NUX VOMICA

Hope

Mystery

Freezin EP
March 2019



I was a kid I was scared


I told my friends
I was a kid
Then i told my friends
I was scared
To get something over here
And I told my friends
I was Scared


I told my friends
I was a kid
Then i told my friends
I was scared
To get something over here
And I told my friends
I was Scared


I told my friends
I was a kid
Then i told my friends
I was scared
To get something over here
And I told my friends
I was Scared


I told my friends
I was a kid
Then i told my friends
I was scared
To get something over here
And I told my friends
I was Scared


I told my friends
I was a kid
I told my friends
I was a kid
I told my friends
I was a kid
I told my friends
I was a kid

I was kid i was scared

I Was A Kid I Was Scared

Gimme the time for
looking like normal
Gimme the time for
making some dollars

Gimme the time for
looking like normal
Gimme the time for
making some dollars

I don't trust myself so much
I wonder also where I will go

gimme the time for

GIMME THE TIME FOR

NOJ 4

produced by: @maral66
label: @do-the-astral-plane
release date:  July 23rd, 2019
link: https://astralplanerecordings.bandcamp.com/

Mahur Club [APR121]

Maral - avesta khani reggaeton

Maral - Mahur Club
APR121 | Out Now

Digital/cassette out now: astralplanerecordings.bandcamp.com/album/m…ur-club

Los Angeles’s Maral (@maral66) has spent the past half-decade quietly honing an approach that meshes the latest in club music contortions, a range of pulverized dub effects, and samples from her library of Iranian folk, pop and classical musics. More likely to be found working behind the scenes for local labels and club nights, Maral steps into the spotlight on Mahur Club, highlighting a trans-historical collage technique that emphasizes formal experimentation as much as it does personal history.

Exploring (rhythmic) psychedelia in both concrete and abstract forms, Mahur Club dials in on mashed out versions of Jersey club, reggaeton and dub, nodding to psych rock and trip hop via whirlwind takes on contemporary battle dance genres. Repetition and rapid sample chop are utilized on tracks like “don’t trip on your way down” and “lori lullaby”, pairing familiar dance-floor rhythms with waterlogged Farsi vocals in a sublime vortex of tradition, pop and functionality.

Mahur Club features material from ABE, DJ Abosohar and Loris. The release consists of two separate components; a cassette featuring two mixed portions and a free mixtape of individual tracks. Mastering provided by Will Mitchell, artwork by Maral Mahmoudi and design by Caleb Ali Miller.

Hope

Mark Waldron-Hyden