M.Hawkins is the artist moniker Mark Hawkins has designated for his more house music orientated work. He returns to explore this sound further after his last outing under this name on Routine Issue 002 which was released last year.

“4 U” recalls the deep house sound of the UK from the late 90s and early 2000s as championed by labels like Rainy City and Drop Music, with its insistent vocal hook and classy pad chords.

M. Hawkins - 4 U - 1Min 30 Clip

https://www.mixcloud.com/OnFloYo/
https://djsempf.bandcamp.com/track/feeling-lazy

Downtempo, Jazz, Funk, Disco, House... Addict // 
DJ & Producer // Vinyl & Digital //

contact/bookings: fredddrumm@gmail.com

Part of: https://soundcloud.com/cyber-domain

Releases on: Cyber Domain, Specimen Records, Diffuse Reality, Bass Agenda...

Booking (live p.a.): hardenberg@xyz.de
Past gigs:
25 March 2023 @ Cyber Domain Label showcase (Weimar), live p.a.
02 Dec     2021 @ callshop radio (Leipzig), live p.a.
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Electro aus Leipzig.
Live.
Direkt.
Analog.
Synthetisch.
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Mark Hawkins is a studio based musical artist with a career spanning more than 25 years.

Cutting his teeth in the UK underground party scene throughout the 90s, he has built an extensive body of work collaborating with a wide variety of record labels and artists, in numerous styles of electronic music under many different aliases, including his given name.

After two and a half decades of performing both as a live electronic act, and as a DJ, at many events around the world, which had included many of the most well known clubs and festivals, he decided to narrow his focus down to his main passion of writing, producing and engineering music in his Berlin studio, working on both his own material, and as a sonic “gun for hire”, assisting other artists in achieving their own aspirations in the studio environment.

Mark is a reclusive character who is more interested in sculpting sound, and searching for the perfect beat than promoting his own work, and as such declines to participate in the social media world which dominates contemporary culture.

Preferring to immerse himself in the world of audio manipulation, he has become a go-to studio engineer amongst those in the know, who want their own sound to take on a more professional sheen, or even a more retrospective aesthetic that relates to music from days gone by. 

But this has in no way slowed down his own output of material, in fact, without the distraction of unwanted self promotion or touring, he has been able to place an increased emphasis on crafting exactly the kind of music he wants to create for himself.

Looking ahead, Hawkins will continue to forge his own path via his artistry, blending styles and blurring the boundaries between genres, and will inevitably in the process discover and create exciting new works.