This is a song from my song cycle Ocean Hum for Soprano Voice, Flute & Piano

Ocean Hum

I Step into the sea-Drowning

This is a beautiful chat with Helen "Windmill" who regails us with stories of her life. From growing up in Tullamarine to teaching around rural Victoria and her amazing experience teaching in Germany as a young graduate.
You can hear us live on Thursdays from 9 till 11 am(AEST) on 94.7 the Pulse on fm or stream us from 947thepulse.com or on the Community Radio Plus app.

Helen Windmill

This is the 2nd movement from my Concerto for Flute-Everything I Touch. The haiku and micro poetry by Kobayashi Issa and Susan Sleepwriter inspire Everything I Touch.

Everything I Touch - Movt2-Summer night

From an upcoming album recording "Forbidden Languages" of original works for solo prepared and extended saxophones. Tenor sax prepared with internal tubing and aluminium foil - percussive digital patterns, circular breathing and vocalising into the instrument - close-miked and recorded in a single, live take.

Forbidden Languages

Kappa

Touching moment today, when checking out the acoustic in Tunnel Grić, the security guard, who was obliged to stop me , tip-toes over and silently signaled to stop recording , so as to not ruin my take, hvala puno gospodine! #undergroundmusic #zagreb #croatia #clarinet

Tunnel Gric Zagreb

Released September 2019 on 12" Vinyl and Digital. 

Nosferatunes proudly presents our debut release: the self-titled debut 12" EP from Melbourne avant-goth duo The Narcoleptor. Classical harp virtuosa Mary Doumany and cult thereminist Miles Brown (The Night Terrors) present an exciting new experimental collaboration. This fearless duo meld the sound worlds of their iconic instruments, conjuring a stream-of-unconsciousness orgy of swirling dream fragments and microtonal hypnotica.  Art and design by Luke Fraser AHR+. Limited to 150 copies.

https://nosferatunesrecs.bandcamp.com/album/the-narcoleptor

NOSFERA002 - The Narcoleptor - s/t EP (preview)

Somewhere in the Middle explores the notion of cultures and composers feeling a loss of identity and place in their own music. It leads the listener to question whether feeling a sense of identity and place in a work of music is important and whether imposing labels on music is really necessary. This work seeks to blend traditional and contemporary musical worlds and is influenced the contemporary classical music of Seoul, South Korea.

Performer: Elliot Pascoe
Recorded: 2012
Composed: 2011

Somewhere in the Middle (solo piano)

Margery Smith is a composer and creative music workshop facilitator with a special interest in collaborative work, she is a curious musician who explores new music and improvisation with works that cross boundaries. Smith loves to work with students of all ages and abilities, and has performed throughout the world on both clarinet and saxophone. She has held Principal positions with Australia’s leading orchestras and chamber music ensembles.