What about you back then_

COMPLETELY RE-ARRANGED, RAW DISCO AT ITS FINEST.

HIGH VOLTAGE ~ ROCK SPANK FREAK ~ KON RE-WORK

A fun edit of with the super powers to make ya move and grooooooove!!!

Enjoy the weekend!!!

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Hank Carbo - Bad Luck (Retro Roland Riso Funky 45 Edit)

Matasuna Records is delighted to reissue this Peruvian masterpiece by Otto de Rojas - one of the best Piano players from Peru. In 1976 he and his band Los Ultra 76 released this superb single mixing Latin with Funk, Jazz and Disco. Both tracks getting remastered by Carvery Cuts (UK) to provide the best possible sound - even better than on the original 45! A 7inch not to be missed.

Choca Las Caderas keeps its promises: with this tune the hips certainly won't stay still! The song builds its vibe with a funky guitar riff, a groovy bass line and Roja's virtuoso piano playing. The horn section and the vocals drive the tune to its climax: pure fire for the dance floor!

On the flipside there‘s another jewel: Al Ritmo del Bump Bump - a Peruvian cover version of "Soulful Strut" by the US Soul-Jazz band "Young-Holt Unlimited". Otto de Rojas and his Ultra 76's adapt the original in their own groove-oriented way of playing: faster rhythm, amazing wah-wah guitars, layers of electric piano over a funky bass and brass. Another heater for the floors!

Choca Las Caderas

Otto de Rojas y Los Ultra 76 - Al Ritmo del Bump Bump

We Are The Doors

DJPP presents DABOOGIE!: A collection of Rare ORIGINAL 12 INCH FUNKY-NUDISCO-HOUSE & DEEP BOOGIE MIXES
LIMITED EDITION 12 INCH Grooves avoiding the mainstream hits you already have and digging out those corkers you might have overlooked.
that you really need to start getting acquainted with if you want to push your understanding of disco beyond the usual canonical sources. 
No fillers, all killers!!!
There's no 'anthems' here which is to be applauded, rather these are songs and productions that are ferociously independent, directed at the dancefloor rather than the marketplace, and capture perfectly that tightrope-walk between drive/determination and despair/anxiety that makes the best disco such a still-uniquely-modern response to nightlife grind, not overburdened with an 'educational' impulse but absolutely revelatory at every turn, never losing sight of the main job of disco – to make people lose their shit on any dancefloor it's dropped on.

Da Boogie - B u s t i n' L o o s e (Pimpin Willed BOO - GEE Dub)

Matasuna Records presents another treat with its latest release: an official reissue with two songs of the US funk band "Calender". Both tracks are available on a 12" Maxi-Single for the first time. In addition to the mastered original versions, this EP features great reworks by two of our favorite producers: Mexican disco edit king "Hotmood" and the highly acclaimed Matasuna artist "Voodoocuts".

The band "Calender" from New Jersey was founded in the 70s by Paul Kyser. Besides his activities as songwriter, arranger and producer he set up his label Pi Kappa Records. The band's only album "It's a Monster" was released on this label in 1976 and has grown into a legendary status over the years and is appreciated by fans and collectors alike.

The opener "Hypertension" is a disco banger par excellence. Kyser's sophisticated arrangements merge thrilling grooves, elegant strings, varied funk elements and soulful vocals to a great and unique joint for every dancefloor. It's very pleasing that the song doesn't get overloaded or cheesy, as it's often the case in disco music.
Hotmood transfers the track, which was created more than 3 decades ago, into the present time. His great disco edit focuses on the instrumental parts of the original. Thanks to his clever arrangement, a tension curve is constantly built up without seeming repetitive.

On the flipside, "Ritmo Latino" takes a different musical direction. As the name suggests, there are all kinds of Latin American influences to be heard: the brass section, rhythm parts, piano sounds and the grooving bass line, which goes straight into the veins. Nevertheless, the song is also strongly rooted in funk & jazz and inspires its listeners with its unique character.
Voodoocuts rework comes up with a monster broken beat and gives the song a dancefloor friendly structure with its new arrangement. Especially the killer break part in the middle of the song will not only make B-Boy hearts beat faster! Additional instruments, samples and effects give the rework an individual and autark touch and prove once again impressively that Voodoocuts is setting the bar higher and higher with his productions.

Calender - Hypertension (Hotmood Edit)

Puccio Roelens - Rusty Letter (Rusty Breaks Edit)

Funk Purpose Vol. 3 [Sms016]

Funk Purpose Vol. 3/2 _ C2. SoulBrigada - Gonna Do [SMS016-2]

More than two years ago "Matasuna Records" already reissued two songs of the gifted Peruvian piano master "Otto de Rojas" on a 7inch single. "El tema de Coco" is another great track on his 1976 album "Superéxitos Bailables", on which he mixed Latin with Funk, Jazz and Disco. The song was reworked by "Retro Roland Riso", known for his Bossa 70 edits and by label founder "Alex SoulBrigada", who now deliver two different versions of this tune for the dancefloor.

"Otto Raúl de Rojas Guedes" (1941-2008) was a Peruvian musician, composer, arranger, musical director of radio and television broadcasts. He's considered one of the most influential figures in Peruvian music of the 70s.

The musical landscape of Peru, especially in the musical epicentre Lima, was influenced in the 1960s by US Funk, Soul or even psychedelic Rock and merged it with Peruvian Cumbia and traditional Criolla music. The young & unknown "Otto de Rojas" started his musical career in this environment and played in various bands like "Bossa 70" and "Los Hilton's". A commercial breakthrough in his career came in the early 70s when he took over the musical direction of the TV show "Trampolín a la fama" and made a name for himself with his talent as an arranger.

He was also active as an arranger and musician for the Peruvian record company "MAG", and as a versatile and talented pianist he has participated in various recordings of different popular rock groups like "Los York's", "Traffic Sound" and others.

Otto released his first successful solo project at the age of 25 in 1976. His songs "Al Ritmo Del Bump-Bump", a cover version of the US hit "Soulful Strut" by "Young-Holt Unlimited", and the song "Choca Las Caderas" are considered one of his greatest successes and represent for many the best songs of Otto de Rojas. In the following years he recorded more albums and was often to be found on the stages of Lima.

In 2008 Otto de Rojas died tragically and much too early. With him, the Peruvian music world lost an unsung icon. However, his music will live on and keep the memory of this exceptional talent alive.

"Roland Retro Riso's" Al-Ritmo Rework on the A-side puts an impressive percussive rhythm layer over the original and makes it to an inimitable funky groover for the dance floor.

The "SoulBigada" Edit on the B-side transforms the song into a deep disco-funk banger, focusing on the deep rolling bassline, funky wah-wah guitars, brass and the virtuoso piano playing of Otto de Rojas, giving the song the necessary pressure.

El tema de Coco

Otto De Rojas Y Su Orquesta - El Tema De Coco (Retro Roland Riso Al Ritmo Rework)

The Wild Magnolias- Injuns, Here We Come (Profesor Shorthair Remix)

Don't know about anyone else but I'm getting more disillusioned with SoundCloud with every change they make. The new algorithm and its 'recommendations' ignore mixes and any tracks over 10 mins, they've removed the New & Hot charts and replaced them with irrelevant crap like "Events near you", and this new UI has me searching for a way to revert it.

Puccio Roelens - Rusty Letter (Rusty Breaks Edit)

Mark Wayward