Watercress EP out 10/3 via Jagjaguwar.

https://s-carey.lnk.to/watercress-ep

There is an immediately noticeable shift in mood from the last time we checked in with S. Carey. He was heavy-hearted on 2022’s Break Me Open — crestfallen and reckoning after a big love lost. And so, Watercress sets us off with the ringing of hard-won hope. It is in fact only in the clear, shallow waters that watercress grows. And these are the very places that Sean Carey the human being returns to again and again — to fish, to reflect, and to grow. Seasons have passed and he’s spent time healing in the water, flowing and still. The pieces have been collected and reassembled. Of course, there’s always going to be a wistful quality to S. Carey’s music. But here, it’s the bright, crisp October morning kind of wistful.

Worldwide Booking:
ian@analog-a.com

North America & Mexico Booking:
jon@liaisonartists.com

BIG DATA is the paranoid pop brainchild of producer, Alan Wilkis. His music explores the relationship between man and machine, and the ways in which technology is reshaping the human experience, all with a healthy dose of distrust.

In 2014, BD made waves with the #1 alternative hit, “Dangerous (feat. Joywave),” which has since been certified Gold in the US and Canada, and with nearly 40M streams. Big Data’s 2015 debut album, 2.0, featured collaborations with Kimbra, Rivers Cuomo, Twin Shadow, and Jamie Lidell.

3.0 is the long-awaited upgrade from Big Data. In creating 3.0, Wilkis became obsessed with the subject of artificial intelligence and its many possible applications in our not-too-distant future. While AI may become humanity’s greatest achievement, it carries with it a potential risk that is both existential and irreversible… one of many reasons why experts refer to AI as our “final invention.” This tension is both fascinating and terrifying all at once, and it is the chief inspiration behind Big Data’s latest effort.

Moderately skilled guitar player with a passion for a good groove and a melody.

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