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For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
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Nic Fanciulli has become one of the most influential artists to come out of the international dance scene in several years. With so many projects constantly in the works, Fanciulli stands out as a truly multitalented worldwide artist, with this perhaps being the key to his longevity in an increasingly fast-paced industry.
 
Fanciulli’s kept up a big Ibiza presence over the years, becoming one of the most respected figures on the island. Following on from two successful years running ‘La Familia’ at infamous 5000 capacity outdoor venue Ushuaia alongside Joris Voorn, 2016 saw Nic embark on his first solo residency at the iconic Pacha. ‘We Are The Night’ saw the likes of Guy Gerber, Sasha, Bicep, Agoria, Matthew Dear and Tiga play at the club alongside Nic. Having conquered Ibiza, We Are The Night has also held parties in Croatia, Barcelona, Miami, New York and Mexico with many more to come. Aside from Nic’s own projects, he’s a regular of all the key parties on the island. He’s been a headline guest at ANTS - Ushuaia’s flagship underground party - since its inception, and also put in appearances at respected residencies Paradise, Guy Gerber’s RUMORS, Circo Loco at DC10 and INSANE at Pacha over the last year alone. Most notably, he played a major part in the last season of one of Ibiza’s best-loved clubs, Space; firstly, playing the closing of its longest-running party, Carl Cox’s Revolution, and then proceeding to make history playing the final set at the club’s last ever closing party, in an incendiary six hour back to back session with Carl himself.

As a producer, Nic has created a plethora of solo tracks that have received huge critical acclaim including a Grammy Nomination, in addition to unleashing a heady collection of memorable remixes, including his recent rework of Jamie xx’s ‘SeeSaw’. Nic is responsible for a high output of a sleek, intelligent yet driving strain of house and techno, and is famed for his compilation CDs, having completed mixes for Renaissance, Global Underground, Balance and Defected In the House as well as an incredible three Essential Mixes; he is now gearing up for the release of his highly anticipated debut album.

Nic’s genuine desire to share music with others led to him founding what’s gone on to be one of the UK’s biggest house and techno labels, Saved Records. An important purveyor of international, underground house and techno, Saved has become a global brand, renowned for cutting-edge releases and standout events around the globe. Responsible for helping to break the careers of a diverse mix of producers, Saved Records has established Nic as a key tastemaker.

It’s this continued desire to share his experiences that also led to Nic starting up his worldwide festival brand, The Social. Beginning life as a way of bringing world-class names to Maidestone, it’s grown not only from a one day event to a three day festival, but will now also be branching out to hold parties in Mexico and Columbia for 2017 and looks set to continue growing.
 
Nic’s journey to his current status has been an entirely organic one, born out of his genuine love for the scene and a desire to share this with others. His tireless work ethic has sees him continue to tour the globe relentlessly and expanding his many projects – 2021 is set to be yet another landmark year for the artist.

Establishing himself as one of the key residents at one of the biggest parties of the year 'Abode", a party built around its residents and their love for house and techno, he goes by the name of GW Harrison and George was always destined to be a DJ. His father played a vital part in the booming nineties UK rave scene and being surrounded by a household of music GW willingly took to the decks aged just 12 and picked up his first DJ residency in a club, aged 13.

This year has been an extremely successful year and has seen GW Harrison nominated by Darius Syrossian in the 2016 Emerging Artist category. The popular Abode @ Sankeys Ibiza became his local hang out, along with other Abode residents and George went on to secure bookings for the final year of Space Ibiza, hosting GW Harrison & Friends..With the summer of 2016 now being a distant memory, George has gone on to announce show, including Printworks, Annie Mac’s Lost and Found Festival, Elrow, LoveBox Festival , Knee Deep in Sound and We Are Fstvl main stage for his third year!.

Sidney Charles has mastered the art of high impact house music that comes with a signature sense of depth, melody and groove. That unique style has made the Hamburg-born DJ, producer and label boss one of the underground's most prominent names: last year was his busiest ever with multiple chart-topping releases, high profile support from Radio 1 and standout gigs across the world. In 2023, the proven tastemaker will focus on his already influential Heavy House Society label and launch its new residency at Watergate in Berlin.
The last year has seen Sidney make an indelible mark on the scene. He played in Ibiza at the likes of Amnesia, DC10 and Cova Santa. He played to large crowds across several South American countries and all over the US from Miami to Las Vegas to New York and LA. He played in key Spanish cities at Input, Fabrik Madrid, Weekend Beach Festival, frequently visited Italy, played in the Netherlands multiple times a month and cemented his close relationship at UK hotbeds like Manchester's Warehouse Project and Leeds' Mint Warehouse.
Whether playing to a close and compact crowd in a small basement or tearing up a vast festival main stage, Sidney knows how to join the dots between the past and the present. He manages to open up new house worlds with his educated selections but never forgets to blow up the dance floor in the process. Just like his productions, his DJ sets are full of surprises, twists and turns but also rooted in physical grooves. His love of jazz, hip hop and funk and his vast knowledge of the 90s sounds always shine through with plenty of heavy bass which makes the Sidney Sound so irresistible.
Years after his first breakout hit, Sidney continues to hit the top of the charts with his newest creations. In 2022 there were three separate number ones on three different labels in Beatport's genre charts. They came on his own label, Eastenderz and Hot Creations, while he has also signed to the likes of No Art, Locus, PIV and Do Not Sleep amongst many more.
Sidney's Heavy House Society is already a respected go-to outlet for solid and innovative house music. It mixes up releases from top-tier artists and well curated new school talents such as Kolter (aka Djoko), Luuk Van Dijk, Locklead, Madvilla, Luca Donzelli, M-High and many more. As well as a collab EP with Kolter in 2023, Sidney will also head up the label nights, Heavy House Society, under the famous LED ceiling of Berlin's cult club Watergate. He has solo EPs in the works for the label as well as Cécille Records, MicroHertz and PIV; and will get in the studio with East End Dubs. All this is proof that Sidney Charles is at the top of his game.

Bookings: dan@xmixproductions.com
PR: masha@xmixproductions.com
Grammy Award nominated DJ/Producer Todd Terry has been engulfed in dance music since he first started listening to European dance music records while growing up in Brooklyn. Already devoted to turntables, he heard something different in those tracks, and he “went for the difference. I never got a break in New York, but England happened right away, so I catered to them.” In any event, the Todd Terry sound was born.

By 1988, Todd Terry hit big in England and Europe, and his notoriety was making its way back to the U.S. In addition to DJ appearances, Todd was cutting his classic underground tracks A Day In The Life, Weekend, and Can You Party, released under monikers such as the Todd Terry Project, House Of Gypsies, and Royal House, all considered essential and ground breaking.

In the mid 90’s, the Ministry of Sound’s eponymous UK label released A Day In The Life, a collection of Todd Terry tracks that had been causing dance floor panic. That then led the way to a deal with Mercury Records allowing him to set up a context in which to work with his favourite singers and performers. The first release, Keep On Jumpin’ on featured a vocal workout from super-divas Martha Wash and Jocelyn Brown, together for the first time ever. The song became a top 10 UK crossover pop hit and worldwide smash. Todd followed with the anthem ‘Somethin Going On’, a top 5 UK crossover pop hit.

All the while, Todd continued to break new ground as a Producer/Remixer. From SNAP to Annie Lennox to George Michael to Bjork, Todd’s mixes bridge the ground between club cool and commercial accessibility. In 1995, his remix for Everything But The Girl’s Missing became a worldwide smash, giving the British duo their first ever hit. He then rode the charts with mixes for Garbage (Stupid Girl), The Cardigans (Love Fool), Everything But The Girl (Wrong), 10,000 Maniacs (More Than This), Jamiroquai (Alright), The Cardigans (Been It), and The Lightning Seeds (You Showed Me),.among others. He also produced a Robin S track (Givin’ You All That I’ve Got) for the multi-platinum Space Jam soundtrack.

INK/Distinctive Records 2005 release The Todd Terry Trilogy: Past, Present & Future on 3 x CD & 10 x 12” vinyl has inspired Todd fans both old and new with over 30 Todd classics and 10 new Todd songs. Todd is also releasing a barrage of new singles on Blanco y Negro, Elementary Group, and Manifesto/Mercury (who are also re-releasing the ‘Keep On Jumpin’ and ‘Somethin Going On’ in 2006). Ministry of Sound has licensed Philippe B Vs. Todd Terry ‘Can You Feel It (Can You Party)’ for a major 2006 release, a new version of the Todd classic Royal House ‘Can You Party’.

Todd Terry All Stars feat. Kenny Dope, DJ Sneak, Terry Hunter, & Tara McDonald’s ‘Get Down’ will be released in 2007 on Strictly Rhythm. This red hot single is the first proper original release on the re-launched legendary label.

‘Strictly Todd Terry’ compilation mixed by Todd Terry will be released in 2007 on Strictly Rhythm. Todd’s mix follows installments by Masters at Work and Tiefschwarz in this newly launched series.

Todd is one of the world’s most celebrated figures in dance music. With almost two decades of dance floor domination under Todd’s belt the quality of his productions goes from strength to strength. Welcome to the church of house music presided over by Todd the God. Are you a believer?

RHYTHM COMPOSER

Motorbass then Superdiscount then tempovision then superdiscount 2 then Commercial eps then the cube then Superdiscount 3. 

Etienne de Crécy is a key figure of the international electronic scene.
Whether for his live shows, his recordings production or marketing around his projects, Etienne De Crecy has always been considered as a pioneer, thanks to his conceptualized, unique and innovative work.

For those too young to remember the 90s, Etienne de Crécy was the guiding hand behind the albums Super Discount (1997) and Super Discount 2 (2004), featuring contributions from Alex Gopher, Air, Cassius and DJ Mehdi. In that collective venture and in his solo work, Etienne de Crécy has always rejected the facile, remaining fiercely loyal to old-school house and choosing to extensively explore electronic music’s underground labyrinths rather than tread the beaten paths of commercial success.

During his 20-year rise to the summit, the French producer has cut some of the world’s most influential electronic albums: Pansoul (with Philipe Zdar under the name Motorbass), Super Discount, Tempovision and Super Discount 2.

After five years spent blitzing a string of venues with his legendary Beats N'Cubes show - a lavish installation and a live experience as visually brilliant as it was sonic, leaving clubbers and festival-goers dazed - Etienne de Crécy has revived his Super Discount project, ten years after the last, second opus.

contact (at) etiennedecrecy.fr

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