Can't beat em join em... yes I'm just a gal having a little go at it 🤗


Always loved my music, but now I've got 
Ace friends... loads of adventures and just loving all the good vibes!
🙅‍♀️

Graham Dixon since 1985 has been DJing at house parties and bars where he lived throughout the north of England then by 1988 he was a highly skilled & respected scratcher known for playing everything from hip hop, soul, breaks, early house and so on. Having already established a vinyl collection through his US, Europe & UK contacts, he became a most sought after DJ has his reputation grew which could've quite easily have taken the very reserved Graham to global status especially boasting a best vinyl, most advanced collection, which was by far way ahead of many at the time.

His regular London trips for packaged haul's of advance record orders, paid off, way before the stroke of 1990 had reached us, he was already playing regular club spots at The Leeds Warehouse, Tradeshall, Bradford's Bibbies aka The Capricorn Club & Leeds Twilight Zone a notorious converted Blues.

Then there was Blackburn's Monroes where low & behold all the illegal rave activity shaped itself in the north. Blackburn was an organised central focus to mediate northern areas catering to crews from Manchester, Blackburn & Leeds after club closing time, such as The Hacienda, Leeds Warehouse & Blackburn's Red Parrot plus other firms eventually joined the bond including Huddersfield, Liverpool, Blackpool & Bradford etc all via the renowned convoy system where 100's of cars skilfully avoided the police to prevent them breaking up the monstrous parties ahead.

Part of this organisation was assisted by pirate radio of which Graham was inundated with show's, keeping the organised party clock's ticking away for what storming 24/48 hour outdoor parties lay ahead. Basically cleverly moulding together, numbers in droves of 10 to 30 thousand happy smiles dancing their interactions away at the huge Summer Of Love parties such as Joy, Live The Dream, Sundance, Blast Off, Sunrise, Karma Sutre etc, all once it became UK widespread. 

After all this the house parties/raves were now regulated & no longer illegal, he was offered his own night at Ricky's in Leeds taking over from Sasha every Wednesday leading to more work at another red hot fixture back then, The Gallery with more work in & around Europe.  

Recent years in Leeds have seen him play to constantly sold out shows which he organised, UBER being one while Graham also set his sights on spinning at events pulling the success he always achieved, it actually seemed whatever Graham turned his hand to turned to gold, playing for brands like Kissdafunk, Plastic, The Zoo, Canya and Coastline without forgetting the legendary boat party. Plus for a solid 8 years week in week at Stinky's in Leeds he ran the Back2Mine Sunday daytime terrace shows, consistently playing to sold out audiences.

DJ influences who've guided his diversity flow throughout the years stretch from Cash Money, Jazzy Jeff, Grandmaster Flash, Nightmares On Wax from Leeds, the outstanding UK talents of Sasha & Mike Pickering plus Derrick Carter and Carl Cox have all driven the Graham Dixon talent wagon.

Check out his productions of remixes, mash ups & tracks at uberdifgitalrecordings.

Now he's fully re acquainted his passion for a solid underground classic acid house sound again, Shine offered him The Loft host slots at Leeds Warehouse for the FAC51 Hacienda shows which were taking off in the main room. Since then he's now been asked to fully join the residency outfit with his debut show set to commence 11pm, The Loft at The Warehouse, 13th June 2015 when Shine host the Made In Leeds Festival Afterparty, with Steve Lawler headlining the main room.

Mark Hawkins is a studio based musical artist with a career spanning more than 25 years.

Cutting his teeth in the UK underground party scene throughout the 90s, he has built an extensive body of work collaborating with a wide variety of record labels and artists, in numerous styles of electronic music under many different aliases, including his given name.

After two and a half decades of performing both as a live electronic act, and as a DJ, at many events around the world, which had included many of the most well known clubs and festivals, he decided to narrow his focus down to his main passion of writing, producing and engineering music in his Berlin studio, working on both his own material, and as a sonic “gun for hire”, assisting other artists in achieving their own aspirations in the studio environment.

Mark is a reclusive character who is more interested in sculpting sound, and searching for the perfect beat than promoting his own work, and as such declines to participate in the social media world which dominates contemporary culture.

Preferring to immerse himself in the world of audio manipulation, he has become a go-to studio engineer amongst those in the know, who want their own sound to take on a more professional sheen, or even a more retrospective aesthetic that relates to music from days gone by. 

But this has in no way slowed down his own output of material, in fact, without the distraction of unwanted self promotion or touring, he has been able to place an increased emphasis on crafting exactly the kind of music he wants to create for himself.

Looking ahead, Hawkins will continue to forge his own path via his artistry, blending styles and blurring the boundaries between genres, and will inevitably in the process discover and create exciting new works.

https://www.tiktok.com/@garty.dj?_t=ZN-8trMkRSpvza&_r=1

Instagram @garty_DJ 
FOR BOOKINGS CONTACT MYSELF ADAM GARTLAN ON FACEBOOK OR MESSAGE ME ON HERE.

Mark Boog Chambers is following