https://archive.org/details/IP-010
https://innerspaceprod.bandcamp.com/
https://soundcloud.com/innerspaceprod

It's Written In Huge Suburban Letters

2022-01-31

NLS - 2022 - 01 - 31 the beginning of a new day

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Incandescent (2021) for piano and marimba

This track was inspired by the number 23 (as proposed by the Disquiet Junto Project 0529). The generative MIDI sequencer Transition was used (as for all Musical Bots tracks), but also Stochas for the choir.
The number 23 influenced that piece of music in many different ways. Among others the morse code of psalm 23 in English, French and German is also part of this track.

My gratitude goes to zwier for the fieldrecording of the sheep provided here: https://freesound.org/people/zwier/sounds/200329/

Major thanks to Eanna Butler for helping come up with this project:

More on this 529th weekly Disquiet Junto project – Squared Off (The Assignment: Explore the number 23) – at: https://disquiet.com/0529/

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0529-squared-off/

23 Sheep (Disquiet0529)

Cloud Nine - Poison (Netherlands, 1985)

Out now on Gagarin Records. Available to buy here:
markvernon.bandcamp.com/album/time-deferred

Followers of the artist Mark Vernon will note a subdued and pensive mood on this new record. Monochrome and sepulchral, these tracks are in a minor key, a key which opens the door to a damp cellar of the imagination. Too-many legged spiders crawl over dusty violins. Time lurches, loops and echoes like excursions on slow motion railways in reverse. Concrète noir sombre séances for non-believers. Tauntological voices from the past provoke us. Half guessed ghosts, magnetic phantoms from funereal-to-reel tape recordings. The sibilant persistence of the deceased evokes the exhausted dread of waiting for a medical test result. Enigmatic messages thrown to the werewolves with nothing but cheap medication and some breathing exercises for support.

Caution: this record can cause dreamless nights.

“Psychedelic visions, blackouts and blinding lights reveal an unusual, sick, and feverish musicality... here the gods come back from the dead only to ensure us an existence nurtured by the freezing rays of a black sun.”

Massimiliano Busti, Blow Up (Feb 2022)

A Coincidence Of Deceleration And Acceleration

Short Video : https://z-p15.www.instagram.com/tv/CbY5DcRgJ0i/?utm_source=ig_web_copy_link
Full Video : https://youtu.be/lxnsERNQr3w
Music Download : https://orientallove.bandcamp.com/track/requiem-live-sact-2022-03-20

The other day , I watched one movie , Mr.Jones (Obywatel Jones , Ціна правди) .
There is one scene which some boys and girls sing very horrible  song in this movie .
I took a sample of its part , I used it for me live performance .
I'd like to pray for people who died in this war .
先日、「赤い闇　スターリンの冷たい台地で」、という映画を見ました。
その劇中で、ウクライナの少年、少女が非常に恐ろしい歌を歌うシーンがあります。
その箇所をサンプリングして、ライブに使っています
「飢えと寒さが / 家の中を満たしている / 食べるものはなく / 寝る場所もない / 私達の隣人は / もう正気を失ってしまった / そしてついに自分の子供を食べた」
今起きているこの戦争で死んでいった人たちに、祈りを捧げたいと思います。

赤い闇 ( Mr. Jones): https://video.unext.jp/title/SID0053070?utm_source=twitter&utm_medium=social&utm_campaign=nonad-sns&rid=PM022832562

Full Video

Requiem Live @ 新宿SACT  2022-03-20

post flood plastic crisis

FOR   ELECTRIC  GUITAR   AND  ELECTRONICS

DROR    ELIMELECH  --   ELECTRONICS
ULRICH   LANGENBACH  --  ELECTRIC  GUITAR

QUEST  FOR   LIGHT

SenSen - This is

Music by https://soundcloud.com/vincent-eoppolo 
Sonopoetry and mixing by https://soundcloud.com/ilaria_boffa 
pic. Selvazzano Dentro 2016

Will the sun die?/Morirà il sole is a poem taken from my poetry book 'The Bliss of Hush and Wires/Periferie', Samuele Editore, 2016.

Will the Sun Die?
When will it die? This sun,
oblique.
It’s temperate in the neighbourhood, and not for long.
Immaterial the future of the insurgents
the ones who calm winter.
We don’t sleep, the collapse is near.
So virtual any step toward and outward the centre.
Neglected in the static village
dogs move unsettled, they smell the reversal.
Mowing grass in the fields will be pointless soon
as the aseptic film packs on the leaf and the brick.
Give us green clay to cover our skins, our hair.
Give us one more tomorrow.

Morirà il Sole?
Quando morirà? Questo sole
obliquo.
È mite il tempo nel quartiere e non per molto.
Immateriale il futuro di chi insorge
di coloro che calmano l’inverno.
Non dormiamo, il crollo è vicino.
Così virtuale ogni passo da e per il centro.
Dimenticati nel paese statico
i cani si muovono irrequieti, annusano l’inversione.
Falciare l’erba dei prati sarà presto inutile
come porre una pellicola asettica sulla foglia e il mattone.
Dateci argilla verde per coprire pelli, capelli.
Dateci ancora un domani.

Morirà Il Sole? (Vincent Eoppolo & Ilaria Boffa)

For bookings: meagreresource@hotmail.com

Mark Vernon is a Glasgow based sound artist who works with found tapes and acousmatic presence. His work explores themes of magnetic memory, audio archaeology, voyeurism and nostalgia. His solo music projects have been published through labels including Kye, Glistening Examples, Flaming Pines, Misanthropic Agenda, Entr’acte and Canti Magnetici. He co-runs and curates Glasgow art radio station, Radiophrenia and has produced programmes for stations internationally.