grandedegu.stationnumeroun

http://www.beatport.com/release/dont-call-me-beginner-this-no/1184260

Pura Music Label Head and talented DJ/Producer, Roberto Palmero is bringing sexy back to deep house. With releases on both Noir Music and LouLou Records, Roberto's productions combine both the smooth and sensual with the deep and groovy. "Don't Call Me Beginner / This No" are two tracks that perfectly define this sound! Looking for a groovy bass line linked to an infectious hook? Look no further! "This No" is the perfect track to be stuck in your head all night. Digging into the deeper side of the genre, "Don't Call Me Beginner" combines elements of deep house and progressive in peanut butter & jelly perfection! [Written & Produced by Roberto Carlos Palmero Hernandez. King Grooves (ASCAP). P&C 2013 King Street Sounds]

Roberto Palmero - This No / Don't Call Me Beginner

Huxley - Inkwell - Aus Music

Jon Sine feat. Benjamin Frankin - Walking Down The Line (Pammin Remix) EMMA MUSIC

Jon Sine - Walking Down the Line feat. Benjamin Franklin (Pammin Remix)

Remix by @mattwalsh

// Daniel Avery - New Energy [Collected Remixes]. A double album.
// Includes new reworks from Rødhåd, Silent Servant, Volte-Face, Powell, Conforce and Ø [Phase]
// @phantasysound

Out now: go.phantasysound.co.uk/PHLP05

Buy album

Daniel Avery - Free Floating (Matt Walsh Remix)

Beatport : 20.01.2015

© copyright protected work by tiger records - all rights reserved.
only for watching, listening and streaming.
downloading, copying, sharing and making available is strictly prohibited.

Mass Digital - Never Felt Like This Before (Original Mix)

OUT NOW on Dear Deer Records incl. my Vocal & Dub remixes.
https://www.facebook.com/KastisTorrauOfficialFanpage
https://www.facebook.com/DearDeerRecords


GET YOUR COPY

Escenda - Out Of Moves (Kastis Torrau Vocal Remix) [Dear Deer] OUT NOW

Chrysalis (Short Play )

Buy on bandcamp

Issa Sacha - Chrysalis (Short Play )

Patrick Podage Feat. Clara Gostynski -  Fantômes  [Getting Blue EP - Circle Music ]

True dedication is difficult to find these days, as is motivation when digital media has overthrown old school methods, which makes running a label an even more sinuous mission. Despite a wealth of hurdles that increasingly come with the territory, this hasn’t put an end to people’s desire to push out their own imprints. Concurrently, the same digital revolution that has thrown off the industry has also made it possible for many projects to come into the spotlight, and many of these have made a spectacular difference. Whether it’s smaller side projects of well known artists, serving up quirkier, more experimental tracks, enabling further sonic exploration, or newborn collectives doling out fresh takes on contemporary sound, 2017 has been a prolific year for record labels.
But it’s not just the approach related to creating and promoting labels that has shifted recently. In recent times, the way we make and consume music has transformed as well. A label’s role has changed into that of a full on curator, influencing current musical trends based on their selection of outputs. But it’s not a status that is easily achieved, by all means.
Moving at its own pace, ten years in the world of dance music come as a century in real life, as dancefloor trends fluctuate. In such a surrounding, creating timeless pieces is essential when maintaining a high calibre establishment. But thanks to platforms such as Soundcloud or the ever-pervasive social media channels, it’s easy to showcase tracks and kick off labels without needing the once coveted record deal. Nevertheless, record labels serve as beacons in a world where we’re inundated by more and more content.
More than just a release platform, labels are indispensable partners in artists’ careers as the one to curate only the best music, accompany it with according designs, as well as bringing in new marketing ideas or even music videos. Shir Khan’s Exploited label has been a true example of such a label, hand-picking new producers to showcase, nurturing them from early beginnings into popular household names.

Shir Khan’s strong ear for talent has seen him responsible for launching the careers of Claptone, Adana Twins, Joyce Muniz through their releases on Exploited, the label also providing a platform for established remixers and artists such as Siriusmo, Freeform Five, Munk, Modeselektor, John Tejada, Phil Weeks, Cosmin TRG, Locked Groove, Deetron, Detroit Swindle, Acid Pauli, Ralph Lawson...
Now the label Exploited celebrates ten years of releasing amazing eclectic club music with some of the best tracks from its catalogue (from 2007 until 2017). 

Artist: Various Artists
Release: 10 Years Exploited 
Label: Exploited 
Cat: EXPDIGITAL160
Publishing: Exploited Ghetto Music Publishing
Releasedate: 25.12.17 (Beatport) / 25.12.17 (I-Tunes)

10 Years Exploited

Waiting For The Daylight (Dino Lenny Remix)

Dino Lenny - Waiting For The Daylight (Dino Lenny Remix) | Exploited

Vinyl buy here: http://shop.needwant.co.uk/products/16333-needw021-mario-basanov-we-are-child-of-love-ep

Mario Basanov - We Are Child Of Love 
Vocals: Minalga
Label: needwant 
Video: Mario Basanov (inspired by Minsk)

Mario Basanov - We Are Child Of Love 12''

Superpitcher _  Joanna

Finnebassen & Gundelach - Footsteps (Adriatique Remix)

Visos teisės į kūrinį priklauso Mario Basanov &amp; Vidis.
Originalas: http://www.music.lt/Suspend-the-Feeling-su-Vidziu-ir-Giedre-daina-266046.html

Mario Basanov - We Are Child Of Love 12''

Mario Basanov

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