A recurring process with shifting sound sources and modest production.

And sometimes recordings of songs/improvisations by Anna.

Designer, professor, writer, musician and multimedia artist. 
Lecturer, RPI Architecture 2022-25; Mentor: LAB#03 Synthetic Minds 2023-24 MADRID MEDIALAB MATADERO.
2022-23: consulting Creative Director, SingularityNET. 
Creative Director, Venice Virtual Pavilion, 18th Venice Architecture Biennale 2023. 

With Carla Leitão, Ed is co-founder of Spec.AE, a speculative design practice, and AUM Studio, an architecture and new media firm with residential projects, competitions, and installations in Europe [Venice Architecture Biennale 2018/2021] and the US. They have convened more than 20 international conferences and lecture series.

He has taught architecture + film/media + technology since 1996; his research and practice explores the structures of feeling which link cultural, infrastructural, ecological, and technosocial systems, revealing emergent terrestrial and cosmopolitical potential. He has spoken on artificial intelligence, architecture, film, technology and ecology internationally; current research explores the relationship between philosophy, cosmopolitics, sound design and music in lectures and solo performances. His work and writing has appeared in Volume, &&&, SCHISM, EVOLO, Punctum, Praxis, A+U,  AD,  Arquine,  Leonardo Electronic Almanac, Wired,  Metropolis,  Assemblage, and Ottagono. 

From 2021-23, Keller co-directed the Post Planetary Universal Design program at The New Centre. In 2022, he was a visiting design Faculty at Rensselaer School of Architecture [RPI]. He served as a Creative Director, Italian Pavilion, 17th Venice Architecture Biennale 2021.  From 2012-2020, he was Director of the Center for Transformative Media [CTM] at The New School; from 2009-2020, Associate Professor at Parsons School of Design and Associate Dean [2010-12]. In a prior arc, he taught advanced architectural design studios, theory, and digital techniques at Columbia University GSAPP, SCIArc, UPenn, Pratt, FIU, and RPI, from 1998-2010.
Ed has been an avid rockclimber for over 40 years.

http://vimeo.com/55486546
clint sleeper - noise and electronics and guitar and cleverness
miffy webb - hitting things

J.-P. Caron

https://www.youtube.com/watch?v=bBtnBYARkcE



Avante Garde Classical / Found Objects / Performance artist

part\/drip ≈ when αlgorites Ωglôssa | Failure is recognised for what it is worth: to sharpen your immersions. There ought to be a constant productivity of release through listening; there is never a retirement from "you" re-catching your weight in experiences of this world. 
The process itself is abductive: feel yourself as a line being drawn-out to help orient your immersion in this dream space for creating the very purpose of a life. Dream spaces have the capacity to induce meltdown [dance], digestion, and extrication from any attachments you may have, like attachments to paralysing notions of failure. Listening is dialectically situated between waking-up to the reality of this complex and beautiful world and peaceful dreaming in the present-day war against consciousness.

Phase-out.
Navigation involves a two-fold principle of composure after localisation: (a) sovereignty in the uprooting process, and (b) unifying patterns of intricacies. 

Dust-synthesis, how dare we speak of Xeno without having begun to affirm our ears?

Navigation through listening: a cognitive mapping that bends topological strata of sound; forms to shape an enmeshing ()hole complex; artefacts of sound becoming concepts that shift to higher registers, perseverating overtime into sonic fictions, all throughout the global matrix of listening. A temporal scheme (the experience of rhythm) modulates between conceptions that hold together this reality: a helical motion between sense propositions and the interlacing of their proofs, to uproot the automated looping of your malleable identity system qua nature. Highly selective isomorphic connections, between grouped objects in perception, are synaesthetic transmodalities. 'Time,' made plastic, abstracts norms from positions and fake typologies, to 
suspended events for 
free-falling navigations, 
where one's conjuring of 
multiple perspectives 
drifts.

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NEW Sounds: 
https://ica-rina.bandcamp.com/
Radio MACBA ˚ https://rwm.macba.cat/en/1758 ˚
with Helen Pritchard ∆ here: http://rwm.macba.cat/uploads/songs/sonia298-helen-pritchard-yoneda-lemma-version.mp3 ∆

New Text: 'Anti-Worlds' (published Dec 2018): https://technosphere-magazine.hkw.de/p/9-Anti-Worlds-7uP3HqsVvcre2A8KBwZBAL

Older/other projects:
https://soundcloud.com/youneedalemon
https://soundcloud.com/et-ce-terra
https://soundcloud.com/d-n-e_dk


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Followers of markuru