WaterTower Music, Warner Bros.' in-house music label, was launched in January 2010 as a reimagining and rebranding of New Line Records to create music assets as diverse as the films, television shows and interactive games they support. 

Housed on the Burbank lot, in the offices occupied by Warner Bros. Records during its heyday in the 1960s, the WaterTower Music team works to discover the most compelling music possible to broaden consumers' awareness of a brand or project on a visceral level. They believe the right music can engage a consumer's imagination in an entirely different way than a commercial or billboard. A truly successful soundtrack is one that inspires fans to invest both in the music itself and in the film, television or interactive content on which it's based. 

Each project requires involvement, creative input and collaboration between music supervisors, composers, directors, producers, musicians and the WaterTower team. Being located on the lot in Burbank allows the team to easily and efficiently communicate with colleagues across any Warner Bros. division. 

From comedies to dramas, action adventures and everything in between, the talented and resourceful team at WaterTower Music helps make sure that Warner Bros.' projects sound as good as they look.

Afrolicious Bio -

Afrolicious, the live/electronic collective based in the San Francisco Bay Area started out not as a band but as a club night at the famed Elbo Room in The Mission District in 2007.  The format of Afrolicious party was very open and included the DJs spinning the latest soulful dance music including Afro-House, broken beat, modern funk and disco alongside classics and re-edits and remixes of their favorite Afrobeat, Salsa, and Brazilian funk alongside live percussionists and guest MCs and musicians. Eventually morphing into a live band led by the production and arrangement skills of Pleasuremaker, many dancers, DJs and producers began to take notice of their unique sound.  

Since the release of their first two EPs which were produced by Rob Garza of Thievery Corporation, the reputation of the band and founding DJs Pleasuremaker and Señor Oz have grown and they have performed everywhere from Red Rocks, Burning Man, Cielo and the Greek Theatre in Berkeley. "We never planned on becoming a live band, but like everything else about Afrolicious it happened organically," says Oz. "When we started the party, it was truly what we thought the Mission was about. It wasn't exclusive and it wasn't exclusionary, it was open to everyone. The youngest person in our collective is the rising soul singer Ziek McCarter who started with us at 19. Our oldest member is Baba Duru, who moved to SF in 1970 and toured with Stevie Wonder. Our vocalist is from Trinidad and our drummer is from Brazil. We all congregated in SF over our love of the universal groove. There are rhythms that connect all dance music from the beginning of time to the present day and we believed we could transmit them."  

In 2013 they released their debut full-length album, California Dreaming on their own label, Afrolicious Music. IN 2014 they assembled some of the finest DJs and producers from around the world to remix their debut album. California Dreaming Remixed features remixes from Jamaican dub legend Scientist, Rob Garza from Thievery Corporation, Peruvian electronic live hybrid Novalima, Brazilian nu-disco producer Trotter, Australia’s Omegaman, Miami’s Stereo 77 and the Bay Area’s DJ Smash, J Boogie, Izzy Wise and Antonio Guedes.



  Afrolicious is also loosely affiliated with a worldwide group of DJs, producers, bands, and labels who produce contemporary soulful dance music inspired by sounds of the African diaspora, including Antibalas, Chico Mann, Nickodemus, DJ Smash, Wonderwheel Recordings, Subsuelo, and Cumba Mela. 



Amazing Live band, sound system, weekly party, vibration!
For 8 years Afrolicious brought out an amazing crowd every week to an experience many compare to church in the sense of a weekly gathering for spiritual purposes.
Afrolicious continues to inspire and push the boundaries of music productions, events, and community. They are set to release a number of new releases in 2015. There are finished projects ready to be released and brand new songs being  added to the fold regularly. Stay tuned for new originals, remixes, and mixtapes. Plus some amazing collaborations in the works





Adventure Club is:
Christian Srigley &amp; Leighton James

www.WeAreAdventureClub.com

Management: <a href="mailto:robbie@stndrdgrp.com" rel="nofollow" target="_blank">Robbie Sabato at The Standard Group</a>

Empire of the Sun, the visionary Australian electronic duo comprising Luke Steele and Nick Littlemore, have been making waves across the world with phenomenal live shows and anthemic smash hits for the last decade as one of Australia’s most successful musical exports.
With Steele's background in The Sleepy Jackson and Littlemore's founding role in PNAU, the duo embarked on a sonic odyssey that has captivated audiences worldwide. Since their emergence, Empire of the Sun has transcended boundaries, blending alternative electronica with mesmerizing visuals to create an immersive musical experience unlike any other.

Their seminal debut album, Walking On A Dream, which the musicians described as "a spiritual road movie" spawned iconic singles “Walking On A Dream” and “We Are The People”. The critically acclaimed second LP, disco-pop Ice On The Dune featured “Alive” and “DNA” and saw the band tour the world. Third LP "Two Vines," saw the band welcoming guests like Lindsey Buckingham, members of David Bowie's band from the Blackstar sessions, and Wendy Melvoin from Prince & the Revolution and featured singles “High And Low” and “Way To Go”.
Their chart success extends far beyond their native Australia, with their albums achieving multi-platinum certifications across the globe. In addition to their commercial triumphs, the duo has garnered an impressive array of accolades, including eight ARIA Awards, two APRA Awards, and an APRA Billions Award. With over 5.5 million albums sold globally and a staggering 7.6 billion streams, Empire of the Sun's impact on the music industry is undeniable, solidifying their status as icons of the electronic music genre. 8 years since their last LP, 2024 sees the dawn of a new era. The journey continues…this time we’re going through “Changes”.

 <a href="http://www.Thissongissick.com" rel="nofollow" target="_blank">Thissongissick.com</a> We like sick songs&#13;


Will Anderson: Lead Vocals, Guitars, Piano
Kit French: Saxophone, Keyboards, Vocals
Alex Hargrave: Bass
Johnny Stubblefield: Drums
Nate McFarland: Lead Guitar, Vocals

For the members of Mercury Records group Parachute, the name of their third album, Overnight, could well be a sly commentary on the hard work and commitment it’s taken for them to experience the success that’s been building over the last four years and first two albums. Their 2009 debut Losing Sleep featured the Top 15 single, “She is Love” (boasting more than 6.5 million views), while 2011’s The Way It Was included the #1 iTunes Rock Song “Kiss Me Slowly” (co-written with Lady Antebellum) and the Top 15 hit “Something to Believe In.”

Or it could refer to the late evenings put in by chief songwriter Will Anderson, burning the midnight oil, writing in his new Nashville base, after moving from the band’s hometown of Charlottesville, VA (where they were discovered and signed to Dave Matthews Band’s Red Light Management out of college). Anderson composed more than 50 songs for the album with a variety of collaborators, including Ryan Tedder (the first single, “Can’t Help”), as well as Grammy winner Chris DeStefano [Kelly Clarkson] and Ashley Gorley [Carrie Underwood, Keith Urban] on the title track.

“Even though there’s plenty of pressure to break through on your third album, the actual recording process was much less stressful,” says Will about the band’s sessions at Ocean Way in Nashville with producer Oren Yoel, a young contemporary who has worked with hip-hop phenom Asher Roth as well as Miley Cyrus, among others. “All of us were on the same wavelength. We all kind of knew exactly what we wanted without having to say it out loud. There was a weird sense of peace that we knew where we were going and where we needed to be.”

From the pop fervor of “Can’t Help” and the powerful simplicity of “Hurricane,” composed on acoustic guitar by Will after a long frustrating day, to the ‘80s Phil Collins-meets-U2 flair of “Waiting for that Call” and the slow Peter Gabriel/John Mayer jam of “The Other Side,” Parachute prove adept at combining guitarist Nate McFarland’s Edge-influenced arena-rock guitar licks with Will’s melodic sense of what will resonate with their passionate fan base. 

It’s no surprise for anyone who has followed the band’s history. Will has been playing with drummer Johnny Stubblefield, bassist Alex Hargrave and saxophone/keyboardist Kit French since they were high school classmates in Charlottesville almost 10 years ago. Anderson met Nate while attending University of Virginia together, and the guitarist joined the band six years ago.

“We’re just now getting to know one another as musicians as well as we know each other as people,” says Will. “We wanted to capture a sound in the studio that reflected us as a band. And we all know which parts each of us had to play to get that sound.”


The band’s stylistic palette can run the range from old-school legends like Stevie Wonder, Elton John, Paul Simon and Bruce Springsteen to newer acts like U2, Coldplay, Weezer, Ben Folds, Maroon 5 and John Mayer.

With producer Yoel, the band has even begun to stretch the boundaries, with Will’s spoken word vocals adding almost a hip-hop flavor to a new song called “Didn’t See It Coming,” about an actress friend of theirs in Hollywood excited to land a gig, only to discover it was an X-rated feature.

“That’s probably the catchiest song I’ve ever written,” he says. “I just laid down this spoken-word track, thinking we’d replace it later, but everyone loved it so much, we kept it on.”

Anderson is most proud of “Hurricane,” a song he wrote before going to sleep by strumming an acoustic guitar.

“It’s like the feeling you get when you think you’re never going to be able to write another song,” explains Will. “Once I started, it all came spilling out.”

Anderson credits guitarist Nate with creating parts that were “just perfect” for each song. “He really nailed it, with a unique spin to every song that made them epic, but at the same time, within a pop framework. That’s something we’ve always tried to do, melding his rock guitar to my sensibilities, making it work both for the arena and within the melodic sense of strong hooks. I think we really nailed it this time.”

Having played more than 400 shows over the last few years, touring around the country with everyone from NeedtoBreathe to Andy Grammer, Parachute’s live show continues to grow and impress. They’ve also played before several million at a New Year’s Eve celebration in Times Square, as well as appearing on NBC’s The Tonight Show with Jay Leno, ABC’s Good Morning America and Jimmy Kimmel Live and CBS’ The Early Show. The band’s songs have been featured on MTV’s The City along with CW’s One Tree Hill, Vampire Diaries and 90210.

“It’s so nice to have three albums’ worth of material to choose from in concert,” says Will, while the band has always played an eclectic variety of covers, from Spencer Davis Group’s “Gimme Some Loving” to vintage tracks from Elton John, Billy Joel, Bruce Springsteen, Stevie Wonder, the Commodores and Motown. “We’re just now hitting our stride as a live band. We’re better musicians who have come to trust one another. We all have our pocket and fill it. But we still have a long way to go.”

Overnight has a little something for everyone. Longtime fans will recognize their favorite band, with a fresh sound bound to intrigue newcomers.

“The last album was like taking a brand-new car straight off the lot,” says Will. “This album is just as fun to drive, but it’s like a vintage Mustang, a little more muscle and grittier, built to last.”

On their third Mercury Records album, Parachute is firmly in the driver’s seat.


download full albums @
      brokeforfree.com

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