audrey nuna - space (itsdaprinceRemix)

Charlotte Cardin - Drive (zhakonda flip)

Welcome to The Chalkboard Confessions.
A school where the walls see more than the teachers, and the whispers of the overlooked echo louder than any lesson.

The Chalkboard Confessions is a concept album drawn from the true story of growing up different—misunderstood, out of step, punished for not fitting in. Each track is a memory etched in chalk, a secret scribbled in the margins. Behind the routine of classrooms and hallways are quiet betrayals, isolation, and small daily battles that leave invisible scars.

This album isn’t meant to comfort. It’s meant to uncover.
Because being different isn’t a lesson anyone wants to teach.
Sometimes, the confessions only exist in silence.

Extra Credit

Breakup Business

Heart & Body
By Jaq Mackenzie

Happy early Valentine's Day!

Heart & Body

Instagram: www.instagram.com/markdmnd
Twitter: www.twitter.com/_markdiamond
Stream/Download: mark-diamond.lnk.to/BlackMercedes

Black Mercedes

Let me Show You How to Treat a Goddess!!!!! Ladies you can thank Me Later, Im Sorry I made y'all wait so long.............. 
Crumm Dollar, another Remix in the Books

When We Remix

take a number (ft. dounia)

eat u alive (ft. steve davit)

was it not

this song has been a long time coming. I hope you all love it as much as I do. using you using me too.

song written by: @lacimercede & @gabbyneeley
song produced by: @robbiedean_ & @__j.o.s.e._
song mix/mastered by: @ilukemusic

using you using me too - Laci Mercede

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.