djsasha.com
Merchandise:  www.lnoearth.com

Booking Contacts: 
Ian Hindmarsh // ian@analog-a.com (Europe/South America/Rest Of World)
Emma Hoser // Emmahoser@paradigmagency.com (US/North America)

Find Sasha on: 
instagram.com/djsashaofficial/ 
facebook.com/sasha 
twitter.com/sashaofficial 
youtube.com/djsasha 
https://play.spotify.com/user/djsashaofficial 

Find Last Night On Earth on:
lastnightonearth.co.uk/
facebook.com/LastNightOnEarthMusic
twitter.com/LNOE_label
soundcloud.com/last-night-on-earth

ame / frank wiedemann / schwarzmann
/ bigamo record label

hi everyone.
Just to let you know: 
I DON'T ANSWER EMAILS HERE!! Too many social networks are not good for my health ;-)
Cheers.
Frank.

Nic Fanciulli has become one of the most influential artists to come out of the international dance scene in several years. With so many projects constantly in the works, Fanciulli stands out as a truly multitalented worldwide artist, with this perhaps being the key to his longevity in an increasingly fast-paced industry.
 
Fanciulli’s kept up a big Ibiza presence over the years, becoming one of the most respected figures on the island. Following on from two successful years running ‘La Familia’ at infamous 5000 capacity outdoor venue Ushuaia alongside Joris Voorn, 2016 saw Nic embark on his first solo residency at the iconic Pacha. ‘We Are The Night’ saw the likes of Guy Gerber, Sasha, Bicep, Agoria, Matthew Dear and Tiga play at the club alongside Nic. Having conquered Ibiza, We Are The Night has also held parties in Croatia, Barcelona, Miami, New York and Mexico with many more to come. Aside from Nic’s own projects, he’s a regular of all the key parties on the island. He’s been a headline guest at ANTS - Ushuaia’s flagship underground party - since its inception, and also put in appearances at respected residencies Paradise, Guy Gerber’s RUMORS, Circo Loco at DC10 and INSANE at Pacha over the last year alone. Most notably, he played a major part in the last season of one of Ibiza’s best-loved clubs, Space; firstly, playing the closing of its longest-running party, Carl Cox’s Revolution, and then proceeding to make history playing the final set at the club’s last ever closing party, in an incendiary six hour back to back session with Carl himself.

As a producer, Nic has created a plethora of solo tracks that have received huge critical acclaim including a Grammy Nomination, in addition to unleashing a heady collection of memorable remixes, including his recent rework of Jamie xx’s ‘SeeSaw’. Nic is responsible for a high output of a sleek, intelligent yet driving strain of house and techno, and is famed for his compilation CDs, having completed mixes for Renaissance, Global Underground, Balance and Defected In the House as well as an incredible three Essential Mixes; he is now gearing up for the release of his highly anticipated debut album.

Nic’s genuine desire to share music with others led to him founding what’s gone on to be one of the UK’s biggest house and techno labels, Saved Records. An important purveyor of international, underground house and techno, Saved has become a global brand, renowned for cutting-edge releases and standout events around the globe. Responsible for helping to break the careers of a diverse mix of producers, Saved Records has established Nic as a key tastemaker.

It’s this continued desire to share his experiences that also led to Nic starting up his worldwide festival brand, The Social. Beginning life as a way of bringing world-class names to Maidestone, it’s grown not only from a one day event to a three day festival, but will now also be branching out to hold parties in Mexico and Columbia for 2017 and looks set to continue growing.
 
Nic’s journey to his current status has been an entirely organic one, born out of his genuine love for the scene and a desire to share this with others. His tireless work ethic has sees him continue to tour the globe relentlessly and expanding his many projects – 2021 is set to be yet another landmark year for the artist.

"One of the hottest electronic labels in the world" - Hype Machine

Anjunadeep Explorations Label: @explorations-label

Listen to Romain Garcia ‘EURÊKA!’: https://anjunadeep.co/eureka.PBT

Listen to Rezident ‘Feeling Fades’: https://anjunadeep.co/rff.PBT

Follow ‘Anjunadeep 2025’ playlist: https://anjunadeep.co/deep2025.pbt
Follow ‘Anjunadeep Essentials’ playlist: https://anjunadeep.co/essentialsplaylist.pbt
Spotify: https://anjunadeep.co/spotify.pbt
YouTube: https://anjunadeep.co/youtube.pbt

Underground imprint founded by Dave Seaman & Steve Parry showcasing the best House and Techno, plus all the flavours in-between.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Matthew ‘Bushwacka’ B, a percussionist in the London School Symphony Orchestra who was converted into a member of the infamous Rat Pack after a warehouse party in ’88, has been DJing for over 30 years now. From that first Acid House experience Matthew quickly started playing all over London, holding residencies at four of the most famous clubs in town by the time he was 18 years old. From London the gigs spread countrywide, doing up to 8 shows a weekend, and then into Europe and the USA by 1992.
 
It was via a mutual friend Mr C that Layo & Bushwacka! first met, whilst Matthew was working at his studio, and by the mid 90s the two had started writing music together. Over a decade later, the partnership has yielded three artist albums, three mix albums, internationally renowned club residencies and a superb record label. 

By 1999 they’d already composed their debut album, ‘Low Life’, released on End Recordings, the label spawned by The End. The album announced the arrival of the duo as a force in electronic music, with a record that brought together electro, house and breakbeat fused with blues, dub and downtempo, all underpinned and informed by their collective experience of underground culture. This inclusive and open minded approach to sound became the blueprint for their future work.

Their sophomore album followed in 2002, this time released on the mighty XL Recordings. Entitled ‘Night Works’, the record featured their unforgettable top ten hit ‘Love Story’, and took their sound onto a bigger and broader canvas, charting all over the in the process. The accompanying live show brought further acclaim with stunning shows from Homelands to Sonar, whilst their famous DJ sets had now garnered residencies at some of the world’s finest clubs including Space in Ibiza, Warung in Brasil and of course The End in London. While this explosion was happening, Matthew was also achieving huge solo success with his remixes for Depeche Mode, his bootleg of Michael Jackson’s Billie Jean, and getting phone calls from Madonna wanting him to work on her music. It was a crazy time. 

Their End residency, known as All Night Long, became one of the capital’s most revered nights with Layo & Bushwacka! taking the club through an edifying tour-de-force of electronic music.
 
When The End closed its doors for the last time in 2009, Layo and Bushwacka! started the Shake It brand and threw amazing warehouse parties all over London, booking Carl Cox, Richie Hawtin, Magda, Laurent Garnier and many other friends, and created dancefloor destruction for 4 years. The parties were legendary, the energy incredible.


Layo & Bushwacka!’s reputation as two of the world’s foremost DJ duos is rock solid. Four artist albums have proven them remarkably talented producers, capable of mixing styles, tempos and genres to create enduring and engaging electronic music. Their trio of mix albums and international club residencies have shown they are masters of the turntables, sonic connoisseurs who can guide a dance floor on an epic journey through the many facets of their sound. Their label Olmeto meanwhile has become a bastion for quality, a label that, much like its figureheads, has become a rubber stamped seal of class, and many of their vinyl only releases have become sought after rarities.
 
In 2013 Bushwacka! took some time out to focus on his solo Just Be project, recording on Crosstown Rebels, Get Physical and Intec, while Layo created a new empire in Soho, of world class restaurants, applying his magic touch to everything he does. Five years later, Bushwacka! started touring and recording again under his original name, only on select shows and keeping it special for the fans, old and new.

Mark Doherty 15 is following