Fantaisies series (very, very fresh again, on is 7 days old only!)

The tracks were uploaded between 12/2019 (earliest) and 11/2020, almost all of them in Fall 2020, except for magic window "kelly square"(7) which is 3 years old, and noo-bap "777" which is 2 years old.

In these tracks there is either very little rhythmic patterns in the traditional sense, or those that are present are mutating too much. Only professionals can dance on this stuff.

Have some nice dreams.

HK_Fantaisies_tracks_40

Calm & Steady series

- short tracks
- dance music

Most of these are very fresh, all uploaded between 07/2020 and 11/2020, with the following slightly older ones:
. . - Tek No Tajm (Réa Réa - Polyps)(4): 11/2018 - 11/2019,
. . - SOFI "Love goes round and round"(6): 9 months old,
. . - depuratumba "Evans"(8): 6 months old.

The other series (short tracks) so far are:
- "Hard-Fast-or-Nasty" (more intense/abrasive)
- "MiddleLane", and "Superdance" (the middle, or ambivalence)
- "Funky-Dub-Trap" (self explanatory)
- "Fantaisies" (for professional dancers only)
- "Minimal"
- "Dark"
- "BreakB-Jungle-DnB"

There is little overlap between them, mostly between: *
. . A) MiddleLane, Superdance
and
. . B) all other series
* Increasingly there is some overlap between "Calm & Steady" and "Funky-Dub-Trap", and between a bunch of others (Dark, Minimal, ...).

HK_Calm-&-Steady_tracks_33

I released 6 albums between 2018 and 2023.  In my imagination, each of the five albums represents, in addition to its own characteristics, a certain stage in human growth: childhood ("Stevenson's Märchenbrot / Fairy Bread"), adolescence ("Andersworld“, youth („Andersworld Remixes), come of age („She's Leaving"), young adult ("Travels"), adult ("Frozen Music").

Big thanks to all the remixers (without whom it would be an album less ;) - and my world so much poorer) and to Broque and Noisy Meditation who released 5 of the 6 albums

In this playlist I have collected all the albums in their order.
At the beginning I put a mix, which also connects all albums to a whole.

All tracks written, performed, recorded, produced, mixed and mastered by Marie Wllhelmine Anders unless otherwise stated.

Lyrics: Robert Louis Stevenson (1850-1894)
Cover picture: Polaroid by Thomas Lutz

Marie Wilhelmine Anders: Growing Up - A Series Of 5 Albums

Anders Mix 3

Landforms 5 (live 19.04.19)

Welcome to the WE ARE ONE Podcast Episode 139 with Marie Wilhelmine Anders from Berlin, Germany!


„She’s Leaving & A Series Of 5 Albums“ promo mix by Marie Wilhelmine Anders

I released 4 albums between 2018 and 2021. With the release of "She's Leaving" by Noisy Meditation today, 5 are complete. In my imagination, each of the five albums represents, in addition to its own characteristics, a certain stage in human growth:
- Childhood ("Stevenson's Märchenbrot / Fairy Bread")
- Adolescence ("Andersworld“)
- Youth („Andersworld Remixes)
-  Come of age („She's Leaving")
- Young adult ("Travels")
In my mix I combine tracks from the different albums and stages with one another in the desire to show how they belong together.

Marie
Berlin, December 31, 2021

Tracklist :

1) Boote im Fluss / Where Go The Boats - Instrumental (from the abum „Stevenson’s Märchenbrot / Fairy Bread“) [self released]
2) The Land Of Nod (from the album „Andersworld“) [Broque]
3) The Land Of Nod (Max Cavalerra Remix) (from the album „Andersworld Remixes“) [Broque]
4) Autumn Fires (Morgen Wurde Remix) (from the album „Andersworld Remixes“) [Broque]
5) She’s Leaving (Removal) (from the album „She’s Leaving“) [Noisy Meditation]
6) Night Tube (from the album „She’s Leaving“) [Noisy Meditation]
7) Without A Sound (from the album „She’s Leaving“) [Noisy Meditation]
8) The Infinite Shining Heavens (from the album „Travels“) [Broque]
9) Travels (from the album „Travels“) [Broque]
10) Escape At Bedtime (Max Cavalerra Remix) (from the album „Andersworld Remixes“) [Broque]
11) Looking-Glass River (from the album „Andersworld“) [Broque]
12) Traummusik (from the abum „Stevenson’s Märchenbrot / Fairy Bread“) [self released] https://soundcloud.com/marie-w-anders/traummusik

All tracks written and produced by Marie Wilhelmine Anders except remixes are produced by Max Cavalerra (3, 10) and Wolfgang Röttger (4)

Duration 1:04:26

https://mariewilhelmineanders.bandcamp.com/releases
https://soundcloud.com/marie-w-anders
https://soundcloud.com/moment_musik
https://www.instagram.com/marie_wilhelmine_anders/

Support"She's Leaving"

We Are One Podcast Episode 139 - Marie Wilhelmine Anders

For this album, photographs by Thomas Lutz illustrate a narrative that is recounted with my music. A person - let’s call them „She“ - who leaves her parent’s house to lead an independent life. But then for whatever circumstances, she faces the danger of homelessness.

„She’s Leaving“, the title track, is inspired by an experience at age 17, when I left my parent’s house and carried a box of my things on foot to my new home. On my 38th birthday - the day my grandmother died - I wrote this piano piece.

„Variation I“ features a modified piano with sound built in the granular synthesizer. In „Variation II“ and „III“ this process is continued with addition of instruments and spatial effects.

„Night Tube“ is both a further variation and a reminiscence of „Waking the Witch“ by Kate Bush. Taken from the second side of her „Hounds Of Love“ LP, the concept piece „The Ninth Wave“ tells the story of a girl floating alone on the sea in a life raft. Voices of her family in her fantasy awaken her again and again, saving her from falling asleep, freezing to death and drowning.
In „Night Tube“ I think of a homeless person who nods off in the London subway at night and is startled, again and again, by inner and outer voices. In the metaphorical sense, it’s also about being scared awake in one’s own circumstances. There are currently an estimated 59,000 homeless women in Germany.

„Without A Sound“ closes the album. With this remix of the piano piece „She’s Leaving“ I tried to capture some of the emptiness and quiet vastness of Ryuichi Sakamoto’s music („async“). The trumpet samples come from a nocturnal jam session in the recording studio of the Stuttgart Musikhochschule in which I was involved.

With the additional „Threads of Reflections“ remix*, Belial Pelegrim contributes a unique cinematic soundscape with a generous and gentle atmosphere.

Credits:
1-6  Written, played, recorded, produced, mixed and mastered by Marie Wilhelmine Anders
https://soundcloud.com/marie-w-anders
https://soundcloud.com/moment_musik
7 Written by Marie Wilhelmine Anders. Produced, mixed and mastered by Belial Pelegrim
https://soundcloud.com/belial-pelegrim
Thanks to the colleagues from recording.de for their voices in „Night Tube“
Cover Pictures: Polaroids by Thomas Lutz
http://www.polanoid.net/people/profile?uid=74
Design by Clayton Jones
https://www.behance.net/claytonjones

Released December 31, 2021 by https://soundcloud.com/noisymeditation

A portion of the proceeds will be donated to Annapolis Lighthouse, a homeless prevention support center https://annapolislighthouse.org

She's Leaving

Without A Sound (She's Leaving) (Belial Pelegrim 'Threads Of Reflection' Remix)

139 | max cavalerra – stellaris
Die Performance wurde an einem Tag mit viel Kraft improvisiert. Die Vor und Nachbereitung forderten eine Vielzahl an Tagen. Musik und die Ideen zur Umsetzung des Projekts brauchten sogar Jahre. Broque Records geht damit immer mehr den Weg, verschiedene Kunstformen miteinander zu verbinden und somit besondere Geschichten zu erzählen. Stellaris ist ein klares Bekenntnis zur Kultur, ein deutlicher Impuls für eine Branche im Lockdown.
Der Münchner Max Cavalerra ist ein langer Weggefährte von Broque. Das für ihn eher untypische Stück sollte von vornherein Grundlage für ein besonderes Projekt werden. Verschiedene Ideengeber brachten Marie Wilhelmine Anders mit einer weiteren Version ins musikalische Spiel, wie auch die Verbindung zur klassischen Musik in Form eines Kontrabasses, gespielt von Diliana Tchervenkova. Aus der entstandenen musikalischen Folge inszenierte Tänzerin Annelie Andre zusammen mit Choreografin Anja Weber eine Performance, die durch Ben Blaskovic als Regisseur visuell umgesetzt wurde. Man spürt die Kraft, welche das einzigartige ehemalige Betonwerk „Sugar Mountain“ ausstrahlt. Es ist nichts geschönt, Pfützen, Schlamm, Dreck überall. Dazu Graffiti und die Energie von Bewegung und Musik.

stellaris

brq 139

brq 139 - max cavalerra - stellaris - 02 stellaris - marie wilhelmine anders remix

Written and produced by Marie Wilhelmine Anders (2013-2018)
Cover: MWA using a graphic by Thomas Lutz and Jörg Kallinich's projection art photographed by Boris Wiechulla www.projektionsperformance.de/index.html at a concert by the duo Kallinich / Anders in the Klangraum Stuttgart, 2004.

Stevenson's Märchenbrot

Traummusik (Instrumental)

Written and produced by Marie Wilhelmine Anders (2013-2018)
Lyrics by Robert Louis Stevenson. German by Klaus Modick. Used with permission of the author.

Mixed and mastered by Timmy C.

Cover: MWA using a graphic by Thomas Lutz and Jörg Kallinich's projection art photographed by Boris Wiechulla www.projektionsperformance.de/index.html at a concert by the duo Kallinich / Anders in the Klangraum Stuttgart, 2004.

Nordwestpassage (North-West-Passage)

Written and produced by Marie Wilhelmine Anders (2013-2018)
Lyrics by Robert Louis Stevenson. German by Klaus Modick. Used with permission of the author.
Children's voice by Sascha
Fieldrecordings by MWA and Joachim "Hamster" Damm
Cover: MWA using a graphic by Thomas Lutz and Jörg Kallinich's projection art photographed by Boris Wiechulla www.projektionsperformance.de/index.html at a concert by the duo Kallinich / Anders in the Klangraum Stuttgart, 2004.

Lieder (Singing)

Written and produced by Marie Wilhelmine Anders (2013-2018)
Lyrics by Robert Louis Stevenson. German by Klaus Modick. Used with permission of the author.
Cover: MWA using a graphic by Thomas Lutz and Jörg Kallinich's projection art photographed by Boris Wiechulla www.projektionsperformance.de/index.html at a concert by the duo Kallinich / Anders in the Klangraum Stuttgart, 2004.

Märchenbrot (Fairy Bread) (Intro)

SEMLEH
Lava Saliva
CKK078
Chez.Kito.Kat Records

SEMLEH - Saliva (Side B)

L'étranger

Will You Let Go, Sire

7kaye -glitz train

Expedition

Original Track by Marie Wilhelmine Anders. @marie-w-anders
https://soundcloud.com/marie-w-anders/the-wind-high?in=marie-w-anders/sets/andersworldalbum
and Unterton
https://soundcloud.com/moment_musik/playing-instruments
Remix by Christian Schmidt. @tistunes
Video by _thoid:
https://youtu.be/RuPIR7W-efo
Mastered by MWA

Andersworld Remixes

High vs. Playing Instruments (Synthese RMX)

Download/Support

Pending

https://www.discogs.com/TeslaSonic-Singularity/release/16014089

Teslasonic's debut on Nocta Numerica (Vinyl / Digital)!

Pre-order your copy here (Limited edition of 300):

Bandcamp: bit.ly/3c7pvdy
Syncrophone: bit.ly/3kikWQj

Juno: bit.ly/3ke02le
Clone: bit.ly/3iyuBSv
Decks: https://bit.ly/39r6Fi6
Deejay: bit.ly/3kkiBo8
Redeye: bit.ly/3bXUxEq
Oye: bit.ly/2RukWQM


EP EXPECTED FOR NOVEMBER 2020

Catalog number: NN018
Title: Singularity
Artist: Teslasonic
Distributed by Syncrophone (Worldwide)
Artwork: Christophe Le Gall
Mastering: MA Spaventi

A1 - The Game Is Out There
A2 - Nemesis
A3 - Obsex
-
B1 - Arp Island
B2 - The Network
B3 - Singularity

Teslasonic - Arp Island

#dream pop #electronica #guitar

Single distribution for two months! Ambient and Dream Pop Sound with experimental music! A good music with ear touch

pure tender

twilight of ages

Beatport

brq 135 mar io - twilight of ages - 06 the space at night

Echoes is the gorgeously composed three track Triplicate Records debut of Berlin musical wanderer Marie Wilhelmine Anders. Her training in melody and aptitude for constructing fabulous beats are immediately apparent, and no time is wasted over the brief run-time in enticing you to get up and dance to the freshness. It's a level of confidence and professionalism in one's craft seldom heard, a trio of instant classics waiting to be discovered. So discover it. 
https://fanlink.to/mwaechoes

50% of proceeds for "Echoes" will be donated to  https://www.rescue.org
"The International Rescue Committee (IRC) helps people affected by humanitarian crises—including the climate crisis—to survive, recover and rebuild their lives. Founded at the call of Albert Einstein in 1933, the IRC is now at work in over 40 crisis- affected countries as well as communities throughout Europe and the Americas. We deliver lasting impact by providing health care, helping children learn, and empowering individuals and communities to become self-reliant, always seeking to address the inequalities facing women and girls.“

released May 11, 2022 https://soundcloud.com/triplicaterecords

Written & Produced by Marie Wilhelmine Anders 
Track 1 Mastered by Marie Wilhelmine Anders
https://soundcloud.com/marie-w-anders
Tracks 2 & 3 Mastered by Michael Southard https://soundcloud.com/timerival
Artwork by Thomas Lutz with design elements by Bryan Kraft https://soundcloud.com/BVSMV
Interview by https://soundcloud.com/suncastle-303

"Winter" by Robert Lous Stevenson (1850-1894)

In rigorous hours, when down the iron lane
The redbreast looks in vain
For hips and haws,
Lo, shining flowers upon my window-pane
The silver pencil of the winter draws.

When all the snowy hill
And the bare woods are still;
When snipes are silent in the frozen bogs,
And all the garden garth is whelmed in mire,
Lo, by the hearth, the laughter of the logs --
More fair than roses, lo, the flowers of fire!

Bandcamp

Marie Wilhelmine Anders - Winter (Echoes EP) [Triplicate Records]

II: composer I producer I human being :II

MARIE WILHELMINE ANDERS is a wanderer in music. Musically and instrumentally trained since her earliest childhood, she received her first technical training as a sound engineer at GDR television. She played keyboards in a punk band in the East Berlin underground music scene, created field recordings and sound installations, studied classical composition at the University Of The Arts Berlin, and graduated as a music teacher at the Musikhochschule Stuttgart. In Stuttgart she was an active part of the experimental improvisational scene playing piano as well as a set of electronics. There she founded two ensembles, "Unterton" and "Hammerhaus", both of which brought together groove and free-flowing improvised forms from different perspectives. Additionally, she initiated and directed “momentmusik"—a concert series for experimental and improvised music, visual arts, performance and spoken word, which established the connection between her ensembles and the national and international scenes. 

In 2005 she ended her concert activity and moved back to Berlin. Eager for new forms of expression, Marie learned to play the electric bass, and began producing her music using DAWs and publishing it under the pseudonym Marie Wilhelmine Anders.

Marie's conceptual thinking and her craft as a modern classical composer allow her to congenially translate non-musical concepts into a modern electronic language, influenced by techno, electronica, ambient music and drum & bass. Between 2018 and 2023 she released 6 albums, 2 EP’s, over 10 remixes and more than 20 mixes. As a producer, Marie likes to work alone and independently. She is also increasingly in demand as a remixer.

Her best friend writes: "Marie works her way out of all restrictions and experiments with styles and musical directions.Thereby she adapts formal means and creates something very much her own out of it. As always, I am impressed by her accuracy in everything she does. Marie is the secret Phoenix among my friends, who every time after it has turned to ashes, puts on a new and even more splendid plumage. I have great admiration for her consistency, uncompromising artistry, unconditional honesty, absolute fidelity and loyalty. One speaks of the Phoenix as an eternally youthful bird. And he can fly.”

Profile picture: Merit Schambach ©2020
Banner: Marie Wilhelmine Anders