Deep hypnotic techno at its finest. Display, the new EP by Marivs on Resource Records is now available for pre-order on Bandcamp and exclusive on Beatport.

Display EP

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Marivs - Perspective [RESO-037] (snippet)

MARIVS. 
Playing with techno since late 90's. 
Started somewhere in Transylvania, relocated to Toronto.
Founder of Kaleidoscope.
His productions have been released on labels such as Blast Records (GER), Resource Records (US), PITS (US), Architextures (CA), Fly High Records (UK) and Skills Records (RO).

bookings: karima@kaleidoscopemusic.org

upcoming events:

past events:

June 01/23 @ Techno Salon with Shankar
June 02/23 @ Bodyshopstudio with Edit Select, Aerodrömme
May 29/23 @ Bang Tech 12, Detroit
May 06/23 @ The Bridge with Deepak Sharma
Apr 01/23 @ Format with Setaoc Mass, Rachel Noon, Ciel
Mar 11/23 @ Necto, Detroit with DJ Seoul, Permeator
Feb 11/23 @ The Bridge with DJ Roach
Jan 06/23 @ SubDivision with Emily Nicol, Ceremonies, Calum Magnum
Dec 03/22 @ German Sparkle Party
Nov 05/22 @ BSMT254 with Luke Hess
Oct 22/22@ SubDivision with Zadig
Sep 10/22 @ BSMT254 with Rirkin and Zen Zero
Jun 18/22 @ Adelaide Hall, Toronto with Rone
Jul 08/22 ReVinylution @ BSM254 with Craig Gonzalez
May 27/22 @ Bookies, Detroit, USA - Bang Tech 12s Anniversary Event
May 21/22 @ Sub-Division, Toronto with Antwon Faulkner
Apr 02/22 ReVinylution @ BSM254 with DJ Seoul 
Nov 26/21 ReVinylution @ BSMT254 with Antwon Faulkner, Ryan King
Aug 16/19 - Origins @ Club 120, Toronto with Asher Perkins, Permeator 
Jul 26/19 - Toronto goes Techno 100% vinyl edition with Antwon Faulkner, Karla Houser, Andreas Marouchos
Apr 13/19 - Origins @ Bunker with Rex Sepulveda, Jonathan Coe
Jan 26/19 - Origins @ Bunker with Measure Divide, Permeator, Anomaly
August 24/18 - Toronto Techno Mafia _ Strange Behaviour
August 17/18 - Summer Camp (CAN)
July 28/18 - Mây (Toronto)

Born and raised in a town called Baia Mare, in the mystical land of Transylvania, part of today's Romania, he first became dazzled by electronic music in the early 90s.  After a few years of his own musical exploration, he began DJing for a local radio show, which was dedicated to showcasing the best electronic music he could get his hands on.  That's where he played with two decks and a mixer for the first time.  Soon thereafter he was granted several placements in the clubs and festivals in his birth country, and he also began producing music, under the moniker Morris Newtone.

It wouldn't be a stretch to credit Marivs - then Morris Newtone - and his DJ buddies A.L.C.A., Delph Meer and Keed, with instituting the techno scene in his hometown in Romania.  At that time Marivs held a residency at one of the dance clubs in Baia Mare, wherein he was given enough free rein on the music he selected that he was able to truly demonstrate to his town what he believed dance music should sound like.  And under the club's requisite of maintaining an energetic dance floor at all times, Marivs quickly became adept at selecting and mixing tracks under pressure in order to produce that perpetual groove that he's known so well for today.

In 2013 he relocated to Toronto, Canada, where he continued to pursue his lifetime passion - the art of techno in its purest form - as 'Marivs,' which is the original Latin form of his birth name.

Behind the decks, Marivs's presence is commanding yet inviting, in the same way that his selections are dark and driving, yet delicate.  A perfectionist and a purist, Marivs has an innate ability to manipulate his music like few others can, whether the medium is analogue or digital.  He tells a story with each set that is so captivating that guests on his dancefloor have actually been cited as saying, "I didn't even know I liked techno until now."

Today Marivs is still viewed as a techno authority, not just with his DJ performances and productions, but also with his side promotion project Kaleidoscope, which is yet another avenue for him to show people what techno looks like through his eyes.

In his words: "Music shouldn't wake you up.  It should make you dream."

Primordial Intergalactic Motion

Releases on:
SoupHerb Records
Differed Records
Padang Records
Alpaka Muzik
Feel Hype Records
Beige Records

Learning deejaying since 1998, Olivier started mixing commercial music in clubs & private parties in 2000. Influenced by Judge Jules who mixed the "Clubber's guide to ... 2000", Olivier fell in with with House music and began to buy vynils... 
In 2004, he won a national DJ contest, namely, "Sprite Slide in da Mix". The prize included a set of Pioneer CD players, a mixer and a pair of Technics turntables. Moreover, a trip to France where he had the chance to perform at 'Bateaux-Mouches' - Seine River, Paris. 
Nowadys, Olivier prefers to mix in open spaces rather than in clubs because the music he plays much more reflects this open environment.
In January 2010, Olivier entered in music theory & production. Future will tell us more about him...

https://www.facebook.com/profile.php?id=100063346200924

It was 2013 when the first seed was sown in Karel Eggerding AKA Rustig, and Fuji Rademaker AKA Jules Rêver’s sonic partnership. Since then, the Dutch pair have collaborated as RUR - an electronic duo with their roots planted firmly in the 90s. Their sound blends their 90s influences with a modern techno feel, resulting in productions that are unmistakably RUR in nature.

Taking coinciding piano lessons may well have been the best decision Karel and Fuji ever made and, while the piano tuition may not have lasted, their friendship did. They soon saw the sense in collaborating, and they combined Karel’s production with Fuji’s pitch-shifted vocals to produce their first track, Clouds. With their first success under their belts, they went on to collaborate on several more recordings, before making it official. RUR was born and with it a sound that the pair have made truly their own.

The two cite influences ranging from literary science fiction (the name RUR is taken from a theatrical performance in which the word ‘robot’ was first used) through to those of a sonic persuasion - Speedy J, Blawan, Kendrick Lamar, and The Beastie Boys, to name but a minute selection. Such influences, as well as the wider 90s techno, electro, and hip-hop scenes in general, can be heard throughout the RUR back catalogue.

Locking themselves in the studio isn’t the only criteria on RUR’s to-do list, though. They frequently take their sounds public, and have previously graced the stage at Sugar Factory, Paradiso, and Doka - the club in which they presented their 2015 debut album, H+ as part of an audiovisual piece in conjunction with V-Motions. Festivals include Patterns and Mystic Garden.

Behind the mixing desk, though, Rustig and Jules make use of a selection of hardware, recorded into Ableton and resulting in their unique sound, which made it to no less than six releases on Natural Behave in 2018. A similar set-up is taken on the road, as Ableton Live meets drum machine and synth, with Fuji controlling his pitch-shifted vocals with a range of stomp-boxes.

With support coming from the likes of Erol Alkan, Alex Bau, The Advent, Chris Liebing, Cari Lekebusch, Dj Emerson, Subjected, Submerge, Marcel Dettmann, 2000 and one, Scuba, Radio Slave, Renaat Vandepapeliere, and Maceo Plex, it is plain to see why RUR are fast becoming the name on everyone’s lips.

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