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What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


Psychedelic Trance With A Progressive Touch.

VINI VICI BIOGRAPHY 2016 

Vini Vici is the new project of Aviram Saharai & Matan Kadosh, both well-known and experienced electronic music producers for over a decade.
The concept of Vini Vici was formed by the boys with an intention to express their love for the old school sound, paired with their progressive ideas.
Iboga Records and FM Bookings, widely considered to be the biggest psytrance label and booking agency, were the first to see the potential of the project and invited them to be part of their well respected family, alongside names such as: Ace Ventura, Liquid Soul, Ticon, Captain Hook, Atmos, and the like.

After the huge success of their premier EP 'Divine Mode' and their follow-up ‘Back Underground’, ‘Expender’, ‘Anything & Everything’, and ‘Veni Vidi Vici’ tracks (all top sellers on Beatport and Iboga Records charts), Vini Vici continued to produce massive hits while touring the world nonstop - Brazil, Mexico, South Africa, Switzerland, Finland, France, India, Denmark, Germany, United State, Italy, Portugal, Austria, Australia, Serbia, Netherland, Scotland, United Kingdom, Ireland, Israel…..
It's no surprise Beatport positioned them at No.3 on the Top Artist list of 2014.
2015 was a huge step forward for the boys with the release of their debut album ‘Vini Vici - Future Classics’. They hit the Beatport Main Chart at No.2 (Psytrance at No.1) - a position that very few psytrance artists have managed to stand at before, followed by Psyshop No.1 and TrackItDown No.1 spots, while the legendary Infected Mushroom named them “the best upcoming psytrance artists at the moment”. The explosion continued when trance king Armin Van Buuren edited their already classic tune ‘The Tribe’, and featured them on his legendary ‘ASOT’ radio show over and over again.

Finishing 2015 with a bang, the boys were ranked by Beatport as No.1 on the PsyTrance Artist chart and they also landed the Best Selling Track of 2015. They continued to make history early in 2016 with their Vini Vici Remix of ‘Hilight Tribe - Free Tibet’ - the track gained over 15,000,000 views on YouTube and 5,000,000 plays on Soundcloud, while also hitting the No.2 spot on Beatport’s Main chart, and becoming the first psytrance track ever to have entered the Beatport Main Top 10.

After such an outstanding beginning to 2016, it’s no surprise that the rest of their year continued to bring this elevated level and even after many successful years before became their best year by far. Some even call it the ‘The Vini Vici Year’ - with over 220 shows in some of the most prestigious electronic music events around the globe (A State Of Trance Festival NL, Tomorrowland BE, Boom Festival PT, Electric Daisy Carnival in U.S.A, Ultra BR, Dreamstate U.S.A, Transmission CZ, Experience BR, Vuuv DE, Sunburn GOA, Luminosity NL, Earthcore AU, Unity IL just to name a few…).

Keeping their No.1 spot on Beatport’s Psytrance Artist list and Best Selling Track for the second year in a row went on to lead a new generation of psytrance fans and producers to their style. Just before ending off 2016 came the jewel in the crown; a collaboration with no other than one of the solid founders of modern electronic music - Armin Van Buuren, featuring french band Hilight Tribe in their creation ‘Great Spirit’. This massive collaboration took over the Beatport Main Chart immediately and gained over 1,000,000 views on YouTube in just 2 weeks, taking them one step closer to their life goal of spreading psytrance culture and energy in the world.

Armin van Buuren: “I’ve wanted to work with Vini Vici ever since they embarked on the music scene. Few acts have such a well-defined signature sound”

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