Name: Ambient Jazz Mix 001 by Mario De Meyer
Duration: 1 h 24 min 47 s
Description: Ambient Jazz Mix 001

zest the lemon

Hostage Radio Vol: 70 - Wannadosomething?

Gesine and Jakob are “wannadosomething?”. The DJ project was brought into this world to establish a new genre: Boss Dance! You wanna know what Boss Dance is? Well, you must listen to the sets of these two lovebirds. Because they will take you on a journey
through a galaxy with sparkling Italo Disco, Electro, New Wave and House stars. By the way, wannadosomething? comes with a question mark. Why? The story behind is best told by Gesine and Jakob. A little spoiler: it has to do with their love story and a very
famous club in Berlin.

SC: https://soundcloud.com/wannadosomething
RA: https://de.ra.co/dj/wannadosomething 
Insta: https://www.instagram.com/wannadosomething.music 

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SoundCloud: https://soundcloud.com/the-stockholm-syndrome
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YouTube: www.youtube.com/@stockholmsyndromeau
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#stockholmsyndromeau #darkdisco #djmix #hostageradio #wherethelinesblur #melbourne #essentialmix

Keywords:
Dj Mix, In the Mix, Party Tune, Techno Mix, Electro Mix, Dark Disco Mix, Slo-Mo Mix, Acid House Mix, Rave, Guest Mix, Selector, Dj Set, Podcast, EBM Music, New Beat, Next Wave Acid Punx, Melbourne, Stockholm Syndrome, In The Mix, Radio Station, Radio Show, EssentialMix, Dance Music, Party Starter, DeeJay, Mix Tape, Tunes, Berlin Acid, Clubbing, Club Music, Underground, Techno Dj, Electro Clash, Essential Dj Mix, Live, Indy Dance, Eclectic

Hostage Radio

Hostage Radio Vol: 70 - Wannadosomething?

Ambient Jazz Mix 001

soundcloud : @sonhan
instagram : www.instagram.com/sonhan.n/

sonhan @ GIMIC - 07 February 2025

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

Yves De Mey is an Antwerp-based electronic musician known for his experimental approach to techno, ambient and modular synthesis. Active since the late ’90s (also as Eavesdropper), he creates detailed, abstract sound worlds. His work spans albums, sound design for film and theatre, and immersive live performances.

Yves De Mey @ Smudged  01-03-25

Orion Nebula w. Zitto invites Kvanchi [29.08.25]

Explore this slow-burning escape, woven from warm textures and delicately charged. A tender resonance rises from an unknown place in the multiverse and draws you inward with a quiet certainty, drifting between grounding pulses and weightless ascents. As it opens up, the energy dissolves into a hazy and mischievous trip carried by an invisible current with its own subtle momentum.

2h Motion Room warmup before Roman Flügel , recorded live in Fuse.

Yentl at Motion Room FUSE (OKT25)

Yves De Mey @ Smudged 6-12-25

2026年5月22日 21:00-22:00 JST 

akii
https://instagram.com/akiiikeda

dub, reggae, eclectic

This programme focuses on dub, ranging from roots dub to steppers and dub-inspired bass music, with deep echoes and heavy bass at its core.
We bring you a selection that captures the essence of sound system culture and spatial expression, enveloping you in smoky vibes and deep bass. May 2026 edition

この番組は、ルーツ・ダブからステッパーズ、ダブに影響を受けたベースミュージックまで、深みのあるエコーと重厚なベースを核としたダブに焦点を当てています。
サウンドシステム文化の本質と空間的な表現を捉えた選曲をお届けし、煙が立ち込めるような雰囲気と深みのあるベースで皆様を包み込みます。2026年5月号

Room 303 ・三○三号室 
https://instagram.com/room303radio

@ WPÜ HOTEL SHINJUKU 
https://www.instagram.com/wpu_shinjuku

akii｜2026年5月22日

excerpt live recording from Cocktail d’Amore, December 2016

Ambient Jazz Mix 001

Mario De Meyer

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