LYL Radio: Tanzen und Denken 9, by Isis O'Regan & Rupert Clervaux

The UK Police, Crime, Sentencing and Courts Bill is an authoritarian bill threatening our fundamental right to protest, giving a police force drunk on authority a free pass to enact violence against peaceful protestors.

Protestors could be jailed for more than a decade - the same goes for those who are caught defacing statues of slave traders which is double the amount of time a convicted rapist would receive. This bill is a puff piece on women's safety but the mask slips as it fails to mention women once in the 296 page report. As it attempts to stamp out movements like BLM and Xtinction Rebellion, it also threatens the Gypsy, Roma and traveller communities, furthering the efforts of those who seek to live in a society of homogeneity and conformity. This is the Tories tightening their vice like grip around our necks as they try to erase our civil liberties. We're angry and we know you feel the same, don't let it dissipate - see you at the protest.

LYL Radio: Tanzen und Denken 9

Les argonautes Invisibles vous invite pour une aventure cosmique de deux heures avec les panthères @oiseaudanseur et @myako_bluepanther

www.diaradio.live

Les argonautes invisibles - Myako & Marylou (16.04.21)

Voluminous Arts w. Gavilán Rayna Russom and her guests for this episode - Lola Strange and Lostboy.

Voluminous Arts w. Gavilán Rayna Russom/Black Meteoric Star w. guests Lola Strange & Lostboy

Red October

DJ Zanderhythm live in Marzahn :D tracks by Octobird,ZeckDBH,  DJ Acryl

Marzahno 6

Acidhustler - Marzahno6

Mardu "Buddies" available now on Bandcamp

14. Inside This Field

2. It's The Magic

Show #218
Breaking Waves 5-6-21
1. info - Hack
2. Federico Leocata - The Same Particles
3. Clairvoyant Bot - Mutable
4. Dj Andy - Down and Destitute
5. Robomatic - Grønlands Gangster
6. Lukey - Intergalactic Groove
7. info – Circles
8. Dj Andy - Nawty Funny
9. Robomatic - MS 101
10.Robomatic - Green Eyes
11.Sol Ortega - The Oscillating Mind
12.Bastards of Love - Rituals (Rude 66 remix)

Breaking Waves 5-6-21

... énervé, metalisé, bien rocké, indusé, toujours breaké, boîte à rythmé, goa trancé, turfurisé, re-psyché, re-dubbé, jean-guitarisé, rips de mauvaise qualité, smershé, club doggé, timeshardé, mmatté

by @clemdoum

psyché, dubbé, guitarisé... (by Doum)

Quindi Records continues to yield intriguing prospects as we reach the third edition, moving from Woo’s astral ruminations via Cabaret Du Ciel’s sonorous meditations on to the dusty, dusky mantras of Dead Bandit. Maintaining the ambiguous creative practices of the label’s previous releases, ​From The Basement r​eaches to the earth for the malleable grit of post-rock while making the most of the broader sonic outlooks afforded by kosmische and electronic effects processes.
Dead Bandit are Chicagoan songwriter Ellis Swan and Canadian multi-instrumentalist James Schimpl. Swan has previously released solo works including the stunning, inward-looking album ​I’ll Be Around​, a lo-fi Southern gothic dragging the husk of country ballads through battered signal chains. In Dead Bandit, Swan and Schimpl’s artistic vision casts its gaze outwards on a vast expanse, where the distortion has space to stretch its legs and the drums pound out into open space. There’s a common tonality at work here, the duos guitars telling a thousand hard-bitten tales where Swan’s voice falls silent. It’s no surprise to learn Swan and Schimpl’s reference points include Neil Young’s Dead Man soundtrack, SF noise rockers Chrome and the imperial work of the late, great Mark Sandman of Morphine.
You can sense Jim Jarmusch’s America just lingering behind the road-weary thrum of ‘These Clouds’ and detect the shadow of Tom Waits lurking in the raunchy lurch of ‘FF M’. The pointedly titled ‘Sedated’ calls to mind the slowcore movement and its rejection of rock n’ roll’s fixation on speed. Instead, tonality and atmosphere are key across ​From The Basement​, although the ambient lull of ‘I See Her There’ is the exception rather than the rule. Dead Bandit’s desert sound has vibrancy and immediacy to match its moodiness, from the sultry swagger of opening track ‘Mud’ to the bold and borderline bombastic ‘When I Looked Around’.
Like the previous Quindi releases, this record is inherently experimental in nature, but not at the expense of its warmth and instant appeal. From the basement, an inquisitive pair with primitive tools look out and imagine a colossal plain as the canvas on which to paint their picture.
*
*
*
*
*

All tracks, written, recorded, mixed and performed by James Schimpl and Ellis Swan.
Also appearing: Adam Smith (Drums on "Untitled" and "Valentine"; 1st Drum Loop on "These Clouds"; Percussion/Harmonica on "I See Her There") and Steven Skolka (2nd Bass on "I See Her There").

Artwork & Graphics by Visnja Susak. Photographs by Ellis Swan.

Mastered by MA Spaventi. Manufactured at R.A.N.D. Muzik.

Dead Bandit's special thanks: Eva, Rowan, Hazel, Rachael, Jason, Diane, Andrea, Katherine and Jolene.

Quindi's special thanks to Ellis Swan and James Schimpl, Paul H Williams aka Memphis for discovering Dead Bandit and LEDX for their support.

Unconditional love for Ivana and Milla Vittoria

p + c Quindi Records 2021


PRE ORDER LINKS:

https://www.roughtrade.com/gb/dead-bandit/from-the-basement

https://www.normanrecords.com/records/186962-dead-bandit-from-the-basement

https://www.forcedexposure.com/Catalog/dead-bandit-from-the-basement-lp/QUI.003LP.html

http://www.wordandsound.de/article/125663

https://quindirecords.bandcamp.com/album/from-the-basement

https://www.hhv.de/shop/en/item/dead-bandit-from-the-basement-821971

https://www.juno.co.uk/products/dead-bandit-from-the-basement/824737-01/