (Saint Robbers bootleg)

After experiencing a breakthrough year in 2020 which saw them reach dizzying heights in the drum and bass scene with releases on RAM Records, Viper Recordings and Liquicity, Australian duo V O E are back on home turf with the new two-tracker “Sirens” / “The Darkness”, incoming via local label ProtoCode. Based in Adelaide and made up of two accomplished singer-producers, Tevlo and CARZi, V O E have carved a niche for themselves with their signature brand of vocal-led D&B, demonstrating a penchant for striking an expert balance between spellbinding cinematics and merciless bassweight. Typically saving their darkest and heaviest offerings for ProtoCode – as evidenced by their label debut, 2020’s “Where You Belong”, and their recent Alpha Cuts compilation contribution, a remix of Dead Zodiac’s “The Fall” – the pair have opted to showcase the two extremes of their sound on this latest drop. Centred around a hushed vocal from CARZi, “Sirens” means business from its introductory notes. Introduced with sprawling ambiances and tense, acid-esque modulated synth plucks, it suddenly breaks out into explosive, neuroleaning crescendos, pierced by unrelentingly jagged basslines and strident drums. With new twists around every corner including bellowing breaks and an exhilarating halftime switch-up, this aural juggernaut is one of the duo’s most ambitious productions yet. In stark contrast from its predecessor, the gritty but tangibly liquid-inspired roller “The Darkness” opens with gentle piano melodies and a sublime topline – once again provided by CARZi and showcasing her impressive vocal range – before bringing serrated synths and bubbling arpeggios into the mix. The result is a more commercial, yet simultaneously hard-hitting number, an apt reminder of the pair’s versatility right across the drum and bass spectrum. “Sirens” / “The Darkness” lands exclusively via Beatport on 19th March 2021, hitting other stores and streaming services a fortnight later on 2nd April.

19/03/2021

V O E - Sirens

LABELS:
COMMING SOOOOON
Neuropunk Records
High Resistance
INVASION
Dawn of Music records
Outlaws Music™ label closed