awesome combo, very powerful, and the mix is really phat

Great guitares and great production!! (as always) \m/

its Heli-Arc welding put your fuckin' helmet on

Nice metal instrumental track, catchy riffs

I'm digging this a lot, very industrial and heavy

Such an inspiration. Shreddy Kruger status. #sofagang

#postpunk #darkwave #metal #hardrock #darkambient #independent #triphop #blackmetal #sad #industrial #dreampop #dungeonsynth #emo #coldwave # #dreampop #dungeonsynth #emo #coldwave

Pineal Kasket (Headphones for full HD)

"Stay" 
Single by RECWALL
[Recorded in 432Hz tuning]
©2020 Robert E. C. Wall

Vocals / Guitars - Christopher Wall
Bass - Izac Pearson
Drums - Clarence Wells Most

Produced by Robert Wall

Stay

Stay In My Way

A royalty free piece of Orchestral Soundtrack music. In my series of royalty free library music for game developers.

Terms of use:

This music can be used for free all I ask is that you credit me with the creation of the music as Fatal Exit . And please if you don't mind link my Itch Page and Soundcloud in the description of your game. Links below:

https://soundcloud.com/fatalexit

https://cilliancreates.itch.io/

If you do happen to use my music in your game please let me know and I will try to give your game a shot!

Free Download

After The War - Royalty Free CCA Epic Orchestral Fantasy Music For Games

Enjoy the remarkable fusion of Guitar and Darbuka

Sound Of Dunes

J3 is 3 men for Jesus Christ.
Timothy Pepper, Mark Combs and Robert Grigg have joined forces to celebrate our savior in song!
@tim-pepper-442859450
@markcombs-928282858
@robert-grigg

Entertaining Angels

Urban Myth

Out Of Luck

Find more like this below.
https://open.spotify.com/artist/0MdXpBjjp7ztNbcaGeCPNv
https://www.youtube.com/@GreyReprieve

First Class to Oblivion

"Shadows of Fury" represents another evolution in my AI-powered instrumental journey, featuring an unexpected but powerful combination - electric guitar and 6-string electric violin working together to create something truly cinematic. Rather than competing against each other, these instruments form a dramatic alliance where each brings its own strengths to build an emotional arc over nearly five minutes.

The track unfolds like a film score, with the guitar providing the structural foundation and rhythmic power while the violin serves as the emotional voice soaring above. From the atmospheric intro where clean guitar arpeggios set the mood and the violin enters with haunting sustained notes, the piece builds through distinct phases - sometimes the guitar dominates with palm-muted chugging and aggressive riffs, other times the violin takes center stage with tremolo runs, glissandi, and those screaming high notes that cut through the mix like a metal vocalist.
What makes this track special is how the instruments complement rather than compete. The guitar grounds everything with power chords and rhythmic drive, while the 6-string electric violin explores the full emotional spectrum - from lyrical melodic passages to frantic rapid-fire bowing that matches the guitar's intensity. The violin's extended range allows it to harmonize with the guitar in the lower registers while still reaching those soaring heights that define the track's most dramatic moments.

The climactic sections showcase both instruments at peak intensity, creating massive walls of sound where the violin's sustained vibrato rides over the guitar's relentless assault. By the outro, the violin carries the final emotional weight with haunting sustains while the guitar resolves to clean tones, ending the journey where it began - in atmospheric shadows.

Working with AI to orchestrate this blend was incredible because I could layer these contrasting textures exactly as I heard them - the percussive attack of the guitar balanced by the violin's expressive sustain, creating something that feels both heavy and cinematic. "Shadows of Fury" proves that metal instrumentals can be about emotional storytelling, not just technical showmanship.

Shadows of Fury - Instrumental

Impel Down

When I was little if my mother described someone getting agitated or angry she would say they 'played pop'... but if they were really angry, especially righteously angry, then they 'raised holy war'... it's not what the song is about, but it explains why it's in my vocabulary.

HOLY WAR

I keep looking for you
In this holy war
But holy wars
Never end

I'm still gunning for you
No matter what the cause
And no matter the cost 
It's all I defend 

And I
Will go anywhere 
Just to fight with you 
On that field again 
Again and again 
Again and again 
Again and again 

I will race you
To the top
I'll make sure we
Never stop
I will never
Hold you
Up Again
Up again
Up high...

I'm looking for you
In this great expanse
Where the field of view
Just Never ends 

I'm running for you
I'm stealing every chance
Oblivious to
The bitter end

Cos I
Will do anything 
Just to run with you 
Through those fields again 
Again and again 
Again and again 
Again and again 

I will race you
To the top
I'll make sure we
Never stop
I will never
Hold you
Up Again
Up again
Up high...

I keep looking for you
In this holy war of ours
May this holy war
Never end...

Holy War

Welcome to the Lab 💀 
Creator sound designer
40 plus years in live sound reinforcement
getting by with some help from my friends.
some call me Brother, Mark, Big Moochies, Big Daddy, Fat Rat..... all love.

Urban Myth

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