Hommage à Beethoven's 250th anniversary.
Written for Murten Classics 2020 Festival, Switzerland.
Ensemble Paul Klee:
Flute, Management - Kaspar Zehnder
Clarinet - Barnabas Völgyesi
Violine - Julia Malkova
Viola - Philippe Talec
Cello - Matthias Schranz
Double Bass - Ivan Nestic
Piano - Camille Sublet

http://marinasobyanina.com/ 
https://ensemblepaulklee.jimdo.com/

"Quasi una Fantasia"

Music for drama theatre in two acts for Chelyabinsk State Drama Theatre.
Dir: Lara Treichel. Music: Marina Sobyanina.

The Cold Moon - F.G.Lorca "Blood Wedding" - Excerpt from Theater Play

Nothing To Express

Written for Ensemble "Vertigo". Prem. in May 2016 at Paul Klee Zentrum in Bern, Switzerland. Conducted by Patrick Juedt. 

Das Testo

Tyler Gilmore (USA)  - live electronics
Sebastian Adams (IRL) - viola
Marina Sobyanina (RU/CH) - vocals, loops

http://tylergilmoremusic.com/
http://sebastianadams.net/

TySeMa - "Ahey"

Tyler Gilmore (USA) - live electronics
Sebastian Adams (IRL) - viola
Marina Sobyanina (RU/CH) - vocals, loops

tylergilmoremusic.com/
sebastianadams.net/

Tysema - "No.2"

Commissioned by Festival d'Automne a Paris 2015 and Unsuk Chin

Ensemble Intercontemporain
Conductor: Tito Ceccherini

Yo for Large Ensemble(Excerpt)

...nestabilno uzbuđujuće... (2016)
for Great Bass Paetzold Recorder, Harp, Cello, Accordion and Percussion

Studio6 & ensemble proton bern:
Karolina Bäter - Great Bass Paetzold Recorder 
Milana Zarić - Harp
Jan-Filip Ťupa - Cello
Bastian Pfefferli - Percussion
Vladimir Blagojević - Accordion

Piece commissioned by the Collective Studio6 Belgrade 

Live Recording 15 June 2017 at the Kornhausforum Bern, IGNM Bern Concert Series.

...nestabilno uzbuđujuće...

Tom Waits (on Jim Wilson): "Wilson, he's always playing with time. I heard a recording recently of crickets slowed way down. It sounds like a choir, it sounds like angel music. Something sparkling, celestial with full harmony and bass parts - you wouldn't believe it. It's like a sweeping chorus of heaven, and it's just slowed down, they didn't manipulate the tape at all. So I think when Wilson slows people down, it gives you a chance to watch them moving through space. And there's something to be said for slowing down the world."

Source: "Woyzeck to run at Freud Playhouse". Daily Bruin (USA), by Andrew Lee. December 3, 2002

Find more on the recording on this link: http://www.democraticunderground.com/10023815586

Tom Waits on Tom waits talking about this recording - http://gloriousnoise.com/2008/tom_waits_interviews_tom_waits

More on the recording - http://hearingvoices.com/transcript.php?fID=142

You can buy original recording here - http://www.amazon.com/Gods-Chorus-Crickets-Jim-Wilson/dp/1932192077?tag=viglink124132-20

Original recording from the author - http://www.constancedemby.com/godscricketchorus_f.html

And more: http://scienceblogs.com/startswithabang/2013/10/13/weekend-diversion-is-this-an-amazing-chorus-of-slowed-down-crickets/

Jim Wilson | God's Chorus of Crickets | crickets audio recording slowed way down

Written for Ensemble Proton.
Premiered at Dampfzentrale in Bern, CH, 2019.
For:
Casio SK-1 (Samuel Fried)
Oboe (Béatrice Laplante)
Clarinet (Richard Haynes)
Violin (Maximilian Haft)
Recorded and mixed by Joël Cormier
-------------------------------------------------------------
A short musical reflection on the nature of laughing. Contemporary classical music, played in noisy bars. Intentional immersion of the performers in a rather aggressive sound environment explores the ways of merging of the two opposed sound aesthetics.

"Laughter No.2" (Ensemble Proton, CH)

MANTEL for string orchestra and 2 Percussion (excerpt) (2018)

Marina Sobyanina (*1986) is a composer and performer, living in Bern, Switzerland. She has gone on to pursue a wide range of projects across contemporary classical music, experimental jazz, folk, theatre and film. 

Her music morphs between delicate soundscapes, saturated polystylistic blocks and tricky rhythmical structures. It is a sort of entangled state between modern jazz and contemporary classical music, without sliding into either of those. 

Her latest output features both electronic and acoustic scores as well as experiments in interweaving everyday routine noises and soundscapes into a structure of a musical piece.

"Laughter No.2" (Ensemble Proton, CH)

Marina Sobyanina

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