GUILTY
============

I usually write or comment something on my songs.

When I published this melody I did not. I sit and I felt like the title...guilty, and I didn't feel like doing it.

About two months ago I had an accident with my car. Yes, the one I use as a work tool and to make my music. The car is not important, it is people's lives.

I've been hundreds of thousands of kilometers and it had never happened to me. The sunlight dazzled me, or maybe my polarized glasses...I don't know...but I could only see the car at the last moment.

Fortunately there were no personal injuries, but I was the cause of the accident, albeit unintentionally. I thought about the people who were traveling in the other vehicle and the person who accompanied me. I still feel that although I no longer hear the noise of the blow that followed me for weeks and disturbed my scant sleep or see my airbag burns

I am not writing this for myself, I am doing it to ask you to be as careful as possible when driving a car. It doesn't matter to be late, it matters to arrive. Rest and stop if you need to. If you don't, you may regret it for the rest of your life.

13 tracks native Music Studio 2 instruments.

4 Xpad tracks.

5 tracks Arturia imini.

My best wishes to you.

Paco.

Guilty

(Free WAV Download available here under '••• More'; and eventually as part of my BandCamp PWWO #08 album)

Over the past few years, I’ve discovered several unique and delightful souls in our community; and the song I get to share today is my first collaboration with one of my favorite Soundcloud troubadours, Tanisha Jackland (Lady of Fire Poetry - https://soundcloud.com/ladyofire, https://ladyoffirepoetry.bandcamp.com/).

I messaged her a few months ago, hoping for a little inspirational pointer to one of her favorite open collab offerings. And to my great surprise and excitement, she offered to create something entirely new for the project. In addition, she introduced me to her muse for this particular piece, Emily Levine. Needless to say, Emily will be the subject for this write-up (so thanks, Tanisha… for that introduction; and for getting to create this song with you. I had a lot of fun with this one). :)

So who was Emily Levine? Emily started her career in 1977 as a stand-up comedian. But the world wasn’t ready to take female comedians seriously, so in 1980 she became a television writer and producer. Over the next decade, she worked on intelligent sitcoms, including ‘Designing Women’ and ‘Love and War’; and comedy pilots for CBS, NBC, ABC and HBO.

Despite an admirable career as a Screenwriter, Emily’s largest transformation came in the form of a tumor found on her pituitary gland. 

Before the diagnosis, she began experiencing a wide array of symptoms like extreme fatigue, brain fog, osteoarthritis, carpel tunnel, acromegaly (where your extremities grow abnormally large) and a lack of interest in the activities she enjoyed. 

Eventually, the tumor was discovered and successfully removed. But during her illness and recovery she began to explore more modern, scientific ideologies. This is where she had some of her greatest life epiphanies; my personal favorite being the realization that we need to evolve our thinking from Newton’s Universe to the Universe of Relativity, Chaos Theory and Quantum Physics. 

Here’s her basic formula. The Newtonian Universe is one of ‘either/or’; either this is true or that is true, but both can’t be true. If I’m right, you must be wrong. It’s very linear, black and white thinking; and it’s the hurdle that the human race can’t seem to get past.

But if you give Quantum Physics a spin, the formula becomes ‘and-and-and’ (notice the dashes rather than slashes). For example, light can be a wave and a particle, depending on how you look at it. I can be right, and you can be right, depending on how we look at it. That single idea transforms very rigid, absolute thinking (off/on, right/wrong) into something far my dynamic and probability based. It gives the human race the breathing room we need to help us solve our current polarizations; a beautiful opportunity for transforming the old paradigm into something that helps us evolve our thinking and move forward as a species.

So if you like your plate of perspective served with a side of humor, we highly recommend Emily’s amazing film ‘Emily @ The Edge of Chaos’ and her heartwarming TED talks ‘How I Made Friends With Reality (https://www.ted.com/talks/emily_levine_how_i_made_friends_with_reality). In the meantime, Tanisha and I hope you enjoyed our first collaboration ‘Moonbeings’. :)

Spoken Word:
Moonbeings
We are not an absolute 
one day to be fodder
 for the Earth 
She will consume us 
after we have had enough
 for we are cyclical beings 
waning always waning
 fading into frequencies
 of rearranging patterns

I'd like to think 
we have an eternity
 to come back again 
if necessary
 to try on new flesh
 to eat again
 at the bounty of Earth

F.W. Friends

Moonbeings (for Emily Levine) | Lady of Fire Poetry & GrevusAnjl

Planetarium

Live session with Volca Sample, Crave, Volta Keys and Micro Korg
On YouTube: https://youtu.be/50-FhNaOw_Y

Live session with Volca Sample, Crave, Volca Keys and Micro Korg

My dreamy reinterpretation of an original beautiful theme by Marco Lucchi: one-hand-piano n°2

One Hand Piano Dream

srpanjska pustinja(demo)

Kit: uKORG, Moog D, Volca FM and nubass, TerverseLogic Pro X
Acknowledgements:
Cover Art: Detail from "The Deluge" (1920) by Winifred Knights
Samples: 
a) London Underground, train announcements included the "See it, Say it, Sorted" slogan..."We are now approaching London Liverpool Street where this train terminates.... please mind the gap when leaving the train...please take care when leaving the train..."
b) Channel hopping using Skywave app focused on North American Short Wave radio broadcasts (9-10 MHz range) from "Brother Stair"
"The cost of following the truth, no matter what the cost, is everything... Go to hell, Satan... This is eternal life... Praise the Lord, this is a glorious thing...the world is hovering on the brink of disaster... the world's food supply will be decimated...the demons will impersonate extraterrestrials... many lives will be lost during these series of events...there will be martyrs....Empty the Earth.... you have to get yourself ready...the truth is, you can't...   ...no one can"

The Third Coming (XL3)

Morning Dew

Passing Humpbacks

Camino del Agua - SOUZAZA

Minimalist techno cut built around a deep pulsing kick, tribal toms and shakers, and a steady low‑frequency “breathing” swell.  It opens sparsely with a single synth drone, gradually layering irregular percussive loops that mimic chaotic breathing patterns.  Mid‑way through, the bass and percussion thicken and a rising pad swirls over the groove, creating the sense of energy building.  There are no vocals—just breath‑like filter sweeps and a relentless hypnotic rhythm that keeps the body moving.  The overall mood is primal, raw and focused on physical release, much like Osho’s first stage of dynamic meditation, where chaotic, deep, fast, pattern‑less breathing builds energy

PrimalShake

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

Live session with Volca Sample, Crave, Volca Keys and Micro Korg

Mark Mori