I'm in awe of how you can produce such super songs with just the bass guitar! Super job!

the style of playing is unique very relaxing always nice to listen 🎶

This track is built entirely on bass guitar by the sound of it, and that choice gives it a rich, earthy tone that really fits the title. The playing is steady, melodic, and quietly emotional, it feels like someone walking a long, familiar road without needing to say much. No effects or extras, just raw tone and intention. There’s warmth in every note, and a kind of resolve that feels personal. 💨 The kettle breathed out and said, “Who knew a bass could say so much without raising its voice?” 🧊 The fridge rumbled gently and muttered, “That’s comfort in low frequencies, grounded and honest” 🧂 The salt grinder gave a single nod and whispered, “Darling, that was restraint done right” 🎸 A simple, expressive piece, stripped back, full of feel, and easy to sit with.

So beautiful to hear your bass Stand alone !!

Mark F Selection

Circles

O Come, All Ye Faithful  (Trad.  Instrumental)

Placebo

Cast of Characters:
~Mark F-- @mark_f_2019 -- Ibanez EBH1005MS modified three string bass guitar, composition
Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar end solo, production, and mix
TexMex Shaman–@texmex-shaman –Stephen– Fender Telecaster foundational rhythm electric guitar
J.J. Terrell–@j-j-terrell – organ and synth
Cgmaness – @user-419254289-15129531 – Chris – electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- PRS SE semi hollow body wah guitar, and ooh aah vocals at the end
This song began as a bass composition recorded as a stem by Mark. He named it after a hang out spot he and his friends used to go to as teenagers to drink beer and smoke bowls. He shared it with JJ, who turned it over to the Eclectic Collective so that we could have our way with it. However, Mark didn't use a click track to record it, so when he sent it to us, Ken had to come up with a drum beat based on Mark's structure, to which Mark then redid his bass part. That takes a lot of imagination on Ken's part when we do something that way.
The first one of us to lay down a part for it was Chris, who added some really freaky textural guitar. Ken was next up, completing the rhythm section with his mighty drums. Ken then redid his part to better match the bass, thus completing the rhythm section with his mighty drums. Then, Stephen laid down the gritty, underlying rhythm guitar that runs throughout. Josh was up next, adding his melodic wah guitar to the mix. JJ came along soon after and laid down the magical synth that runs throughout. Last, but not least. Tez dropped the fiery solo towards the end.
Once the music was all laid down, we thought it could use some oohs and aahs at the end, so Josh recorded them as a five part harmony. However, choosing to only use the highest thee parts in the song, our expert producer on this one, Tez, decided to make a coda out of all five. So, stick around for a treat at the end!
This is the third song the Eclectic Collective has done as a collab with Mark F. He's a very talented solo bassist, whose other music worth checking out on his page, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

Pryer Manor (The Eclectic Collective with ~Mark F)

sat down and wrote the some lyrics first for this one. did an acoustic sing and play track then added drums bass and lead.. a special thanks to heart house and the new kindness for commenting on the first draft of this song. 

the reason

This is an original song I recorded some years ago that describes the transition when seeing your son come of age as you (the parent) has to let go and adjust to a changed role in his life. Some regrets occur, thinking that the time to do certain things with your child has come and gone, perhaps you could/should have done more.
This was recorded back when I wrote it, so my recording techniques were not very advanced and I lost the master, left with just an MP3. I want to thank Nat Daniels and her production skills for helping make the most of improving the sound, although there was only limited opportunity to undo all its flaws. She also added some lovely piano parts to help replace many of my original xylophone parts which had faded considerably. Despite the rough quality, I hope the sentiment conveys. (note: Neddu was a nickname my son was given during his infancy which should help explain the lyrics)

All music written and performed by Craig Durgy
Additional production rework and piano overdubs by Nat Daniels
©2025 Craig Durgy / Gentle Rain Records

Lyrics:  Written by Craig Durgy
You won’t need me as you walk out that door
These eighteen years were what a father’s for
But change is not an ending
You know that I’ll be sending my love

Can’t help but feel regrets, a childhood's gone
Lost chances sometimes hit as you move on
I guess that it’s just me though, 
It was just meant to be, so go
And I’ll watch Neddu grow

I still can see you, coming in this world
Red, blue and green, you cried, your flag unfurled
We played, explored together, 
And Mom how you upset her so
Just watching Neddu grow

That day you ran out in the pouring rain
And dashed head first to surf those flooded drains
The raging storm soon hid you
I wondered Ned where did you go

And still a glimpse of all our backyard games
Now all your friends converge, just not the same
I stand here washing dishes, a man here watching wishes blow
Away as Neddu grows

I still can see you, coming in this world
Red, blue and green, you cried, your flag unfurled
We played, explored together, 
And Mom how you upset her so
Just watching Neddu grow

Watching My Son Grow

Daylight

Going Home

dječja centrifuga(demo)

Sorry folks,I posted this public accidentally because I hadn't finished tweaking. The track my change a bit in the coming days!

I see you coming after me
Always playing dirty
Your single mission in this life
Is to try to hurt me

You make me really want to hate you all the way
In my head under my skin
Everything you say

Too hot to handle but I can't let go
I'm afraid what you may be
I'm a rabbit in the headlights you know
You'll be the death of me

You make me really want to hate you all the way
In my head under my skin
Everything you say

Fire in your eyes no disguise
Going for my throat
You'll never be satisfied
Til you take everything I own

Everything You Say

Original composition and drum programing by Neno J.
Electric guitar Yamaha SG, recorded directly using multi effect Hotone Ampero 100, Bass guitar Ibanez
May, 2025.

Colorful feelings

Additional vcls B.Browning

SOMEONE SAID
DON’T GO MISTAKING PARADISE WITH A HOME ACROSS THE ROAD AND I SAY
DON’T GO MISTAKING WICKED.COM WITH WICKEDMOVIE.COM OH NO
IT MIGHT LEAD YOU INTO A MATTEL GLITCH SOMETHING YOU DON’T REALLY WISH EVEN IF YOU’RE OVER 21
BREAK A LEG DON’T BREAK AN ARM SKIING IN THE TELLURIDE
ET CAETERA MAN AUX ARMES SOUVIENS-TOI, BONNIE AND CLYDE
BEING OVER SEVENTY ONE
I THOUGHT I MIGHT CLICK ON THE LINK COULD I BELIEVE I SAW ? OH NO
OVER 6000 WICKED SCENES
HOW CAN THEY ALL FIT IN ONE SCREEN? OBSCENE MAN OBSCENE
I’D RATHER HAVE THE LAND OF OZ A TALKING GOAT WITH A POINTED HAT A FEMALE CHILD GLINDA THE GOOD ELPHABA GALINDA TIT FOR TAT
SANS COMPTER MADAME MORRIBLE WHAT IS LIFE BUT A SILLY RIDDLE ENFIN BREF
AU FESTIVAL DE TELLURIDE
OU QUE TU SOIS OU MÊME AILLEURS MES MEILLEURS VŒUX DES INVALIDES DE MÉNILMUCHE, DU SACRÉ CŒUR
OUI CAR TOUT ÇA C’EST D’LA BROUTILLE L’IMPORTANT MAN, C’EST LA FAMILLE PAS VRAI ?
REMY MAGALI REBECCA REBECCA REMY MAGALI AND PHYLLIS OF COURSE
HERE’S TO THE SOCCER PLAYERS BON ANNIV BON ANNIV EMMANUEL

MATTEL GLITCH (Lyrics) Song for Emmanuel

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

i’m already 
goin’ down
to the end of the story now
wind is blowing
to the end of the story now

come away   come away

time is bending 
drifting down
spin the hourglass all around
pulverize it
spin the hourglass all around

i’m comin’ after 
i’m comin’
i’m unembodied
i’m free

i’m already 
leaving town
train is rounding the mountain now
got my ticket
train is rounding the mountain now

come away   come away
---------------------------------------------------------------------------

image from Malcom Shadrach via Unsplash


Quietus

thoughts.wav

Thank you for visiting!  Please listen with headphones for the full effect.  

I just want to say that nothing would have been done here without the encouragement from the really great people here in the SC community.  Thank you.
🇺🇸🇮🇹🇮🇪🏴󠁧󠁢󠁥󠁮󠁧󠁿

🧘🏽⏸️⏳❤️‍🔥

700 "Human written and expressed by body" songs and counting... Don't be fooled by the numbers... Some humans can actually output better then a prompter, you just need to want to do that... You're welcome! No AI here, in fact it insults me big time 😎 The more it damages music... The better my music will get. I have music's back until I'm dead! After that... Same goes ♾️ Let's go Music, Love ya ❤️
.

Howdy. Carl Culliton here from Ireland. Artist name The Beautiful Dark. I toyed with the idea of changing it but doesn't feel right after 24 hours so... Back to TBD.. Thanks for all the support and inpiration. It's infinitely appreciated

Personally I don't play the SoundCloud game of equal reciprocation. Every time my life as a Dad allows me to listen to a song... I listen to the whole song as I want to give genuine feedback and also learn as much as I can whilst here. So sorry if I don't listen and like and repost loads of your songs. Id prefer to support people by actually helping with the skills I've developed and give less frequent yet valuable feedback where possible then just playing the game of likes. That said I completely understand and appreciate people that decide to do that, that's you and you are as amazing as I am so no judgement. I just want to be clear with you that you won't get any artificial spreading of your music from here but you'll get my honest opinion based on what I imagine you were aiming for. This has helped me transcend musical taste in a way. I'm always imagining what you wanted as opposed to what I like. This has opened up some serious musical doors for me, embracing music that way instead of pre judging it based on what I've already heard... Lose the taste and expand your horizons is maybe what it is suggesting... I've always been a multi genre artist but this has activated multiple genre from an artistic point of view on steroids for TBD! A musical tri sexual.... The Get to Down! 🫡
Love will win ❤️‍🔥🎶🧬🙏🪶🔆🫛🧠🤘🏽

Let's let the music do the talking!

😆...

Speaking of the music doing the talking. Make sure you use AI to enhance the development of your skill. Getting a result delivered to you that doesn't reflect your ability isn't soulful. Be honest with yourself and be honest about what technology is and how it has come to be. There is a very questionable built in theft of our spirited art works that has been used to build current LLMs so the onus is on each of us as individuals to decide both whether or not we feed that beast at all and how we let that technology feed and enhance or limit our beings...

I've had mine and I decided for now... Only my fingers and voice will feed my music. AI needs to be made conscientiously for me to embrace it at all. I may look at it for DAW automation in the future as that will free up my fingers to make better songs but I'll wait until politicians do their jobs (we'll be waiting a while no doubt) and clean it up for all of us!

Regulate AI NOW so we can label music properly

Going Home

~Mark F

Recent comments

stonerjazz

😏 Krazy Krissie 🧦

Janine Levinson

SEGOSHA

Related tracks