Markham Road Records is an electronic music label exploring both established and experimental ideas. Based in Brno, Czech Republic. In residency under @infameradio and @vitaminxxx. Curated by @westdaledan

BANDCAMP

MARKHAM ROAD

'Virtual Resonator Dream', Written & Produced with @96-back
Released on the @templerecordsofficial "Templeight" VA compilation

Digital
https://templerecordsofficial.bandcamp.com/album/templeight-2

Vinyl available via @rubadubdist
https://rubadub.co.uk/products/templeight

"Templeight is Temple’s eighth release,
The first in our seventh year.
It features eight tracks 
from artists spanning 
two continents.

These are bent songs 
of glimmering confusion 
that rejoice in dissolution;
songs to truncate the space
Between us all. 

We love them,
and you might too."

Artwork by Jonathan Castro Alejos and Robuche.
Mastering by Marco Pellegrino at Analogcut Mastering.

Templeight

96 Back & Text Chunk - Virtual Resonator Dream

WUJA HZG - Syrena

RELEASE! "Gravity Always Wins" by TX4 is out now!

We are more than excited to present you the full EP and the first release on our freshly launched label LAYE AUDIO now!

"Gravity Always Wins" is the first release on our freshly launched label LAYE AUDIO. A culmination of various influences, with an emphasis on bass, sound design and broken rhythms. Mixing chopped samples, wigged-out FM synthesis and lots of saturation. Representing an aesthetic and sound we currently love to hear in the club: Heavy bass sounds, wide stereo fields and an arrangement which keeps you guessing.

You can buy and list to the whole EP now on Bandcamp
https://layeaudio.bandcamp.com/album/gravity-always-wins-ly01

Since today is Bandcamp-Friday we are especially thankful, if you buy the EP today 😅

Thanks for your support!
Greetings,
m̵̛̯͒ö̷̧́̓n̸̻̏t̵͖͗̄͑ȃ̴͕͛͘g̸͖̍͌è̴̓̓͜
̸ ̗T̵̟̾̅̔X̵̹̆̇̈́4̷̫̼͉̀̆
̶͕̟̹̐̇̏S̵̥̀̇O̷͕̩̕S̶̲͗̂͗_̸̝̯̚c̴͍͠ả̶̱̈́ṝ̴l̵̦̭͆̀õ̵͎̍s̸̘͎͓͑̚s̸͓͠

Mastering by Neel @ Enisslab
Artwork by TX4

TX4 - 20 Q Vertical [LY01]

The fifth transmission on BRUK comes from Chewlie, a breakthrough artist from Switzerland adept at sculpting tense, sharply defined atmospheres with eerie amounts of space and dreadful amounts of bass. Following up on her 2022 Creature LP for YUKU, this eight-track deep dive explores nervous hallways of dislocated rhythm with a UK soundsystem attitude and a subtle but striking approach to sound design.
 
In contrast with the strident melodic tones of Creature, Chewlie demonstrates her versatility as a sonic artist (alongside her established work as a graphic designer). Understated moodiness is the key here, resulting in powerful heads-down immersion heaters with stand-out moments to make the floor fall in line amidst meditative, patient pauses in between. In the field of leftfield dubwise club music, Chewlie’s voice strikes out with purpose and poise, slotting into the firmament of BRUK as another natural misfit in the many-sided bassweight landscape.

Chewlie - Gas Out Step

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”. More info and music: https://kioskradio.com

Club Late Music invites POL100 @ Kiosk Radio 23.09.2023

@servicebot

The first release from Markham Road comes in the form of a VA spined by frequent collaborators of its sister platform Infame Radio. The consequent nine tracks vary along a scale of percussive rhythms both relating to established and experimental ideas. As a trial in itself, this project took shape through exponential conversations between all those creatively involved. All tracks are written and mixed by each respective artist.

MR001

Servicebot - Pedestrian Target

Wanton Witch, is set to bewitch the world with her latest musical odyssey, ‘AKU’.

This highly personal release marks her second album and serves as a powerful sequel to her debut, where the previous album delved into her past, ‘AKU’ honestly captures her current state of mind. Born from the depths of her soul and reflecting a profound exploration of identity and existence, this 11-track hauntingly beautiful body of work promises an unparalleled auditory adventure, harmoniously blending diverse sounds, textures, and structures into a distinctly melancholy perspective on reality.

In ‘AKU’, Wanton Witch crafts a sonic tapestry that defies conventions, weaving together her signature fragmented IDM and disjointed experimental elements with entrancing melodies as the heart and leading focus for this album, resulting in a musical experience that is both evocative and transformative.

Learn To Love

Agitated

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Various - VA - Ascension [8 - 001]
EtherwerkZ, 2023
𝓑𝓾𝔂 👉🏾 https://etherwerkz.bandcamp.com/album/va-ascension

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/jonny-megabyte

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://soundcloud.com/etherwerkz 
https://etherwerkz.bandcamp.com/album/va-ascension  https://www.instagram.com/etherwerkz/

YOUTUBE

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#156 📢 Johnny Megabyte - Soho [EtherwerkZ]

For its new compilation MR003, Czech label Markham Road Records explores kinetic, percussive club music.

Read more on CxC 🔗 couvrexchefs.com/en/rizla-ops-cortex-markham-road-records-mr003

Article

PREMIERE: Rizla Ops - Cortex (Markham Road Records)

@count2count
@rizlaops
@atch222
@teqmun-tijmen-b

Markham Road Records is back steering steady with atch22, Count, Rizla Ops, and Teqmun in the driver seats. MR003 finds form as a quartet of percussion providing some real bang for your buck. This release was dreamt up for quick stepping activity, and the four tracks assembled provide a wide ranging toolkit to get us all moving. Although each artist provides a unique solution, movement was and remains the underlying idea behind this third release. 

Count’s “Hexagon” opens the project up with a spaced out ‘builder’ that seems to continuously fold in on itself. The track progresses through its 4 minute lifespan with natural and intuitive progression. With its sub heavy cadence “Hexagon” seeps through the speakers, and is sure to remain reliable when used under many circumstances. 

The second track of the release rebounds in as a ricochet rhythm from none other than London based RIZLA OPS. After receiving a demo titled “voo kah” we knew it was love at first sight… and the final iteration aptly named “Cortex” does not disappoint. When asked about the track RIZLA OPS shared “The triplet snare is locked in by a big roomy kick that squares it into that tool-y club space I notice my recent productions are exploring. Cortex finds its name in the buzzy bitcrushed bass that draws from ghosty drill, loose audio jack and ASMR machinery that buries itself in the cranium.” A steady mover with a circular undertone, it doesn’t take much to get moving when this track takes over the system. 

“sexta feira” finds itself on the borders of trance, dembow, and dubstep. Besides these initial patterning queues, atch22 also employs a variety of vocal stabs and modulation to keep the track moving. After a recent move to build a studio in Strahov Stadium (would definitely suggest looking this one up), atch22 has been back behind the monitors, with this track being the first product of his new musical home. The track defines itself in the world of peak time frequencies and fluctuates through a wide range of feelings. Truly something in it for everyone. 

MR003’s concluding track takes sonic blistering to a whole new level. Teqmun’s masterclass in unrelenting percussion continues to capture our hearts, and surge through our speakers. “Stop Scanning the Zebras” is a fast paced tech heavy track centered by vocals from the producer himself. “I imagined being so out of your mind that you can't stop trying to scan zebra's like barcodes with a scanner”. This track is easy to get lost inside of and therefore evokes some sort of free fall -> an exercise in letting go for eager ears in dimly lit spaces.

[MR003] VA

MR003 - Various Artists

"Markham Road Records is back steering steady with atch22, Count, Rizla Ops, and Teqmun in the driver seats. MR003 finds form as a quartet of percussion providing some real bang for your buck. This release was dreamt up for quick stepping activity, and the four tracks assembled provide a wide ranging toolkit to get us all moving. Although each artist provides a unique solution, movement was and remains the underlying idea behind this third release. 

“sexta feira” finds itself on the borders of trance, dembow, and dubstep. Besides these initial patterning queues, atch22 also employs a variety of vocal stabs and modulation to keep the track moving. After a recent move to build a studio in Strahov Stadium (would definitely suggest looking this one up), atch22 has been back behind the monitors, with this track being the first product of his new musical home. The track defines itself in the world of peak time frequencies and fluctuates through a wide range of feelings."

Follow
https://soundcloud.com/atch222
https://soundcloud.com/markhamroad

NEW HIT: atch22 - sexta feira [Markham Road Records]

@count2count

Markham Road Records is back steering steady with atch22, Count, Rizla Ops, and Teqmun in the driver seats. MR003 finds form as a quartet of percussion providing some real bang for your buck. This release was dreamt up for quick stepping activity, and the four tracks assembled provide a wide ranging toolkit to get us all moving. Although each artist provides a unique solution, movement was and remains the underlying idea behind this third release. 

Count’s “Hexagon” opens the project up with a spaced out ‘builder’ that seems to continuously fold in on itself. The track progresses through its 4 minute lifespan with natural and intuitive progression. With its sub heavy cadence “Hexagon” seeps through the speakers, and is sure to remain reliable when used under many circumstances.

www.instagram.com/markhamroadrec/

[MR003]

COUNT - Hexagon

@teqmun-tijmen-b

Markham Road Records is back steering steady with atch22, Count, Rizla Ops, and Teqmun in the driver seats. MR003 finds form as a quartet of percussion providing some real bang for your buck. This release was dreamt up for quick stepping activity, and the four tracks assembled provide a wide ranging toolkit to get us all moving. Although each artist provides a unique solution, movement was and remains the underlying idea behind this third release.

MR003’s concluding track takes sonic blistering to a whole new level. Teqmun’s masterclass in unrelenting percussion continues to capture our hearts, and surge through our speakers. “Stop Scanning the Zebras” is a fast paced tech heavy track centered by vocals from the producer himself. “I imagined being so out of your mind that you can't stop trying to scan zebra's like barcodes with a scanner”. This track is easy to get lost inside of and therefore evokes some sort of free fall -> an exercise in letting go for eager ears in dimly lit spaces.

www.instagram.com/markhamroadrec/

Teqmun - Stop Scanning The Zebras

Equalizers

Creative

Karim Maas : Old World Disorder EP

From UVB-76 Music’s fractal personnel rises Karim Maas. A familiar face behind a new mask, Maas, one of the sonic panjandrums at the core of the labels sound submits an aural experience that bleeds between genre and tone with striking ease, negotiating a through line that is hard to pin down in any moment before it shifts again. A stunning EP that remains true to UVB-76 Music’s core tenants. Four absolute steamers and a Huren remix for good measure.

UVB76-009 : Karim Maas  A1. C_C_E_D_

Markham Road Records is an electronic music label exploring both the established and experimental sides of percussive music.
Based out of @infameradio / @vitaminxxx
Structured by @westdaledan

INFAME RADIO
@markhamroad

a community radio platform based in brno, cz -
mix inquires can be sent via the link below
all other inquiries for the radio can be sent to hello@infameradio.com
infame radio is in residency at vitamin, brno

Servicebot - Pedestrian Target

Markham Road Records

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