Sasha Morozova - Roots Grow

A track I re-recorded about 5 months ago. Like a lot of my acoustic songs, I've been sitting on this for a few years. Heartache is a shitty game. Time to let this one see some light. All music, lyrics and production done by me and me alone. I hope you feel it...enjoy.



Well I've been tossing and turning and thinking of you
But nothing seem to get the pain out of my chest from you
And from morning 'til night I'm along for the fight
And I try to pull you from my brain but I just can't seem to
And the lessons I've learned from the times I've got burned
Could never add up to me understanding what you would do
And I felt to blind inside I did not deny you
And I let you in then you tore my insides in two

Let me down again
Let me down again

And I wake up everyday and all that I think 
Is that we had everything working in our favor lately
But maybe I was blind and I could not see your pain
And I thought everything was perfect and meant to be
Then you ran away and you didn't say goodbye
You just left me to cry and just sit all alone without you
And the pain runs so deep its still coursing inside
But I find myself passing time with you on my fucking mind
On my mind on my mind

Let me down again
Let me down again

Let Me Down

Here's a mix with snippets from the debut album "Crown Shyness" by Wodwo (@user-364196783-552705040) and myself. The full release is available through
https://encym.bandcamp.com/album/crown-shyness
and
https://rayrobinson.bandcamp.com/album/crown-shyness

About this project:

Crown Shyness is a collaborative project between ambient musicians encym and Wodwo. 

Since connecting in 2021, they have developed their music through a continuous exchange of ideas and sounds, constructing each composition layer by layer. This collaborative approach has blurred the lines between their contributions, creating a seamless blend of influences and styles that makes it nearly impossible to tell who contributed what to each track. 

The project draws its title from a fascinating natural phenomenon where the crowns of trees avoid touching each other, forming gaps in the canopy. This term metaphorically reflects the nature of this musical collaboration—each artist maintaining their unique presence while contributing to a unified whole, leaving just enough space for the other to inhabit.

Crown Shyness

Crown Shyness (encym & Wodwo)

Music Video: https://www.youtube.com/watch?v=yRmVwGGYjpU
Stream it here:
https://open.spotify.com/album/6aby0xD7I9Y875edHiApap?si=ZMJMh1qcRpSPmahspNOJHQ

Here is “7 Replicants,”  the final remix in our “The 7” Series. This collaboration from @ericheitmann and @patrickzelinski was created using only digital and hardware synth sounds, and is heavily influenced by the Vangelis Bladerunner soundtrack.

FYI…A replicant was a genetically engineered, bio-enhanced person with para-physical capabilities, composed entirely of organic substance.

7 Replicants

Black & White

A nice fall song with just a little bit of energy.  I recorded this using my Korg Radias onto my loop pedal, using the arpeggiator on the keyboard and improvising over that with the bass line.

Fall Chimes

SOULPALM x SET presents:
WE ARE from Toby Doe & Harry Price
*Featuring Digital Mystery
credits
releases August 31, 2024

CREDITS:
*Composition: Toby Doe, Harry Price, Robin May, George Pipe
*Production: Toby Doe, Harry Price, Robin May
*Keys: Toby Doe, Robin May
*Drums: Toby Doe, Harry Price, Robin May
*Bass: Toby Doe, Harry Price
*Vocals: Toby Doe, Harry Price, Robin May
*Ambient: Harry Price, Robin May
*Mixed by Harry Price
*Released by SOULPALM / SET

Toby Doe:
soundcloud.com/soulpalmcreative

Harry Price:
soundcloud.com/harrysource

Robin May:
soundcloud.com/user-85157630/tracks

George Pipe:
soundcloud.com/thepipeoflife

SOULPALM:
soundcloud.com/user-900540173-3672176

SET aka SOUTH EAST TASTE:
soundcloud.com/setrecordsuk

WE ARE

Our Vision

Made for naviar records' 555th Haiku Challenge

Unspeaking terms [naviarhaiku 555]

lyrics

Ears together
Indonesian Egyptians
Kiev and Moscow listen
The Saudis are routed round to groovy
Hanoi to Hanover Bellarussian Ears hoover 
The it's the less Insular States of America
Threats spread to Greenland /Orange Sith Clown
Dublin to Hanoi to Minsx to LA /Pray!
Warsaw to Chicago to St Petersberg
Amsterdam to Berlin m, Milan to Stockholm
Begin to Melbourne Rio to Brooklyn
It's a TBD Ear Woeld Party

We say fuck you autocrats
We got our Ears and we aunt talking back

Earths Ears Together

Here's my latest latin offering. I've found at last a VSTi that can play a great rhythm guitar, but I've only had it for a few hours, so the guitar parts will improve in the future. It's free for 30 days and here's the link -->> http://www.musiclab.com/products/realgtr_info.htm

Thanks for having a listen
Cheers 
Mark

088 - How Insensitive - Jobim - 320kbps

A STUNNING RHYTHMIC FUSION OF LATIN AND JAZZ WITH A UNIQUE SPIRITUAL PULSE.

HUGO HEREDIA – “MANANITA PAMPERA”

JAZZ ROOM RECORDS – JAZZR 002
Available at: jazzroomrecords.bandcamp.com/album/mana…ta-pampera
TBR: September 6th 2019

"Killer Argentinian saxophonist Hugo Heredia (on) a bonafide Electric Ballroom classic that’s been really hard to find for years... and it’s got Horace Parlan on piano!"
GILLES PETERSON 
"Thanks Jazz Room Records for the rerelease of a stunning and truly epic spiritual album by Hugo Heredia. Each song is an intense and rhythmic exportation from an amazing multi instrumentalist. 
For me, this is just the right blend of latin rhythms and jazz power all wrapped up in an adventurous spiritual vibe! Essential summer release." 
CHIP WICKHAM 
"Essential and collectible and important"....SNOWBOY 
"Furious, edgy and raw!".............................RHYTHM DOCTOR 
"What a great album...Reissue is top notch" DJ MELODY NELSON 
"Filled with beautiful melody and complex rhythmic patterns. The sort of sounds that bring even long dormant Jazz dancers back to that shiny floor for one last, fast, dance" PABLO BLANQUITO 
"Reissue of the year, hands down!" MIKE CHADWICK JAZZFM 
thevinylfactory.com/news/hugo-hered…z-room-reissue/ 
soundsandcolours.com/articles/brazi…heredia-47008/

If ever a record called be called a lost masterpiece then this record more than deserves that epithet. First released on an obscure French label in the 1970's it might have sunk further into obscurity and left no trace of it's passing but somehow a handful of copies turned up in various Jazz shops in London where it was snapped up by DJ Paul Murphy who was then playing to the embryonic jazz dance scene, based at the very first Jazz Room club: The Horseshoe in London's Tottenham Court Road, a decaying, seedy, sticky carpeted old West End ballroom that had seen better days. This and a select few records in a similar vein were being played to an appreciative audience who demanded tough raw percussive rhythms overlaid with some furious jazzy soloing and whenever this record hit the turntable it left even the most demanding groover sated.

It's a really fantastic collection from this barely known reedman and his excellent band which also features a guest appearance by American Legend Horace Parlan who is best known for his Afro-Cuban session "Headin' South" on Blue Note Records.

Superbly produced by drummer Peter Schmidlin, who has conjured up a spiritual modal mixdown of Afro-Cuban & Jazz extended percussive workouts that are uncompromising in their groove and which manage to sound both timeless and modern. The record is being re-released with the original striking artwork, guaranteed to be a talking point.

Hugo Heredia Quintet – Mananita Pampera

Side A
1. Mananita Pampera
2. El Beto
3. Have You Met Miss ...?
4. El Beto II
Side B
5. Tunita
6. Carmen Pequena
7. Al Bebbe Guia

Hugo Heredia Quintet  - El Beto

Hi, I'm a keys player and I like making up grooves to existing jazz and latin standards. Over the last few years I've been mainly working on original numbers.

It's just me in the music you hear, I play all the parts off a keyboard recording in midi and layer up into the finished version.

I started playing the piano as a kid , then took up the trombone and played for fun in various local amateur bands and orchestras. Then at 18 went to college and didn't do anything  musically  for many years. Started playing the saxophone and tuba more recently, and in the last four years or so got back into the keyboard which is now my main instrument.

I like making up jazzy  late night music & music you can listen to when travelling. Sounds like a strange thing but I find the most enjoyable part of a holiday is the travelling part, whether that's on a plane , train or even a car on a quiet road with some nice views. Looking through a window with a changing view, in a bubble of suspended time between two worlds, that's what travelling feels like to me, and I like to write music that sounds that way - http://soundcloud.com/markd54321/361-stolen-moments-320kbps . Can't really explain it any better than that for now. Cheers Mark

088 - How Insensitive - Jobim - 320kbps

Mark Dorricott Music