June 2016

'Phase' is available now:
iTunes: http://jackgarra.tt/PhasemIT06
Spotify: http://jackgarra.tt/JGSpotify
Store: http://jackgarra.tt/JGStore



Remnants

Worry

iTunes

Spotify: http://po.st/PdiseSp  
Download: http://po.st/PdiseiT 

Twitter:
@ALYUSHA_SINGS
@LindenJayMusic

Soundcloud:
@LindenJay
@ALYUSHA

ALYUSHA & LINDEN JAY - PARADISE

ACT ONE

I Know Why

November Tracklisting:

1. November
2. No Worries (The Pursuit)
3. Elevate(d)
4. Fine (For Love)
5. Affinity 

Affinity

HEAVN written​ ​by: Jamila Woods
Produced By: The Roots (from the Roots album "Dilla Joints" - Eve)
Voicemail by: Eve Ewing
Mixed By:  Mike Kolar c/o Closed Sessions 
Mastered by: Mike Kolar c/o Closed Sessions 
Distributed by: Closed Sessions

HEAVN

Conscious

Heartlines

From the upcoming 7" out June 24th on Fat Possum Records

Pre-order the 7" here: http://smarturl.it/jaysom7

Catch Jay Som on tour this summer with Mitski and Japanese Breakfast: http://bit.ly/1WOo7R7

Jay Som - I Think You're Alright

Stream on 'Youth' Spotify: http://bit.ly/SpotifyYouth
Purchase 'Youth' on iTunes: http://bit.ly/iTunesYouth
Listem to @whoskid & @qrionqrionqrion's remixes on Spotify: bit.ly/SpotifyInTheClouds


follow @manilakilla:
facebook.com/manilakilla
Instagram.com/manilakillamusic
spotify: http://spoti.fi/1SZ46n3
twitter.com/manilakilla

follow @movingcastlemusic:
mvngcstl.com/
facebook.com/movingcastlemusic
instagram.com/mvngcstl
snapchat: moving_castle
twitter.com/mvngcstl

follow @saticamusic:
instagram.com/saticamusic
twitter.com/saticamusic

art by: jabbathekid.tumblr.com

Youth (feat. Satica)

 Download

Manila Killa - Youth (Feat. Satica)

watch the official video: http://smarturl.it/OldSchoolVideo.YT

10-18

Old School

Produced by @sweaters x RKCB

https://facebook.com/RKCBmusic
https://twitter.com/RKCBmusic
https://instagram.com/RKCBmusic
https://tour.rkcbmusic.com

https://twitter.com/sweaterbeats
https://instagram.com/sweater_beats
https://facebook.com/sweaterbeats

Bloom

Closer

Wearing Nothing

Oh Devil (feat. Devin Di Dakta) [Radio Edit]

Only With You

Little Fires

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

I Know Why

Marian Hill

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