It’s tough to say more about DJ Dan than what is most likely known by just about any dance music fan that has ever taken interest in the genre. Just take a look at what some other legends have said:

“Dan is a pivotal ingredient to live DJing and production, a real teacher to all."-DJ Sneak

"The thing I love about Dan is that he's always had a funky spirit and he always pushes the elements of music."-Carl Cox

To those who still may not know all that much on Dan, we’ll help you out from under that rock. As you can tell from just a bit of the praise from musical icons DJ Dan has received, our West Coast bred friend has been around the block a few times (and turning heads all the while). Music has been forever entrenched in Dan’s life, having garnered a superior record collection at the age of 8 that would give Amoeba Records a run for its money. Starting his professional musical career with some smaller clubs in Seattle and then Los Angeles, DJ Dan had a rise to recognition in the dance music community that could be considered meteoric. Forming the Funky Techno Tribe in 1993, DJ Dan fused together breakbeat, house, dub, and techno to create a sound that later was fittingly crowned, “West Coast House”. And with renowned tracks like “Needle Damage”, and remixes for everyone from Depeche Mode to Duck Sauce, Dan’s production prowess is undeniable. The journey that Dan’s talents have taken him on could go on for pages and pages. He has played alongside the likes of fellow legends from Carl Cox to John Digweed with a mission of making club goers unable to fight the urge to dance the night away.

And it’s not just party goers and fellow DJ’s who bow down to Dan, the press have drooled over his music. DJ Mag named DJ Dan the #1 House DJ in 2006 while Urb Magazine named him “America’s Favorite DJ” and “America’s Hardest Working DJ” while he was also DJ Time’s ‘America’s Best DJ’ 2014 Top Ten Finalist. The media has never been more accurate. But one of the proudest moments could be said when THUMP warned partygoers to ‘never fuck with DJ Dan’ much like one unfateful attdendant did this year in Baltimore to which Dan had the most powerful of responses.

Dan’s widely renowned Los Angeles based label Instereo Recordings,has further etched his name into dance music’s core. With TJR, Phunk Investigation, Wolfgang Gartner, DJ PP, DJ Sneak, Hatiras, and DJ Dan being amongst the many artists featured on the Instereo Recordings, the label is hard to ignore in the industry. Dan also has releases on Toolroom, Pacha Recordings, Ultra, Guesthouse, Work, XL Recordings, Magnetic, Rising, and many others. 

In 2014 Dan shows no signs of slowing down. His EDC set was rated as one of the best sets of the weekend by DJOYBEAT.com as well as Magnetic Mag. Similar buzz had Insomniac President/ CEO Pasquale Rotella chiming in:

"We go back since the early 90′s and he DJ’d some of my first warehouse parties. He’s an LA underground staple and music legend.”

And if that wasn’t enough, in the recent major dance music poll ‘America’s Best DJ’, DJ Dan clocked in at #9 in a extremely competitive field; beating out some of the largest names in electronic music.

As this dance music world continues to evolve, it is safe to say that DJ Dan will continue to be one of its strongest voices and most powerful influencers.

The longest running D&B DJ in the USA and founder of Big Riddim Recordings, Dave AK1200, has been a driving force within Drum and Bass culture in America since its inception. From his legendary mix CD's to his extensive list of high profile remixes and original tunes, he has maintained a presence within the industry for more than 20 years. For lack of a better term, AK is a "classically" trained DJ. He is known for his abrupt style of live mixing and spontaneously programming groups of tunes into unforgettably raw sets. 

AK’s dedication and devotion to drum and bass culture in and for the USA are unparalleled. He is a constant voice for the scene, and has spent the majority of his career helping to develop and establish new or unsigned DnB artists, particularly American. In 2000, he united with his long time friends and biggest competition, Dieselboy and DJ Dara to create Planet of the Drums with the collective goal of bringing drum and bass music to the main stage in America. Alongside Messinian on the microphone, the Planet of the Drums crew has become the most recognizable brand in the history of American drum and bass music.

AK has also closely worked with American DnB’s most decorated and prolific producer, Gridlok. In 2008, they released the highly acclaimed Autopsy double album. Immediately following that, they came with “Dub 4 Dub”, a tune described by Goldie as one that “should have come out on Metalheadz”. Most recently, they have created the DNBSTRONG tour campaign. Originally a phrase coined by AK to describe the growing enthusiasm amongst like-minded artists and fans of homegrown DnB and the culture itself, DNBSTRONG became a statement for all to once again rise up collectively and bring attention to the music and scene they proudly represent. 

As we enter the post-EDM era, and newer music forms begin to take root and grow steadily into their own legacy, DnB culture continues to lead the way as a benchmark of true underground music with great confidence. With continuously standard setting tunes to the die-hard fans, this music is quickly becoming the next target for the masses that seek the one true sound they can commit to. AK1200, with his explosive sets and constant cheerleading for the DnB community, continues to encourage and inspire new and old fans, DJ’s, and artists alike. His ability to bring momentum to every market he performs, and relentless promotion of the scene itself and by delivering the message that no one person is bigger than the scene united, AK1200 truly is leading by example. 


For bookings - email Pam@pamdjs.com

And all things AK1200 -

www.facebook.com/ak1200official
www.facebook.com/bigriddimrecodings
www.facebook.com/planetofthedrums
www.twitter.com/ak1200
www.soundcloud.com/ak1200
www.mixcloud.com/ak1200


Upcoming gig:

June 25th - Dirty Disco @ Pride Toronto

Past gigs (2019)

June 22 - Pride (Toronto)
Aug 11 - Shambhala (Samlo, BC)
Aug 17 - VEMC  Beach Party (Victoria, BC)
Aug 28 - Sept 1 - Burning Man (BLC, Nevada)

CONTACT: yell.holy.shit@gmail.com

DnB record label, founded by Roni Size and Krust.
Now with new music, things do go full cycle...

The Happy2bHardcore DJ. This account will be used to share archival sets, Happy Hour radio show recordings, and rave history. www.anabolic-frolic.com

For Enquiries, collaborations, and more, reach out to us at: kate@hotcakesmusic.com / martin@hotcakesmusic.com

Jungle Cakes has become a cornerstone of the drum and bass and jungle music scenes. Known for its high-energy releases and distinctive sound, the label has consistently delivered chart-topping tracks that ignite dancefloors and captivate listeners worldwide.
Jungle Cakes is synonymous with vibrant, bass-heavy beats and infectious rhythms. Constantly pushing the boundaries of jungle and drum and bass, blending old-school vibes with modern production techniques. Tracks often feature a fusion of reggae, dub, and breakbeat influences, creating a unique and electrifying sound that stands out in the electronic music landscape.
At Jungle Cakes, we believe in the power of music to unite and inspire. We are deeply committed to fostering a positive and inclusive community, both online and offline. Our fans are at the heart of everything we do, and we strive to create an environment where everyone can share their love for jungle and drum and bass music.
Welcome to the Jungle Cakes family – where the beats are always fresh, and the vibes are always high!

CHRISTIAN BRUNA (50/50 Productions, Camouflage, NYC)

“The Camouflage party, which began in 1997, used to be held at Guernica (ex-Save the Robots), but was moved to Sin Sin in early August, and the party seems to have profited from the move. A couple of facts to know. First, this is the real-deal jungle scene in New York, very mixed crowd, très heavy on vibe, call it creole culture. Second, the Camouflage djs know how to hold things down, Christian especially. He's a jungle dj, not a drum'n'bass dj. He doesn't do pseudo-sophisticated, 70s fusion-feel, oceanic tedium, and he doesn't do metallic bashing music for testosterone freaks. He's into the psychedelic demon vibe, and his sets are seriously dynamic, the roller coaster principle, thrills and pills, queasy rhythms. New music mixed with 94/95/96/97 music. Lots of wicked jungle diva tracks.”
 
Written By: Dominic La Ruffa


"Big love to Mr. Bruna...This guy is the epitome of DNB in the USA.. He has the passion, the heart and the soul.. DNB will rise again and hopefully you can start Camo again one day... If all promoters had Mr. Bruna love for this music in the States dnb would be where dubstep is right now..."

~ Fabio of "Fabio & Grooverider"


"I used to shop at Breakbeat Science right when it first opened. "I would often run into local DJs there, and after 6-7 months of this, one of them (Christian Bruna) invited me to try out at his Hot Fudge Sundays night, he said “bring 5 records”, I did, and was offered my first residency at Camouflage."

~ Reid Speed


“NYC's #1 Drum & Bass Club DJ."

~ DJ ESP aka Woody McBride

Lotus has crafted a unique musical style outside of simple genre limitations. On a given weekend the band could be the only group with guitars at an all electronic music festival and then the next night crash a traditional rock festival with their dance heavy beats, synths and samples. Equal parts instrumental post-rock and electronic dance, the band's distinguishing feature is the ability to maintain a decidedly unique musical voice and remain current while bucking passing trends.

No matter what the venue, the energetic joy and catharsis of a Lotus show is infectious. The band slowly built a devoted fan base through steady touring and the crowds have grown at an increasing pace. This grassroots growth has made the band in high demand for festivals including Bonnaroo, Outside Lands, Ultra, and Rothbury and earned the band sold out shows at the country's premier theatres and clubs.

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