How to submit a demo:

1. Follow our Soundcloud account.
2. Send us a private Soundcloud link to electriqueavenueplaylist@gmail.com
3. If we like what we hear we'll be in touch to discuss a date for upload.

Tim Cullen has established himself as one of the trusted jet-setting DJ/Producers on the scene. Not only being hand-picked to become a resident DJ at the world famous Ministry of Sound in London, he gets the right reaction to when he plays.

Production wise - Tim has worked under both his own name and various aliases. He has also had many plays on Radio One by Pete Tong and Annie Mac with tacks such as ‘Full English’, ‘Discobomb’ and ‘Landor’. All tracks supported across the board from the likes of Steve Lawler, Nicole Maudaber to Eric Morillo and Roger Sanchez. He has been signed by labels such as Snatch, Viva Music, No Excuse, Toolroom and more.

These skills have earned him sets alongside big hitters such as Carl Cox, Mark Knight, Hot Since 82, Erick Morillo, Pete Tong and not forgetting at the Top 100 DJ Awards in London two years running. Tim has played headline sets everywhere from China to the Cayman Islands, Bahrain to Ibiza and beyond.

Harnessing a distinct brand of artistry that knows no categorical bounds, the DJ, producer and record label head has cemented herself as one of the music industry’s most in-demand names at nothing short of breakneck speed. Her signature sonic approach masterfully blends genres with a visceral energy that commands attention, the ardent catalyst in her meteoric rise from Belgium’s underground to global phenomenon status.

Plant Music is a New York based Dance label with artists and releases by EZLV, Beto Cravioto, Matpat, Wool, Ian Pooley, The Glass, Eli Escobar, the Love Me compilations and many many more..

Plant has a constantly expanding roster of talent, each making their own brand music. Plant does not stick to one sound, but attempts to release fantastic club and rhythmic pop music, always with an eye on New York.

www.plantmusic.com



Founders of @deepdarkdangerous 

Sonic architects of songs with an emotional heft as heavy as the subwoofer rupturing basslines that underpin their work, TRUTH are one of New Zealand's finest creative exports. Respected across the globe since inception, TRUTH have as both award winning producers and world-class DJs, cut a clear pathway through the international dubstep scene.

On the global touring circuit, the fruits of their labor have included hundreds of shows & festivals across Europe, New Zealand, Australia, Asia, South & North America, as well as key hosted Deep Dark & Dangerous takeovers at some of the world’s top festivals, including Shambhala, Outlook Festival & Infrasound.

Building their performance presence through years of prolific production output, weekly mixes & streaming, and key DJ support from the likes of Mala, Skream, Liquid Stranger, Youngsta, Hatcha, to name just a few.

The duo have released music on their very own Deep Dark & Dangerous label, founded in 2012 and now home & incubator to a growing host of acts focused on the unmistakable DDD sound - as well a diverse list of others including Deep Medi Muzik, Disciple, Wakaan, and more.

Through dedication to their craft, TRUTH has seen their stock rise placing them as in-demand remixers and sound designers, their music finding its way into major television productions such as ‘American Horror Story’, receiving numerous awards including ‘Best Electronic Artist’ in the New Zealand Music Awards, and earning a following of ardent listeners worldwide.

Acclaimed by critics both within and outside the dubstep scene, their momentum is undeniable and impossible to ignore. Face the truth or get well outta the way.

MGMT: mgmt@truthdubstep.com
US: zberkowitz@teamwass.com
NZ: h@strikeagency.co.nz
AU / AS: alex@fatcatmusicgroup.com

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Bookings/Requests contact: presidentofthecomputerclub@gmail.com

BIO: The Computer Club sound first emerged from Gigantor's studio in 2007 when his single “Load Rocket” started gaining artist acclaim and making noise in the blog circuit. The song, one of the first completed by Gigantor under the geeky guise, carried Computer Club’s name into both traditional record label outlets and the burgeoning music blogosphere alike – a trend rarely seen in the heavily populated landscape of today’s dance music. Original songs like “Flat Response” and “Laptop Levitation” showcase Computer Club’s highly honed sound design and audio engineering skills, while his edits of Nine Inch Nails, Friendly Fires, Prince, and New Order illustrate his ability to adapt the best of the big names to the dancefloor.

Along with his impressive studio output, Computer Club is a well-accomplished DJ by any measure. His steady stream of gigs has him traveling to every corner of North America with regular stops in New York City, San Francisco and everywhere in between. From rocking a strong crowd at L.A.’s Electric Daisy Carnival to dropping an intimate set for his former home of Atlanta, Computer Club constantly exhibits his deftness and versatility behind the decks.

While remixes of Combichrist's "Throat Full Of Glass," Mr. Oizo’s “Flat Beat,” Jewel Kid's "Break My Heart" and his notorious collaborative re-working of Konflict’s Drum & Bass anthem “Messiah” with Le Castle Vania have helped propel his name to new heights, Computer Club also released an EP titled “Nerd Secrets,” which to showcases a wide swath of musical styles, ranging from dancefloor-filling, hands-in-the-air bangers to rock-inspired songwriting to experimental dancefloor weirdness. Among the tunes on "Nerd Secrets" was the heavy hit 'Losing Streak,' featuring vocals by UK pop genius Frankmusik, this tune charted in the top 40 in the UK and also went to number 1 on hypemachine.

In 2013 Computer Club released the "Win Or Lose EP" which featured collaborations with rising stars MUST DIE!, Anna Yvette and Gosteffects, also included remixes from Infuze, Rule Of Eight, and Prototype Raptor. Along with the attention that this release garnered, Computer Club continued to make noise with the release of another MUST DIE! collab, "Payback," on Never Say Die Records, and made the blog circuit once again go nuts for his drum and bass reworking of Daft Punk's "Doin It Right."

In addition to his Computer Club moniker, Mike continues to push the boundaries of dance music as one third of Evol Intent, a hard-hitting Drum & Bass trio considered by many fans and DJs alike to be the genre’s most talented American group. Initially known as purveyors of the toughest brand of D&B, their debut album “Era of Diversion” exhibits a musical variety influenced by everyone from Radiohead and Aphex Twin to Slayer and N.W.A.


Lynda Phoenix is a longstanding & respected name in house music, her sound is influenced by soul, jazz, funk & driven by basslines and pure energy. Lynda is a pioneer of digital music industry and works at the world renowned Beatport. Lynda was a resident DJ for Defected, eclectic London record label Broadcite and has toured extensively with Ministry of Sound. 

Her involvement in the underground scene spans over two decades which gives credence to her educated selection of beats. Lynda’s eclectic taste has led her to work with artists from across the house, nu jazz and broken beat scene. Over the years she has played alongside a diverse range of artists includes Louie Vega, Atjazz, Kenny Dope, ATFC, Copyright, Kaidi Tatham, Shur-I-khan, Dennis Ferrer, Sandy Rivera and Simon Dunmore to name but a few.

Lynda has a dedicated global following of 50,000 on soundcloud and her mixes are broadcast on radio stations across Europe, Asia South America and USA.
She has played on Rinse FM, Radio 1, Kiss FM, Choice and Push FM and was voted #47 in the Top 100 female DJ list.

'This Is How You Do It' album out now on 2LP / CD / DIG


Bandleader Lance Ferguson and his nine piece Melbourne outfit The Bamboos have come a long way since forming in 2001. Initially inspired by the instrumental raw funk of the late ‘60s and early ‘70s, they made waves internationally and were quickly labelled as one of the greatest funk and soul bands of our time. But while many would be happy to simply soak up the praise and keep on keeping on, The Bamboos have proven that they are more than meets the eye; over five acclaimed albums, their evolution in sound and style has consistently confounded and exceeded expectations, pulling the rug from under the feet of those who like to pigeonhole. 

The band signed to respected Brighton (UK) indie label Tru Thoughts in 2005, where they remain a cornerstone of the roster. Across their five studio albums to date - ‘Step It Up’ (2006), ‘Rawville’ (2007), ‘Side-Stepper’ (2008), ‘4’ (2010) and 'Medicine Man' (2012) – the metamorphosis of The Bamboos has been full of twists and turns, and it continues apace. A seasoned DJ, solo producer (aka Lanu) and all-round insatiable music obsessive, Ferguson's myriad influences and passion for pushing things forward ensure that each new release is a discovery for devout fans and newcomers alike.

Their fifth long-player ‘Medicine Man’, released in June 2012 was a watershed - a forward-looking record brimming with fresh ideas, stellar turns, classic songwriting and a brand of multi–layered pop they can truly call their own. Guest vocalists Aloe Blacc, Tim Rogers (You Am I), Megan Washington, Daniel Merriweather, Bobby Flynn, alongside resident singers Kylie Auldist and then newcomer Ella Thompson helped make the album their biggest at home to date. Lead single "I Got Burned" feat. Rogers was a sizeable radio hit, made it to #54 on radio station Triple J's Hottest 100 listeners poll (the biggest publicly voted song poll in the world) of the top songs of that year.

Like its predecessor, the band's sixth album 'Fever In The Road' was co-produced by ARIA- nominated, multi-instrumentalist studio wizard John Castle – whose work with the likes of Washington, Josh Pyke, Gossling, Pez and Kate Miller-Heidke has ranked him amongst the first-call producers in Australia. The new record (the first on Ferguson's own Pacific Theatre label) sees Castle and Ferguson venturing into sonic landscapes The Bamboos have previously touched on but never fully inhabited. There is a sense that the music is leaner and more muscular, yet upon closer inspection the tracks reveal themselves to be densely multi-layered in a 'Wall Of Sound' style. And it's this aural complexity and depth that allows darker moods to roam through the album, taking their sound to a new place. The songs career from the wondrously anthemic ('Avenger', The Truth', 'Rats', 'Jump My Train'), to the dreamy and psychedelic ('Looking West', 'Harbinger') and the darkly fragile ('Killing Jar', 'Before I Go'). Choosing this album to reflect the band as it is on stage, the vocals are split between Kylie Auldist and Ella Thompson. And each bring contrasting styles that complement each other magically, but show The Bamboos to be utterly unique.

Their songs have been regularly on playlists of national radio stations in Australia, the UK, France, the US, Japan and beyond. The unshakable charm of their songs has also seen them licensed to hit movies including Crazy Stupid Love, the soon to be released  Adore - Naomi Watts & Robin Wright. and TV shows such as Grey’s Anatomy, CSI New York, One Tree Hill, Ugly Betty and Australian shows such as Underbelly, House Husbands, Offspring, Packed To The Rafters.

Marino Ide is following