Where Evil Grows + Come Hither

My musical setting of the opening portion of Walt Whitman elegiac poem in memory of Abraham Lincoln.

The choir in this recording is Southern Adventist University's I Cantori Chamber Choir, conducted by Gennevieve Brown-Kibble.

The artwork pictured is a drawing by my brother, Markus McGrath, intended to go along with this composition.

Sheet music available at http://earthsongschoralmusic.com/index.php?main_page=product_sheet_music_info&cPath=1_8_6&products_id=2773

When lilacs last in the dooryard bloom'd

Amergin Glúingel dala, mely eloszlatta a Tuatha Dé Danann druidáinak viharát, amikor meghódította az Ír Szigetet.

Amergin Glúingel's song, that dispelled the storm of the druids of Tuatha Dé Danann when he conquered the Isle of Ireland.

Lyrics:

"Alta Bouda
Alta Bouda
Alta Bouda
Amergin

Dagda, Belenus, Lugh, Cernunnos, Taranis, Dana, 
Alta Bouda
Alta Bouda

Am bri danae

Am gaeth i m-muir,
Am tond trethan,
Am fuaim mara,
Am dam secht ndirend,
Am séig i n-aill,
Am dér gréne,
Am cain lubai,
Am torc ar gail"


Record, Mix, Master - Labour Sound Studio

Amergin

Extracted from some video a friend too of me singing in a old herring oil tank in Djúpavík, Iceland. This was from memory, so it isn't completely correct.

Earth Song in an old herring oil tank

Dedicated to Gary. The theme is a 19th century  "Itkuvirsi" (lament) tune from Suistamo, Karelia. Played on a five-string kantele (with viscose strings, same sound as horse hair) made by Rauno Nieminen, the original one in the museum is dated 1893; and a 5-string kantele with bronze strings, also made by Rauno Nieminen, the original one is dated 1833; and a 10-string kantele with bronze strings, made by Pekka Lovikka

Until on the Other Side

Cätlin Mägi "Koka nokast" (trad. Märjamaa)

Salvestanud ja kokku mänginud/recorded, mixed and mastered by:  Janar Paeglis
Salvestatud Viljandi Kultuuriakadeemia muusikamaja stuudios
Pildistanud ja kujundanud/photo and design by: Maritta Anton

Singel 2. veebruaril (2018) ilmuvalt plaadilt "Mu pill parmupill"
Singel from new album "My Harp - My Heart"

www.facebook.com/catlin.magi.official/
catlin.ee

Cätlin Mägi - Koka nokast

From the original film score for Christiane Cegavske's award winning feature film "Blood Tea and Red String".  We hope to release the full album soon.  
You can get the DVD here: http://amzn.to/ihZ9EC

Watch the trailer here: http://www.youtube.com/watch?v=FR2zL-qErX8

©Christiane Cegavske

This recording is solo accordion.

Blood Tea and Red String - Opening

From the original score for Guido Muzzarelli's "Island of the Gondoliers". 
Featuring myself on accordion and Seth Ford-Young on upright bass.

We hope to release the full album soon.

Composed by myself and arranged with Seth Ford-Young.

See the trailer here: http://vimeo.com/5596904
More info on the film here: http://www.islandofthegondoliers.com/

Florachan Theme

Mark Growden is a composer, singer, writer, multi-instrumentalist, visual artist, and workshop leader.  Growden has released several critically acclaimed albums, including Saint Judas, which was awarded “2010 Rekkid of the Year” by music blog Stash Dauber and ranked in the 2010 Village Voice Critics Poll.  Growden has toured the the US extensively, performing at venues such as the The Fillmore, Cowell Theater, and Great American Music Hall in San Francisco; Snug Harbor in New Orleans; and The Knitting Factory and Tonic in New York.  

Press Quotes
“Influenced by Aretha Franklin, Otis Redding, Igor Stravinsky, Claude Debussy, Aaron Copeland, John Coltrane, Townes Van Zandt and Alan Lomax's field recordings of African- American prison work songs, Growden cooks his compositions from his own recipes. The taste is a little cabaret, a bit New Orleans brass, a pinch Appalachian folk with a spicy edge,... but hard to pin down, stirred with the gentleness of trees whispering on an easy summer day.” - The Taos News

“think Bertolt Brecht meets Blind Willie Johnson.” - I-94 Bar

"Mark Growden possesses the same raw passion and fury seen in Van Morrison, Tom Waits, and Old Red but also the compositional finesse of Chris Rea, Robert Wyatt, and The Woes" - Folk & Acoustic Music Exchange

"An unusual and voracious talent." - Willamette Week

"Theatrical, dark and sexy." - West Coast Performer

"Mark Growden has to be on of California's most colorful and intriguing musicians.... Growden is a genius." - Albuquerque Alibi

"He writes songs that pulse with drama, songs that slide with grace." - Tucson Weekly

"Part singer-songwriter, part bluesman, part avant-gardist, he's an avatar of bohemian weirdness on a par with Tom Waits or Joe Henry." - Fort Worth Weekly

"as though Harry Smith, Kurt Weill, and John Cage had been reincarnated in a single body" - Stash Dauber

"Fiery, earthy and sublimely sensual." - Comet Magazine

Florachan Theme

Mark Growden

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