Name: Ep. 28: Everybody wanna be a ho, but don't nobody wanna be a ho. by Marginalia Podcast
Duration: 40 min 26 s
Description: In this first episode of season two, Aura and Temar update us on post graduation life and discuss why everybody wanna be a ho, but don't nobody wanna be a ho.

Heartless

Issues

In Ha Mood

Ice Spice - In Ha Mood

KAZUKI_MURAOKA_LIVE_TOKYO_020917

In this first episode of season two, Aura and Temar update us on post graduation life and discuss why everybody wanna be a ho, but don't nobody wanna be a ho.

Ep. 28: Everybody wanna be a ho, but don't nobody wanna be a ho.

'Another Country' is a new mixtape/project by Dreamcrusher.
"Building your own world is essential. Don't deny yourself the ability to dream."

This is the 39th release by the artist.
dreamcrusher.bandcamp.com
RELEASED BY PURPLE TAPE PEDIGREE

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"UNRULY TEMPORALITIES" BY S*AN D HENRY-SMITH:
unruly temporalities unruly narrator, I’m just looking to feel small in the right contexts—in the vast beauty of things preferably—for all I know is wildness. wilderness. finds me when I’m not looking, beckons when I call. takes over at night, howls til high noon. unfurl into madness an alias by any other name, alembic antagonist auspice antinomy afroandrogyny, we reek of it in good company. everybody’s here in it: squealing barometer kettleblack block w/ misery-midnight knowledges, darkness, smog & flash. an earthen rumble inside the ravenous hive, the gospel of love & protest, let me go off for a minute. the sounds of a world at its beginning, at its onto. transformation by any means.
get in there.
stay in it.
narrative at the level of the line, move the air as it demands. greeting feedback grating amaranth permeating frankincense sliverlinger smoke in the monolith, the bones of the song begin shaking. latch on into grumbling welcome, soundbitten bothering bother body gather liftpull, tear, pull, push-roll. organic choreography, meanspirited when I need to be, for the best of us. queerseraphim black wing the night vertiginous in the hardglowflickerfuckshutterblast blinking in the blistering sun, stunned out of ennui. how lightning breeds thunder. lightstems that know you drain you that summon the long ago. glances gazes gauzes goozing shattered glass underfoot. what brings me to you is by definition rebellion together. our breathing scream, asymmetric sonics breathes back life into what breathes for us, bleeds us for. nihilist longevity, all praise Daughters of Resentment, our soured tongues thirsts for water, & we will not stop seeking our satisfaction until we are no longer thirsty; that would be out of character. mouthfaint aroma, link up in that other place, noisy interiority. there is nothing & even there there is life. eyes on you & in you, hold & heed. onto inner oculus. into ornate arbitals. nonetheless, nocturnal masses. notw/standing now I know what I know.

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CREDITS: polymath (tony toni tone - whatever you want, john lurie and jim jarmusch - permanent vacation) / a long kiss goodnight (dog breath - long kiss goodnight) / blameless (crooklyn dodgers '95) / unruly temporalities featuring s*an d henry-smith (timo andreas - how can i live in your world of ideas?) / a reaching out (the fall - barmy) / metallic mauve (the doors - live in frankfurt 1969) / can't get the stink out (ogc - hurricane) / drowning world (no trend - who's to say) / takeover (gunna - big shot) / good luck (channel live & krs-one - mad izm) / landscape / wanderer (gothic hut - c-14)

Another Country

"Another Country" (FULL) 2020

with Elmer Martinez (https://www.instagram.com/daoriginal96/) and Raja Feather Kelly (http://thefeath3rtheory.com/)

I had the pleasure of speaking with Elmer Martinez and Raja Feather Kelly, two very distinct artists working with the themes of community and identity within dance theatre. I was interested in how the existence of artistic and academic institutions affects these dance communities while emphasizing identity politics. Martinez and Kelly have worked with similar institutions in very different ways. Both speak to their experiences and how these relationships have affected their unique artistic practices. 

After both conversations, I am left with many questions. While many current institutions continue to uphold the systemic white supremacy they were built on, it seems necessary to acknowledge that the sheer existence of arts / academic institutions is not inherently at odds with marginalized dance communities, but the current power structure allows it to be. The support these institutions can offer (money, space, time) is essential to many artistic processes making work under capitalism, especially companies exploring complex topics that require care and sensitivity. But in order for these institutions to truly uplift the communities they claim to support, more transparent conversations are needed as well as representation on all levels, listening, and addressing marginalized voices during their time with an artistic or academic institution. 

Transcript Available: https://drive.google.com/file/d/1Pc-MgxFgbB1yt2FJho1EWd050IA7FGlO/view?usp=sharing

Community and Identity in Dance Theatre

Womanist notes on pop culture, politics & the personal. Temar & Aura share their perspectives & navigate the world within & around them.

Host: Temar France (@etmafrance) & Auralynn Rosario (@amazingaura)

IG: @MarginaliaPodcast

Ep. 28: Everybody wanna be a ho, but don't nobody wanna be a ho.

Marginalia Podcast

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