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Solage / Fumeux Fume Par Fumee [Alla Francesca]

Featuring Vocals By Desire
Produced & Mixed By Johnny Jewel

Chromatics - Yes (Love Theme From Lost River)

Blood in the river
Tears in the rain
Falling

Beyond the darkness
Into the day
Crawling

Remember me
In every cloud of gold
Remember me
Watch how the skies unfold

Imagine flying
Flying

Blood in the river
Tears in the rain
Falling

Beyond the darkness
Carry the day
Crawling

Remember me
In every cloud of gold
Remember me
Watch how the skies unfold

Imagine dying
Dying.

Artwork by Baby Duka

Angelo Badalamenti & Kwamie Liv - Remember Me, In Every Cloud of Gold

"Shadow" by Chromatics

Download this track for FREE at adultswim.com/singles beginning September 8 at 12p EST.


Chromatics - Shadow

https://www.facebook.com/highlucia/
https://twitter.com/highlucia

Chromatics - Yes (High Lucia Edit)
Crystallise 
Leave There 
Cord 
Dull 
Beacon

Dull_Garden

Houndstooth store http://store.houndstoothlabel.com/of-matter-and-spirit-remixes.html | iTunes/Google Play http://found.ee/OMASR-DL | Bandcamp http://found.ee/OMASR-BC

In October 2015 we released Aïsha Devi's Of Matter and Spirit LP. The album encapsulated the spiritual metamorphosis and transcendental journeys of this otherworldly figure. The Swiss/Nepalese-Tibetan producer mentions Sufism and Tibetan monks as her major influences. Aïsha Devi published the LP under her birth name, adding further integrity and candor to this already intimate piece. Houndstooth now returns with the Of Matter and Spirit remixes EP to remind us about the sonic wonders hidden in Aïsha Devi's debut album. 

On this soundcloud stream Irish duo and Houndstooth favs @lakker open the cast of remixers with their take on Anatomy of Light adding a heavy dose of syncopated percussion. No Pain In Pop/New Ninja Tune signing @throwingshade transforms Kim & the Wheel of Life – Aïsha Devi's comment about contemporary idols being channels of commerciality rather than spirituality – into a session of brief introspection. 

The remix EP also boasts two reworks of Aïsha's hit single Mazdâ. Berlin's @mindbodyfitness interprets the track as a whirlpool of trance. The cherry on top is the spooky Killing Sound (@blackest-ever-black) version of Mazdâ with grime MC Rider Shafique and Bogues. 

The Aïsha Devi remixes EP exhibits the ethereal beauty within Of Matter and Spirit and should give more club airplay to this singular artist who perceives music as just another form of meditation. 

Track list 
1. Anatomy of Light (Lakker remix) 
2. Kim & the Wheel of Life (Throwing Shade remix) 
3. Mazdâ (Mind:Body:Fitness remix) 
4. Mazdâ (Killing Sound Version feat. Rider Shafique & Bogues)

Of Matter And Spirit Remixes

Anatomy Of Light (Lakker Remix)

Download

Aïsha Devi - Anatomy Of Light (Lakker Remix)

Lapse

Music composed and produced by Atanas Valkov

Link to video 

https://www.youtube.com/watch?v=f7XhrXUoD6U

When talking about the problem of refugees, we use dehumanised language, which reduces human tragedy to numbers and statistics. But this suffering concerns real people, who – just like us - have families, loved ones, friends; their own stories, dreams, goals... Only when you sit down opposite a specific person and look into their eyes, you no longer see an anonymous refugee, one of the migrants, and notice the human before you, just like yourself – loving, suffering, dreaming... 
20 years ago, psychologist Arthur Aron discovered that 4 minutes of looking into each other's eyes can bring people closer. Using this discovery, we decided to carry out a simple experiment, during which refugees and Europeans sat opposite each other and looked into each other's eyes. Clearly, it is most important to give each other time to better understand and get to know each other.
The experiment was conducted in Berlin: the city, which - first of all - is a symbol of overcoming the divisions, and secondly, seems to be the centre of the contemporary Europe. We wanted the movie created on the basis of the experiment to be as symbolic as possible – and to touch upon the general divisions between people.
The experiment participants were ordinary people. The situations were not staged; we wanted to get natural, spontaneous reactions. The people sitting opposite each other had not known each other before and saw each other for the first time during the experiment. What is important, the refugees mostly came from Syria and had not been living in Europe for longer than a year.

CREDITS:
Director: Bartosz Dombrowski (Papaya Films)
DOP: Kuba Kijowski
Editing: Katarzyna Orzechowska | Mateusz Romaszkan
Music: Atanas Valkov
Sound Design: Błażej Kafarski
Production Manager: Ania Stylińska
Casting | refugees: Ania Alboth
Camera Operator: Patricia Lewandowska
Camera Operator: Magda Górfińska
Camera Operator: Casey Cambell
1st Camera Assistant & Focus Puller: Nick Dietz
Assistant & Focus Puller: Katharina Hauke | Yuri Salvador
Gaffer: Konrad Pruski
Digitalization: Haman Wawrzyniec
DIT Martin Hecht 
Sound Engineer: Konrad Serowiecki
Post Production: Rio de post - Sylwia Skrzypek


Cinegate Berlin (Sebastian Enke | Gösta Hess | Florian Wimmer | Daniel Sippel | Andi and Stefan)
Ewerk | Elaine Mathe
Rio de Post
Glośno
Dreamsound
Papaya Films | Kacper Sawicki
Cut Cut | Maciej Kozłowski | Paweł Szczypek | Robert Cacaj
Central Park Berlin | Sascha Wolfram & Roland Patzelt


All participant
All translators
Isabella Sobieski
Frank Hellwig

Look Beyond Borders (Amnesty International Experiment) - Atanas Valkov

Island Gray Over Waves

. De.Chronos due. Track 2° from CD "De.Chronos"
© All rights reserved: Maurizio Carrettin
composed, performed, edited by Maurizio Carrettin.
July 2016. Cremona, Italy.
https://mauriziocarrettincmsynstudio.bandcamp.com/album/de-chronos
https://www.facebook.com/Maurizio-Carrettin-CmSynstudio-1586435058306368/?fref=ts
www.youtube.com/channel/UCoGf_hw8…vfxp7J2g/featured

... De.Chronos means both exploration of Time, both deconstruction of Time. Into the pieces are perceived dynamics interrupted , regular pulses, unstable speeds, static timbres. So, here's the Timelines Deconstruction and Recomposition, the Disintegration of metronomic regularity, brought back to primary patterns.
The system is often disturbed or unhooked, or left free to express almost imperfect biological life. The phrasing is always traceable to harmonic conceptions, in the meaning of "Melodies of timbres" (A.Schoenberg).
The sound-colors are designed to "Expressionist" mode, therefore often violent, bright, lacerated. The Granular Synthesis allows the creation of intense, primordial, ancestral atmospheres. Granules pulverize the time pulse. Chronos is vaporized. Then it finds himself.
... De.Chronos significa sia esplorazione del Tempo, sia de-costruzione del Tempo. Nei brani si percepiscono dinamicità interrotte, pulsazioni regolari, velocità precarie, staticità timbriche. Quindi ecco la Decostruzione e Ricomposizione delle linee temporali, la Disgregazione della regolarità metronomica, poi ricondotta a schemi primari.
Il sistema risulta spesso disturbato, svincolato, oppure lasciato libero di esprimere vita quasi biologica imperfetta. Il fraseggio è sempre riconducibile a concezioni armoniche, nel significato di “Armonie di timbri” (A.Schoenberg).
Il colori dei suoni sono concepiti in modo “Espressionistico”, spesso violenti, accesi, lacerati. La Syntesi Granulare permette la creazione di atmosfere intense, primordiali, ancestrali. I Granuli polverizzano le pulsazioni, e Chronos si vaporizza. Poi ritrova se stesso.


De.Chronos

De.Chronos Due (Track 2 CD)

Taken from the album “LEAVES - The Colour of Falling (performed by Efterklang & The Happy Hopeless Orchestra)” by Efterklang and Karsten Fundal (out on Tambourhinoceros on Nov 4th 2016).

More info and pre-order: www.smarturl.it/EfterklangLeaves
/ www.efterklang.net/home/?p=2556

TOUR DATES 2017:
Feb 22 - Copenhagen, Store Vega, Denmark 
Feb 23 - Uppsala, Uppsala Konsert & Kongress, Sweden
Mar 02 – Eindhoven, Muziekgebouw Eindhoven / Cross Linx – Holland
Mar 03 - Groningen, De Oosterpoort / Cross Linx – Holland
Mar 04 - Rotterdam, De Doelen / Cross Linx – Holland
Mar 05 - Amsterdam, Muziekgebouw / Cross Linx – Holland
Mar 09 – London, Barbican – England
Mar 10 – Brussels, Ancienne Belgique – Belgium

Efterklang and The Happy Hopeless Orchestra are:

Vocalists: 
Lisbeth Balslev (soprano)
Morten Grove Frandsen (countertenor)
Katinka Fogh Vindelev (soprano)
Nicolai Elsberg (bass)
Casper Clausen (Efterklang)

Musicians:
Mads Brauer (electronics, Efterklang)
Rasmus Stolberg (bass, Efterklang)
Bjarke Mogensen (accordion)
Jenny Lüning (bratsch)
Josefine Weber (bratsch)
Marie Louise Lind (cello)
Josefine Opsahl (cello) 
Ying-Hsueh Chen (percussion)
Sara Nigard Rosendal (percussion) 
Michael Min Knudsen (harmonium, celeste)

Lyrics by Ursula Andkjær Olsen:

THE COLOUR NOT OF LOVE

the colour of
not of love
the colour, not of
the colour of falling in
not of love 
of falling in
in

the colour of fall
the colour of 
green
green
falling in
jasmine

green seen in the dark
in the night 
fall with me in
the colour of green in the night
the colour of fall, of falling in love
is a leaf 

not of love
not of love
not of love
not of love
love
love

the colour of falling
the colour of falling
is love


EFTERKLANG / FUNDAL - The COLOUR NOT OF LOVE

This track is dedicated to my Dad who passed away unexpectedly in his sleep on Saturday, October 1st. He was 58.

I had originally meant this as a bonus track to be included in the tape release of Healer, and had named it Sleep Now because that's what the music made me think of. But since Saturday, both the track and the name have taken on a completely different meaning to me.

The photo is a polaroid selfie of him from the late 80's, when he was working the US with the hope of bringing my Mom and I over from Poland to North America.

Rest In Peace Dad

Sleep Now (for Dad)

Pre-Order from the fabric website:         http://www.fabriclondon.com/store/save-fabric.html 
Pre-Order from Bandcamp: http://found.ee/savefabric-BC

artist: Various
title: #savefabric
label: fabric Records & Houndstooth
date: 4th November 2016
cat.#: FABHTH001
format: 111 track - Digital Compilation

The closure of fabric has seen a reaction that has been completely humbling and overwhelming to all of us on the team here, from over 150,000 signing a petition of support to raising in excess of £300,000 in donations to help our legal fight. 

Support has come from every corner of the industry, with fundraising events at a number of different venues being held up and down the UK. This response perfectly encapsulates everything the electronic music community represents.

Both fabric Records and our artist led label Houndstooth decided a release that embodies this spirit would be a further powerful way to demonstrate the collective power of our community. We asked artists associated with both labels to donate a track to the cause, needing to act fast we gave a deadline of just 3 weeks in total, from inception to final master. The brief was simple, we asked for a previously unreleased track, either brand new or an alternative version of an old classic.

The response has been far greater than we could have ever anticipated, with an array of amazing artists delivering stunning tracks. Given this generosity every track that has been submitted is featured on the release, meaning an incredible 111 tracks make up the final running order, presented in alphabetical order.

Due to touring and time constraints many more artists could and would have like to have been involved, and we can’t give enough thanks to all the labels that have generously allowed their artists to contribute.

In the era of the playlist, this compilation represents a comprehensive overview of electronic music from the outer fringes of experimental explorations right through to music aimed squarely at the dancefloor.

Ahead of the court date which will determine the long term future of fabric nightclub we’d like to present this compilation as a document of this moment in time but also as the perfect embodiment of everything fabric is and stands for.

FABHTH001. ℗ & © 2016 fabric Records / Houndstooth. The copyright in this sound recording and artwork is owned by fabric Records.

Abul Mogard - Patterns Of Our Own Times [#savefabric]

As featured in the trailer for HBO's 'The Young Pope'.

Beat The Clock

<b>Magnificat in D major BWV 243</b> / Et misericordia eius (TA) (Luke, 1, 50):

<i>Et misericordia eius a progenie 
in progenies timentibus eum</i>

Akira Tachikawa, alto 
Gerd Türk, tenor
Massaki Suzuki / Bach Collegium Japan, 1998

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Marian Pălie