Lo-Fi Electronica, Post Punk, Krautrock and Synthpop – recorded on Kareoke machine, 4-Track, Nintendo DS, DAW – anything.

let's support each other follow me I will also follow yew 🔥🤙🤲

Douglas Boyce writes chamber music that draws on Medieval and Renaissance traditions and modernist aesthetics, building rich rhythmic structures that shift between order, fragmentation, elegance, and ferocity.  His approach is deeply historical and broadly philosophical.  Many of his works have an direct historical touchstone, such as his  Etude on 'Pymalion qui moult subtilz estoit' (A Book of Etudes, Quire 4, No. 1) which features quotations of and elaborations on music from 15th century Cyprus, or La Deploration for clarinet, violin, and cello, which couples Josquin's lament on the death of Ockeghem with works of his own teacher Robert Suderburg, synthesizing jazz and Renaissance approaches. Other works draw on sources from antiquity, such as the string quartet Alcyone, a partially spoken setting of a tale of Ovid's Metamorphoses, or Tethys, a violin concerto which links the sea-goddess to geological time and tectonic change.
Literature and philosophy are also significant points of articulation: The Winter Journey, a current project commissioned from the ensemble Yarn|wire, is based on a short story by George Perec; the story itself  takes the form of a 19th century fairytale of memory and loss, and so the new composition will involve transformation of the French and German art-song tradition of the 19th and early 20th century. A song cycle focused on settings of American poets (Jorie Graham, BJ Ward, Wallace Stevens) entwines with the poems fragments from philosophers (James, Aristotle, Husserl, Bergson). The piano trio 'Fortuitous Variations' draws upon the language of William James and C.S. Peirce in inspiration, organization, character markings, and movement titles. This approach and the works themselves connect to many aspects of the scholarship in the humanities, including history, anthropology, literary studies, and philosophy. 
His works have been praised many times in the press.  Regarding his Quintet “l’homme armé”, Allan Kozinn wrote “he couches [the medieval melody] in such thoroughly modern scoring that the ear is lured to other things, including the juxtaposition of eerie string writing with playful material for the clarinet and piano, or the lively interplay among all five instruments.” (The New York Times March 12, 2005.) Regarding A Book of Songs (2006), the Stephen Brookes wrote “[they] can only be described as drop-dead beautiful. Easily the most captivating works on the program, these songs of love and death are extraordinarily well written and insightful.” (The Washington Post May 23, 2006)  Regarding La Déploration, Corinna da Fonseca-Wollheim wrote that "...the violinist, cellist... and clarinetist... spread out throughout the crypt. Against vaporous harmonics and ghostly fragments of Renaissance music played by the strings, [a] warm, clear clarinet announced itself as very much alive as it sashayed in and out of blues territory and laughed in the face of their mournful keening." (The New York Times May 17, 2015.)
He has been awarded the League of Composers ISCM Composers Award (2005), the Salvatore Martirano Prize (2006), and the Robert Avalon Prize (2010), and a Fromm Commission (2012). He is a MacDowell Fellow in Winter 2017, and an Avaloch Music Farm Fellow in Fall 2017. His music has been performed by  counter)induction, Aeolus Quartet, Inscape Chamber Orchestra, Redlight Music, Dan Lippel, Robert Baker, Trio Cavatina, Edge Ensemble/Contemporary Music Forum (DC), pianists Ieva Jokubaviciute (Shenandoah University), Alice Belem (State University of Minas Gerais), and Ning Yu; cellists Elise Pittenger (Federal University of Minas Gerais) and Schuyler Slack (Richmond Symphony) and Lori Barnett (George Washington University); and clarinetists David Jones (Washington National Opera), Benjamin Fingland (Dorian Winds).
He is a founding member, curator, and composer-in-residence of counter)induction, a composer/performer collective active in the New York region (www.counterinduction.com).

Musician/Improviser/Trumpeter/Composer/Producer

harpist // creative musician, ensemble director, with a background in solo/chamber and orchestral repertoire, active in contemporary composition, free improvisation, experimental music practices and inter/trans disciplinary arts

Sabine Worthmann – Berlin
Double Bassist, Composer, Music Producer

BANDS & PERFORMANCES 

Sabine Worthmann performed with countless bands of divers genres noiserock, cabaret, country, bebop, folk, free jazz, spoken word and contemporary music. Dedication to improvised music and cross border experiments. 

Long-standing collaboration with Howard Johnson in the quartet and ensemble Nubia (Arrival, Verve Motor Music). Worked with Anthony Coleman's trio (dr Heinrich Köbberling). Played with Zorn’s Cobra, prompter Anthony Coleman, Knitting Factory New York. 

Cooperation with spoken word artists:  Martha Cinader, Julie Patton, Ava Chin, and Bob Holman. Performed with Tel Aviv musicians Eyal Talmudi, Daniel Sarid, and Hagai Fershtman. Odd Meter Jazz with "Heelium," album Goddammitdave (Stephan Meinberg, John Carlson, Penrose Feast, Oliver Sonntag). 

Fluxus Duos
"flourishmatter" with Silke Eberhard (reeds, gtr, voc) S.W.(db, toys, zither, live sampling, Liqour, incense, rosewater), and "Das spiritistische Labor" with Ute Wassermann (voc), S.W. (Db, sampler, live electronics). Both duos were setdesigned by Norma Mack.

NEWS
Album Spiccilegia by COO (Kai Winter, Peter Czekay, Sanjuro, Frau Sportmann )

Release: December 2024 Tonmanufaktur

bandcamp Limited Edition 12`` Vinyl plus Digital download to Bandcamp https://coorecords.bandcamp.com/album/spiccilegia?from=fanpub_fnb_merch
	
SOUNDART RADIOPLAY for public radio
book, direction, composition 

Das Rätsel der Qualia – An Experimental Setup in 5.1 Surround

Nominated for ARD Radio Play Award, won ARD Online Award in 2011. Explores consciousness and neuroscience with ambitious doctors, Swedenborg machines, and a drugstore consultant haunted by poltergeists.

Production: Hessischer Rundfunk, 2011.

RADIO THEATER FILM INSTALLATION (music on demand)

Numerous compositions (production and sounddesign) for Radioplays radiodramas for public radio ( ARD ZDF)

Composer for Staatsschauspiel Dresden, Ruhrtriennale, Badisches Staatstheater, Maxim Gorki Theater, Theater Bremen, Staatstheater Braunschweig. Directors: Sykosch, Hesse, Thalbach. Toured with free Swiss theater company Mass & Fieber. 

Compositions for silent film and documentaries  ZDF/Arte. Multitrack sound installations for World Exhibition ITF London, titled Flags of Convenience on a cruise ship.( With sound wizzard Ralph Kessler)

Followers of Marek Lubner