Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 
  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 
  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.
  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 
  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.
  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

TheSiege (David Marconi, Elpiverse, and Ron Lewis with Eclectic Collective)

BPM 180
Made with Acid Pro

I usually upload audio in MP3 format with the volume kept low, but this time I uploaded it in WAV format, so I ended up turning up the volume higher than usual, ignoring the balance with the other files.

Ocean (Short version).mp3

La beauté est liée à la mort car elle, comme toute chose, ne peut pas durer et nous échappe. Plus on s’attache à la beauté, plus l’arrachement est poignant lorsqu’elle disparaît. L’attachement à la beauté et la douleur de sa perte sont inhérents à sa nature.

Beauty is linked to death because it, like everything else, cannot last and escapes us. 
The more we become attached to beauty, the more poignant the detachment when it disappears. Attachment to beauty and the pain of its loss are inherent to its nature.

Référence: Cinq méditations sur la mort de François Cheng


Fragilité

'And the mist descends'........
Instrument tracks:
Bamboo flutes (4), Oboes (3), Alto Saxes (6), Tenor Recorder.

Pic c/o Pinterest

Himalayan Pipe Dream

Open Collab remix : https://soundcloud.com/noxpox-page-16/noxpox-uno-tekno?in=noxpox2/sets/noxpox-open-call-fro

tEk nO tEknO (noxpox - Open Collab)

Your blood begins to boil 
Your boiling erupts
The flood of all your feelings 
Soiled in your disgust
A Remedy’s  a virtue
A Victory’s Devine 
An enemy to hurt you
Your misery defined 
Another manic masterpiece 
To marvel at in spades 
You fade away much faster 
Than the face that stole your place 
You debate a bastard 
And double down your doubt 
I remain a master 
Of never losing clout
Never losing dignity 
To the claims of all your hate 
To the blames that I would take 
To make you stay and not debate
You can runaway like trains off tracks 
And into walls 
You can break my back and say 
I always break your balls
Taking falls 
And the cause is still the same 
And the fault and all the blame
Is pointed straight your way 
Like a plague you are decay 
Your way is your dismay 
Your descent is so decisive
To the loneliness you crave 

Nobody can help you when you can’t help yourself 
Nobody will tell you when you’re telling yourself 
Everything’s  gonna be okay 
Hey
Youre fading away  

The pain that you feel only 
Gets worse when you feel lonely 
The pain that you feel only 
Gets worse when you feel lonely 
Stop the games you play 
Your mind is rotting in decay 
The signs are pointing your way 
You’re a detriment to me

The pain that you feel only 
Gets worse when you feel lonely 
The pain that you feel only 
Gets worse when you feel lonely

You are decay

A bizarre prog-punk-psych-blues groove fest. Mad time signatures, a bit of dropped D, idiosyncratic vocals. 

Die in Hospital

13-3-2025

👨🏻‍🤝‍👨🏻=--> 📺📹⁂©All Rights Reserved 04-2025
©Lyricist, Mixer, Mastering, Pro License & Creator: Lady ElectroTrek
***
TITLE FROM SUITS TO SCREENS: A POLITICAL SCENE
_________________________________________________
LYRICS: 

(Verse 1)
Back in the fifties suits ruled the land
Cold War shadows and a nuclear stand
The votes were counted on paper so clean
Dreams of democracy behind the sheen

(Verse 2)
The sixties roared with protest and cries
Marching for rights under wide-open skies
A new generation with fire in their feet
Changing the world from the ground to the street

(Chorus)
From suits to screens the story's been told
A world evolving both young and old
We shape the future with every new line
Political science through space and time

(Verse 3)
The seventies grooved but scandals would burn
Trust in the system was hard to return
Watergate whispers shook the grand halls
But still
The people answered democracy’s calls

(Bridge)
Eighties brought power suits shoulder pads high
Global connections and a Wall said goodbye
Technology crept in with promises bright
Politics shifted to digital might

(Verse 4)
Nineties dot-coms and a world on the brink
Globalization made everyone think
The wars were fought with pixels and words
Boundaries blurred like migrating birds

Globalization Reinforced That Time Changes Things

From Suits To Screens: A Political Scene

From Suits to Screens: A Political Scene

Lost Memories - Slowed

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

Fragilité

Mark Mori