The Great Mark F  - Auld Lang Syne

Mister Christian's List of Glory II

Untitled playlist

Spring 2025

Давай поговорим

July 2025 - Part 1

Ambient Annie

Dan Evaer

Your Mix 1

Antonín Dvořák - Serenade For Strings In E Major

● Bandcamp: https://jstrecords.bandcamp.com/album/chronicles-lp
● Spotify: https://spoti.fi/3ByAMlh

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Revizia is back with his new album "Chronicles"! Twelve brand new dark electronic beasts mixing influences that range from Dark Electro and Darksynth to Synth Metal, Industrial and Techno. A must check for those who like their Electronic music dark and heavy.

● Follow Revizia:

Soundcloud: https://soundcloud.com/revizia 
VK: https://vk.com/reviziamusic 
Instagram: https://www.instagram.com/revizia 
Spotify: http://bit.ly/spotify-revizia 

● Follow JST Records:

Website: www.jstrecords.com
Bandcamp: https://jstrecords.bandcamp.com
Spotify: https://play.spotify.com/user/jstrecords
Facebook: https://www.facebook.com/JetSetTrashRecords
YouTube: http://www.youtube.com/JetSetTrashRecords
Twitter: https://twitter.com/JSTrecords

Chronicles

Revizia - Chronicles

Scarborough Fair (very un Trad.)

Original painting by Dante Gabriel Rossetti (May 1863).  (Source Wikipedia)

Greensleeves (Instrumental) Trad.

OH BABY * [Live[ Copyright SCRT Record CO. 2023

For Tez.  (Photo: of St Thomas Episcopal Church.  Mamaroneck Historical Society)

Auld Lang Syne (Trad. instrumental)

Inner Song

The 16th EP of "past is the verse

-Spotify
https://open.spotify.com/intl-ja/track/1rpku0fIqrleFOZkusq9Ec?si=d0ebedc30d1543d5

-Apple Music
https://music.apple.com/us/album/swinging-single/1745278732

-Amazon Music
https://music.amazon.co.jp/albums/B0D3LDJKQX?marketplaceId=A1VC38T7YXB528&musicTerritory=JP&ref=dm_sh_HTWcOZpJgSZYfQsS65gxpcJhw

-bandcamp
https://pastverse.bandcamp.com/track/swinging

Swinging

Download

Cast of Characters:
~Mark F-- @mark_fosella -- bass guitar, composition

Llanpsych -- @llanpsych -- Tez – guitar

cgmaness-- @user-419254289-15129531 – Chris – guitar

TexMex Shaman–@texmex-shaman –Stephen–  production, and mix

J.J. Terrell–@j-j-terrell –electric piano, organ, and synth

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-electric madolin

This song originated with Mark creating a bass line to a metronome, and sharing it with Ken. Ken immediately added his driving drums, and invited the rest of the EC to join in. JJ was first up, laying in his foundational organ, and e. piano magic in the first half, and the cosmic synth melody in the second part. Batting second was me, who established the melody in the first half with my electric mandolin, and mirrored the melody in the second half with the same. Next came Tez, who laid in the funky guitar right after the first break, all the way to the end. Batting clean up was Chris, who laid in the psych guitar in the first section, as well as the high guitar part in the second movement. Of course, we needed an expert producer to mix this for us, so we turned to Stephen, who always gets it exactly to everyone's specifications. That in and of itself is quite a skill, and I don't know how he does it, but everyone is always satisfied with his work.
  This is the second song we've done with Mark, who is a tremendously talented bass player, and delightfully creative songwriter. If you aren't familiar with his work, do yourself a favor and hop on over to his page for some delicious bass music. We hope you enjoy listening to this song as much as we enjoyed making it.

The Adventures of Stefan Ortèz (Eclectic Collective with Mark F)

Keep It Real

NO DEVOTION (RevCo/Ministry)

Buy it HERE

Who Wants To Live Forever (Dark Ages)

Who Wants To Live Forever

TAKE ON ME

aeropuerto

He Was Classical She Was Heavy

Cover picture: Albert Bierstadt, "Emigrants Crossing the Plains" (1869): an oil on canvas painting of emigrants on their way to Oregon, inspired by a fifty-wagon train of German emigrants who crossed Bierstadt's path during his 1863 expedition.

Although it is very difficult to estimate the total number of European emigrants, it is thought that from the beginning of the 19th century to the middle of the 20th century, around 30 million people left Europe for the United States.

I reworked in the last days on this not particularly original piece, whose first draft is from 2018.
Femal vocals courtesy by La Boutique Studios Dakar; harmonica by Dust Bowl - Vintage Country.
Composed by Michele Ansani (2018-2025).
Posted on SoundCloud: 2025, March 26

Their American dream *

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

Youtube

Invader

Cast of characters:
TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earle Scruggs banjo, Eastwood MandoCaster mix, mastering, production, and composition
J.J. Terrell-- @j-j-terrell—JJ-- organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 
Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpany, hambone percussion, and production editing     
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 
  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. 
  At that point, Stephen also got the idea to add the hambone percussion at the very end of the song, which we all consider a treat, and after showing us how it's done, Mark volunteered his percussion skills to give it a go. Stephen wasn't done with it, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin that looks like a Telecaster guitar. 
  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. Mark did help with the production, though, as he's very good with editing and spotting mistakes that need to be corrected.
  This is a gift from Stephen to all of us, and you, too. It took a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Country Ham (Eclectic Collective)

Mental Health Day$

CAN’T YOU SEE
Vocals: Melissa (Ghosthack) Can’t you see
Brandon (Ghosthack) I don’t wanna go
https://www.ghosthack.de
Lillithe: Arrangement and Production
Paploviante: Remastering


Can't you see

NO A.I. INVOLVED
It all started in late 2022 while driving. I heard a song on the radio that inspired me to create this piece. I only heard it once, I don't know the author(s) or the title of this song.

After creating the core/mockup of the song, I presented it to Brian Butts (@brian-butts-565934842), which is amazing multi instrumentalist, and asked if he would record a guitar solo similar in idea to the solo from "The Break in Tranquility" https://soundcloud.com/r-u-r-pl/the-break-in-tranquility, which I had previously asked him to review. He agreed to this willingly and that's how my first ever collab was created.

I actually regret a little that this song is a bit too slow, but trying to speed it up caused Brian's solo to fall apart, and my skills don't yet allow me to properly edit it.

This song was lying in my "drawer" for over 2 years. I wasn't fully satisfied with what I did and its sound. I wasn't able to come up with a good Bridge and make it a full-fledged song. In the end I decided to release it as is. I only modified some parts to maintain the feeling of the progression of the arrangement.

Sorry Brian, my friend, that it took so long, but my perfectionism https://w.wiki/9XhH makes me constantly dissatisfied with what I do and often prevents me from finishing the songs.

Thanks to my friend ••kavvka •• (@grzegorzkawka), for his constant support, patiently listening to subsequent versions and lots of good advice.

To craft this piece I used
Ableton Live Standard
Ableton Live's Simpler
NI Massive
Spitfire Originals Epic Strings
Spitfire Originals Epic Brass & Woodwinds
iZotope Ozone 9 Elements
Impact Soundworks Shreddage 3 Stratus Free (only when the guitar enters)
Arturia Filter MS-20
Valhalla Supermassive (Free)
iZotope Ozone Imager (Free)

I also used 3 MIDI drum loops from free libraries in Ableton LIVE.

Thanks for listening. I hope You'll enjoy.

Picture in thumbnail made by me in Photoshop using a source Designed by Freepik: https://www.freepik.com/free-photo/still-life-with-scales-justice_33123996.htm

...And Justice for D-Punks

The plan is to upload a new track in around a week...Many thanks for all streamings, likes, support...

HOW TO APPROACH A LARGE BONFIRE

NoxPox Geomant -  Padang the Mindtraveling Caged Bird

Loosely based on the traditional song.  120 bpm. (Painting: Manuel M. Remartinez)

Loch Lomond (Interpretation)

Inspired by the gritstone 'Dark Peak' millstones left abandoned in the 1800s. Over 1,000 of these 2-3 ton stones were left behind when modern methods made them obsolete. Nowadays the quarry sites by gritstone 'edges' are favoured by walkers enjoying the open countryside, which for centuries witnessed the immense effort of cutting, shaping and hauling these massive loads.

Photo (NM) Millstones on my favourite walk below Stanage Edge on the Sheffield / Derbyshire border.

Rolling out the Heavy Load

Sailing Away

I did not use AI support at any stage in the creation of this piece.

When I started composing this piece in December, after buying Spitfire Originals Intimate Strings on sale, I had these thoughts: If this is what the future is going to look like, I didn't sign up for it. Although in my youth I read and watched a lot of SF films presenting both utopia and dystopia, I always preferred the bright future. However, what I see on TV, on YouTube and outside my window is starting to resemble the latter...

Despite this, I hope you like the piece at least a little bit

To make this track I used:
Ableton Live 11 Standard
Spitfire Originals Intimate Strings
Spitfire Originals Cinematic Percussion
Spitfire BBC SO Discover (free)
Soundpaint 1928 Vintage Steinway Grand Piano (free)
Arturia Augmented Voices
Arturia Augmented Mallets Play (free)
Strezov Sampling Afflatus Minimalist Violins Legato Freebie (free for Kontakt Player)

Beside plug-ins I used 3 samples:
Two from BBC Sample Library:
- Rioting - Riot in Belfast - with breaking glass, rubber bullets, distant cries and chants
- Chatter - Club atmosphere, busy mixed chatter at mealtime (mid-distance) - 1981 (1C25,reprocessed)
and from Freesample.org
Real War - Marines in Firefight Gunbattle (Raw audio) by qubodup

Picture in cover: Freepik

Future Perfect?

Homkross Harvest

Expect another new track in around a week. 

SIRENS SINGING TO A DARK LIGHTHOUSE

Manic riff for 2 tenor saxes held together (some of the time) by sensible flutes, 'bass' alto saxes and trad. beat. 
Pic. by NM - from hot air balloon trip in 2007...the first (and last).

Crosstown Dash

Golden Sword (2025)

(5) Давай поговорим

(4) Давай поговорим

(3) Давай поговорим

(2) Давай поговорим

(1) Давай поговорим

EDIT 2025-07-16: I am very happy to announce that thanks to this piece I won first place in this competition! 😍🥂🥳

EDIT 2025-07-07: I reuploaded track because I've messed a little in "original" part. Now "my part" is much more different from the original

No AI was involved in creation of this track.

Track made for Spitfire LABS Discord competition.

At the beginning (up to 0:18) and at the end (from 2:23) – a short fragment of the theme song for the AppleTV+ series "Severance" by Theodore Shapiro which can be heard in its entirety at the link below. I highly recommend it! The opening credits of this series, as well as the entire series, are worth seeing.
https://www.youtube.com/watch?v=NmS3m0OG-Ug
Yes, I know, I've bite off more than I can chew, but whatever... I guess it's worth tackling such a great and catchy musical theme ;)

The idea was to "Write a short piece (1-2 mins) that starts with a recognizable melody in it’s original form, and then take that melody and reinvent it in your own style. Use one or more of the first 10 LABS packs that were released for this, but feel free to incorporate any other tools you’d like."

To made this track I used:
Ableton Live 11 Standard
Spitfire LABS Libraries:
(Original Theme)
Soft Piano
(Reimagined Theme)
Amplified Chello Quartet
Strings
Electric Piano
Intimate Piano
Lap Steel
Wurli
Beside LABS I used:
Strezov Diamond Jazz Trio Freebie
and two MIDI loops (both from Ableton Live packs)
Gravity Werks Kit - 105 bpm and
Shaker Chance 126 bpm

Picture in thumbnail is a part of original poster from the show: http://www.impawards.com/tv/severance_ver2_xlg.html

Severed ("Severance" Theme Reimagined for Spitfire LABS competition)

Does every song have to be complicated? No way. Enjoy.

Threads of a Dream

“L’Amour de Love” by Luke

I posted the long version when I only had 50 followers..
here is the shorter version .. it’s one of my favourite compositions.. and yes the “big tough as nails” is a romantic 

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“L’Amour de Love”  by Luke

A slow descent into silence and isolation.

* * *

She lives in rooms without a window
surrounded by a silent sound
She lost herself within that shelter
where safety keeps the world unwound

Don’t wait for a shout
try to break out

She talks to no one, not even herself
her thoughts lie buried, cold and still
What once was feeling sits now on a shelf
forgotten, quiet, against her will

She tries to leave but sinks below 
drawn deeper by the weight inside
She waits for someone just to know
to wake her from this quiet slide

Don’t wait for a shout
try to break out

* * *

Music and Words by FloW., 2025
Generated vocals, shaped by hand.
All vocals are synthetically generated. No real voices were used or imitated. The voices serve artistic expression only.
Cover image: AI-generated, artist-guided.
All samples used are royalty-free and/or properly licensed – including material from Logic Pro and Landr.com.

* * *

More about FloW.: www.iamflow.de
Follow me on Instagram: instagram.com/tflow0711

Drown

Nebulae Collidentes

21.06.2025 there is 1

This song cover, featuring a serious yet happy Afrocentric cartoon of a male flower child, perfectly captures the essence of an upbeat hip-hop electronic track titled "Impossible."

The artwork itself is a vibrant explosion of color, with the flower child at its heart, radiating joy against a bold blue backdrop. His intricate Afro is adorned with a cascade of colorful flowers and beads, reflecting a deep connection to nature and a free spirit. Dressed in a lively, tie-dye inspired outfit, he exudes an infectious happiness that balances the "serious cartoon" style with a celebratory vibe. The bold, stylized "Impossible" title acts as a confident declaration, suggesting themes of overcoming challenges and reaching for what seems unattainable.

Musically, this cover art speaks to a fusion of genres. Imagine a hip-hop electronic track that blends rhythmic beats and sharp lyrical flow with pulsing synths and uplifting melodies. The "happy vibe" of the artwork could translate into an energetic electronic soundscape, while the "serious cartoon" element hints at thought-provoking lyrics or a deeper message within the music. The Afrocentric focus suggests influences from diverse musical traditions, adding rich layers to the electronic production and hip-hop delivery. This isn't just a song; it's an anthem for positivity and breaking barriers, delivered with a vibrant, modern sound.

Impossible

Album available on Lazerdiscs Records 22/04/2016

Full Album stream on : lazerdiscs.bandcamp.com/
Beatport : pro.beatport.com/label/lazerdiscs-records/54459

▼ Follow @AbsoluteValentine

facebook.com/absolutevalentine
@absolutevalentine
twitter.com/AbsoluteValenti
absolutevalentine.tumblr.com/

▼ Follow @LazerdiscsRecords
Facebook: www.facebook.com/lazerdiscsrecords/
Twitter: twitter.com/Lazerdiscs
Instagram: www.instagram.com/lazerdiscs/
SoundCloud: soundcloud.com/lazerdiscsecords/

Absolute Valentine - Extreme Drift

https://open.spotify.com/artist/2qU0j
https://www.youtube.com/playlist?list=PL7b4AYGF5XB5Py_y4dxk9ZFCt25CQb3_N

Vampire - The Orion Experience

Emerald Eyes -  The Orion Experience

Thank you for visiting!  Please listen with headphones for the full effect.  

I just want to say that nothing would have been done here without the encouragement from the really great people here in the SC community.  Thank you.
🇺🇸🇮🇹🇮🇪🏴󠁧󠁢󠁥󠁮󠁧󠁿