Nishul (Skelly) - Stereolithica 653

Rapunzels Fluch 2 OST - 6. Alina‘s Destiny

Dark ambient soundscape for your pleasure

DARK AMBIENT -  KARIMUNJAWA

AEOLIAN CANVAS

Written, performed & mixed by
André "pixelorb" Brandes © 2018

Mastered by Steve Corrao at Sage Audio,
Brentwood, Tennessee (USA).

Image: pixabay.com (CC0 Creative Commons)

Instruments:
- The Legend
- u-he Repro-1
- u-he Diva
- OB-Xd
- TAL Noisemaker
- EZdrummer

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City Lights

Between Two Drops, with its slow ambient sounds, examines what a physical experience might be like between two events when interpreted audibly. Whether those two events are physical such as being shot or between emotional states of anguish the sound focuses the listener to hear what is not present in the actual event only what is felt.

Between Two Drops

Tension (original mix) ITU V.A 014

from the CD album Poisoning at Home
out on Luce Sia
Here the whole release:
https://lucesia.bandcamp.com/album/077-daniele-ciullini-poisoning-at-home

Traces Of Mass Panic

The Sun Is Too High

Original Track by Marie Wilhelmine Anders. @marie-w-anders
https://soundcloud.com/marie-w-anders/autumn-fires?in=marie-w-anders/sets/andersworldalbum
Remix by Wolfgang Röttger. @MorgenWurde
Video by _thoid:
https://youtu.be/SXCD0bl_oFo
Mastered by Heiko Schwanz

Andersworld Remixes

Autumn Fires (Morgen Wurde RMX)

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Gimme a break

A story

II: composer I producer I human being :II

MARIE WILHELMINE ANDERS is a wanderer in music. Musically and instrumentally trained since her earliest childhood, she received her first technical training as a sound engineer at GDR television. She played keyboards in a punk band in the East Berlin underground music scene, created field recordings and sound installations, studied classical composition at the University Of The Arts Berlin, and graduated as a music teacher at the Musikhochschule Stuttgart. In Stuttgart she was an active part of the experimental improvisational scene playing piano as well as a set of electronics. There she founded two ensembles, "Unterton" and "Hammerhaus", both of which brought together groove and free-flowing improvised forms from different perspectives. Additionally, she initiated and directed “momentmusik"—a concert series for experimental and improvised music, visual arts, performance and spoken word, which established the connection between her ensembles and the national and international scenes. 

In 2005 she ended her concert activity and moved back to Berlin. Eager for new forms of expression, Marie learned to play the electric bass, and began producing her music using DAWs and publishing it under the pseudonym Marie Wilhelmine Anders.

Marie's conceptual thinking and her craft as a modern classical composer allow her to congenially translate non-musical concepts into a modern electronic language, influenced by techno, electronica, ambient music and drum & bass. Between 2018 and 2023 she released 6 albums, 2 EP’s, over 10 remixes and more than 20 mixes. As a producer, Marie likes to work alone and independently. She is also increasingly in demand as a remixer.

Her best friend writes: "Marie works her way out of all restrictions and experiments with styles and musical directions.Thereby she adapts formal means and creates something very much her own out of it. As always, I am impressed by her accuracy in everything she does. Marie is the secret Phoenix among my friends, who every time after it has turned to ashes, puts on a new and even more splendid plumage. I have great admiration for her consistency, uncompromising artistry, unconditional honesty, absolute fidelity and loyalty. One speaks of the Phoenix as an eternally youthful bird. And he can fly.”

Profile picture: Merit Schambach ©2020
Banner: Marie Wilhelmine Anders