MilkyInterlude

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Electronic, ambient, experimental, techno, beats, found sound...

Things (2014) and Simpleton (2015) albums both available on digital and cd.




Thanks for checking it out...



BeatMaker/Producer/Drummer/Illustrator!!
Let's collaborate together！
I love Funk Soul R&B Hip-Hop Jazz Blues Reggae Rock and more~
I love&respect all sound clouders dope musiq
☆Yokohama/Japan

Zhorhann groupe de musique fusion in opposition de Toulouse
Jazz Rock, Metal, World, Cartoon, Noise, Prog, Expérimental

C'est un projet musical instrumental, un peu Zappaïen, avec des touches de Gong, Mr Bungle, Secret Chief 3, John Zorn, Naked City, Nirvana, Pantera, Steve Coleman, Ceramic Dogs, Tigran Hamasyan…

Faisant suite à "La Théorie des cordes", Zhorhann est un conteur musical, cherchant le sens dans la note, il motive le sensible use d'Arts pour déjouer les normes, puisque les mots, si bien ordonnés soient-ils, ont conduit l'ensemble du vivant à l’aube de son extinction

Virgo/Taurus/Taurus
É nóis que faz o ambiente ficar gostosinho.

Share, share, there will always be something left. Département de Musicologie université sur le droit d’auteur et la gestion audiovisuel de Bourgogne. 
🇫🇷©️ Copyright 2025 -   MMXXV * 
* Chamber Art Pop Experimentale*
Your servant remains in search of music of insolence and youthful audacity, fine in the jerky, serious and tragic in the bass, all of this hidden under an apparent joy.
To manage to bind a sufficiently large public which already guesses that under the smooth facade and the reasonable air at first glance hides a hot blood, unstable, full of life, able to be enthusiastic, to revolt, even to throw itself in full, frank and free musical adventure. In terms of images I am rather a creator of musical stained glass windows, which gives to read the inside back cover of your own biographies.
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the coldness of the sound can also let transpire a real emotion.
Votre serviteur reste à la recherche d'une musique d'insolence et d'audace juvénile, fine dans le saccadé, grave et tragique dans les basses, tout celà caché sous une apparente allégresse.
Parvenir à lier un public suffisamment large qui devine déja que sous la façade lisse et l'air raisonnable de prime abord se cache un sang chaud, instable, plein de vie, capable de s'enthousiasmer, de se révolter, voire à se jeter dans l'aventure musicale pleine,franche et libre. En terme d'images je suis plutôt un créateur de vitraux musicaux, qui donne à lire la troisième de couverture de vos propres biographies.
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la froideur du son peut aussi laisser transpirer une vraie émotion.
the coldness of the sound can also let transpire a real emotion.

old account of @gothicwvlff. everything here is awful, please unfollow this account and follow my new one.

🐳Thank you for your support. It's very encouraging.🪼
🐱I do not use AI in my music.😊
🌺Have fun! Bandcamp!💞Thank you for your purchase!💞

MilkyInterlude

Roentgenmann