Premiered on June 22, 2018 at the Lunenburg Academy of Music Performance (LAMP) by the Friction Quartet. Recorded & mixed by Stonehouse Sound.

Dance Suite 
I - Hesitate
II - Animate

Friction Quartet:
Kevin Rogers - 1st Violin
Otis Harriel - 2nd Violin
Taija Warbelow - Viola
Doug Machiz - Cello

Two Dances

Katerina Gimon is a composer, improviser, and vocalist currently based in Vancouver, British Columbia. Visit www.katerinagimon.com for her full bio, scores, recordings, and more.

Composer, educator, conductor, radio host, and administrator.

www.roberthumber.com

Bio:

I am a Canadian composer, arranger and multi-instrumentalist based in Vancouver and Corner Brook, Newfoundland. I primarily write concert music (chamber, orchestral, choral), and I have so far written two award-winning short film scores (I Will Keep Your Light (2018), Reverie (2019)). In May 2019, I graduated with a Master's Degree in Music Composition at University of British Columbia where I studied with Jocelyn Morlock, Stephen Chatman, Dorothy Chang and Keith Hamel. In 2017, I completed a Bachelor's degree in Music Composition, where I studied with Andrew Staniland and Clark Ross.

Since I began studying composition in 2015, I have been lucky enough to write for many incredible musicians including TorQ Percussion Quartet, Friction Quartet, Vancouver Symphony Orchestra, Musica Intima, Duo Concertante, Victoria Symphony and others. Looking forward, I have many promising projects and ideas for 2019/2020!


Contact me at humber.robert15@gmail.com if you are interested in any of my scores, film collaborations, or are interested in recordings/info regarding:

-wreckhouse (2018) - for symphony orchestra

-floating wingless bloated (2019) - for symphony orchestra

-breath shapes (2019) - for violin and piano

-riverspeak (2019) - for piano trio

-lifted up (2019) - for piano, 2 percussionists, violin and double bass (working on version for percussion quartet)

-the ground beneath us (2019) - for trombone and double bass

-shucks (2018) - for cello and marimba (with kick drum and brake drum)(revising and working on versions for cello and two percussionists, viola and two percussionists)

hi there. im ghost story, and i like music and rain 🎧🌧️ a pleasure to meet you

AKA @ceiis

Described as a “mind-blowing” musician of “huge physical energy” (Times Colonist), flutist Mark Takeshi McGregor is one of Canada’s leading interpreters of classical, contemporary, and experimental music. As a soloist, chamber musician, and interdisciplinary artist, Mark has performed extensively across five continents, including appearances at Vancouver New Music Society, Little Chamber Music Series That Could, Innovations en Concert (Montreal), GroundSwell (Winnipeg), Honolulu Festival, Internationale ADEvantgarde-Festival (Munich), the Melos-Ethos Festival (Bratislava), Núcleo Música Nova’s International Symposium of New Music (Curitiba, Brazil), and the 2017 ISCM World New Music Days (Vancouver). An outspoken advocate of new music, Mark is the principal flute of the Aventa Ensemble in Victoria, flutist of the Vancouver-based Tiresias Duo with pianist Rachel Kiyo Iwaasa, and flutist of the McGregor-Verdejo Duo with guitarist Adrian Verdejo. McGregor has given many local and world premieres, and considers the commissioning of new works by contemporary composers to be a cornerstone of his work as a musician.

Two Dances

Marko Marinic